Through its mandate the CAG is concerned essentially with the encouragement of a greater appreciation of contemporary art. We are actively involved in making opportunities for people who would not otherwise have the enjoyment and benefit of working with visual art. Our learning activity celebrates the importance of personal experience and we aim to create accessible environments that allow people of all ages to learn. Various interpretative prompts – curatorial texts, guides, participatory activity, artists’ writings, and filmed interviews – encourage imaginative audience engagement and talks, tours, off-site projects, workshops, residencies and seminars are structured to build ongoing dialogue, providing opportunities for diverse learning activity to develop.
The Contemporary Art Gallery acknowledges the ongoing support of the many volunteers and Board Directors who assist in the development and delivery of our learning programs.
Founding sponsor of our education, learning and outreach programs:
Connor, Clark & Lunn Investment Management Ltd.
Thursday, May 8, 6pm
Emily Carr University of Art + Design
Room 301, 1399 Johnston Street, Granville Island
This special event involves multiple voices approaching notions of abstraction from a variety of poetic, philosophical and theoretical standpoints by Audain Distinguished Artist-in-Residence Jürgen Partenheimer. Born in Munich in 1947, Partenheimer studied the theory and practice of art in Germany, the USA, Mexico and France. As a representative of a subjective abstraction, he is considered one of the most important contemporary artists of Germany. With theory, poetry and prose as his referential grammar for artistic expression, Partenheimer’s work encompasses painting, drawing, sculpture and text. Marked by a post-minimalist background and a poetic intensity, his art has been referred to as metaphysical realism. He became internationally renowned following his participation in the Paris, Venice and São Paulo Biennials, and in 2000 became the first contemporary German artist to have a retrospective in China at the National Museum of Art in Beijing. His work has been part of major exhibitions including The Museum of Modern Art in New York and San Francisco, the Miró Foundation in Barcelona and the Museum Ludwig in Cologne.
Featuring guest appearances by Nigel Prince, Nicholas Lea, Mayko Nguyen and Aoife MacNamara.
Partenheimer’s work has received many national and international prizes and awards, among others the Art Critics’ Prize of Madrid, Spain; the NEA Grant, National Endowment of the Arts, New York; Canada Council Grant, Montréal and the Federal Cross of Merit of Germany for outstanding international achievement. Partenheimer has taught as Professor, Distinguished Visiting Professor and Visiting artist among others at San Francisco Art Institute; Academy of Fine Arts, Düsseldorf, University of California at Davis; Rijks Academy in Amsterdam; Royal College of Art, Edinburgh; Rhode Island School of Design and WITS School of Arts in Johannesburg.
Partenheimer’s residency at Emily Carr takes place from February – May, 2014 in preparation for an exhibition at the Contemporary Art Gallery in the fall of 2014. The exhibition in Vancouver forms part of an open cooperation with the Pinakothek der Moderne München (The Museum of Modern and Contemporary Art, Munich); Falckenberg Collection, Deichtorhallen, Hamburg and the Gemeentemuseum The Hague, exploring site and space-related installation concepts. Parallel to the different exhibitions, all of which will be held in 2014, the participating institutions closely worked on a publication with the artist that aims at commenting on and integrating the various aspects of his work as an additional ‘fifth room’. International authors from a variety of different disciplines, including Anne Carson, Lebogang Mashile, Carla Schulz-Hoffmann, Antje v. Graevenitz, John Burnside, Oswald Egger and Rudi Fuchs, have taken up the invitation to write contributions and become involved in this project. Published by Distanz Publishers, Berlin, 2014.
Established in 2012, the Audain Distinguished Artist in Residence Program has a mandate to bring nationally and internationally renowned contemporary artists to Vancouver, create curriculum specific to each individual visiting artist, and support the creation of new works. Adopting a flexible model that encourages experimentation, collaboration, dialogue and engagement, the program will benefit artists, the academic community, the Vancouver art community at large, and will greatly contribute to Vancouver’s stature within the international art world. The Program, housed within the Audain School of Visual Arts encompassing the Faculty of Visual Arts + Material Practice, provides support for two artists per year to live and work in Vancouver for a one to three month period, and includes living and travel expenses, support for production costs, exhibitions and honoraria.
Please note that Aoife MacNamara’s reading has been removed due to technical difficulties. We sincerely apologize for the inconvenient.MORE
Marilyn Brakhage is a graduate of the Motion Picture Studies and Art History departments of Ryerson and York Universities, Toronto. She has worked as a film distributor, programmer, freelance writer and home educator, and is currently consulting on and managing the estate of her late husband, filmmaker and theoretician, Stan Brakhage (1933–2003). Marilyn responds to the work of her late husband.
This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.MORE
CJSF interns Ana Costa + Anh Dang interview New York visual and video artist Maryam Jafri about her work AVALON (2011), which is Contemporary Art Gallery’s June 2014 exhibition The Act Of Seeing With One’s Own Eyes.
Jafri weaves themes of production, representation and role playing throughout her work.
Aired originally on CJSF’s Spoken Word Surprise July 1st (Tuesday 4pm)
Includes notes from CAG curator and excerpts from the June 26th artist talk.
Talk info + audio: www.contemporaryartgallery.ca/learning/a…yam-jafri/MORE
Thursday, June 26, 7pm
Please join us for a talk by artist Maryam Jafri. Her video work Avalon (2011) is included in The Act of Seeing with One’s Own Eyes.
In her moving image works, Jafri blurs the distinction between scripted films and unscripted documentaries. In Avalon (2011), Jafri seamlessly weaves together stories from real life workers in an unnamed leather company in an unspecified Asian country, with a script that she wrote herself. The workers in this factory are not told that they are making fetish products to be sold to the masses in the United States, and this selective disclosure can be seen in the disconnect between the production process and the final product itself. Parallels can be made between the secretive nature within the leather factory, the viewer’s unsurety of who is an actor and who is not, as well as to the overall editing process which yields a carefully restrained video work about the complex topics of overseas factories and the world of fetish paraphernalia.
Jafri’s solo exhibitions include: Mouthfeel, Gasworks, London (2014); Backdrop, Bielefelder kustverein, Bielefeld, Germany (2013); Stages, WYSPA Institute of Art, Gdansk (2012); Geographies, Museum of Contemporary Art, Roskilde (2012); Headlines and Small Print (with Anderas Fogarasi), Galerie Nova/WHW Zagreb (2012); Global Slum, Beirut, Cairo (2012) and Shanghai Biennial and Taipei Biennial (2012). She has also exhibited in group exhibitions including: Fassbinder Jetzt – Fassbinder and Contemporary Art, Deutsches Filmmuseum, Frankfurt (2013); Past is Present (Murals), Museum of Contemporary Art, Detroit (2013); Ten Thousand Wiles, Hundred Thousand Tricks, MuKHA, Antwerp (2013); When Attitudes Became Forms Become Attitudes, Museum of Contemporary Art, Detroit (2013); Manifesta 9, Genk (2012). Maryam Jafri lives and works in New York and Copenhagen. She holds a BA in Literature from Brown University, an MA from NYU/Tisch School of The Arts and is a graduate of the Whitney Museum Independent Study Program.MORE
Michael Turner is a Vancouver-based writer of fiction, criticism and song. His published multi-genre literary titles include Hard Core Logo, The Pornographer’s Poem and 8 × 10. He has also written essays on the work of artists Julia Feyrer, Brian Jungen, Ken Lum, Christina Mackie and Michael Morris, whose 2012 exhibition Letters: Michael Morris and Concrete Poetry was co-curated by Turner and Scott Watson at the Morris and Helen Belkin Gallery, UBC. A frequent collaborator, he has written scripts with Stan Douglas, poems with Geoffrey Farmer and songs with Andrea Young. His writing can be found online at Canadian Art and on his blog at www.mtwebsit.blogspot.ca. Turner responds to Kevin Schmidt’s exhibition.
This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.