Through its mandate the CAG is concerned essentially with the encouragement of a greater appreciation of contemporary art. We are actively involved in making opportunities for people who would not otherwise have the enjoyment and benefit of working with visual art. Our learning activity celebrates the importance of personal experience and we aim to create accessible environments that allow people of all ages to learn. Various interpretative prompts – curatorial texts, guides, participatory activity, artists’ writings, and filmed interviews – encourage imaginative audience engagement and talks, tours, off-site projects, workshops, residencies and seminars are structured to build ongoing dialogue, providing opportunities for diverse learning activity to develop.
The Contemporary Art Gallery acknowledges the ongoing support of the many volunteers and Board Directors who assist in the development and delivery of our learning programs.
Founding sponsor of our education, learning and outreach programs:
Connor, Clark & Lunn Investment Management Ltd.
Lisa Schmidt is a curator at Hamburger Bahnhof in Berlin. She worked previously at K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf and with Ute Eskildsen at Museum Folkwang, Essen.
Her talk focused on her most recent exhibition, Das Kind, die Stadt und die Kunst (The Child, the City, and the Art), on view at the Schmela Haus of the Kunstsammlung Nordrhein-Westfalen until 15 September, 2013 which examines the social and aesthetic implications of playgrounds by the Dutch architect Aldo van Eyck, with contemporary responses by artists Yto Barrada, Nils Norman and Gareth Moore.MORE
Speaker Series: Artists in Public
This summer the CAG launched a new series inviting creative and cultural producers to share their theories, thoughts, and experiences of developing projects in the public realm.
The first talk presented collaborators Zoe Kreye and Catherine Grau who worked on a public project throughout Vancouver entitled Unlearning Weekender, (A project by Goethe Satellite @ Vancouver, in cooperation with Dance Troupe Practice, Windsor House School, Public Dreams and Revised Projects). They discussed a series of workshops which invited the public to create rituals as a means of challenging invisible social structures aiming to strengthen community bonds.MORE
Karol Sienkiewicz is a Polish art critic and art historian, currently based in Vancouver. He has contributed essays and reviews to numerous publications, including dwutygodnik, Spike, Camera
Austria, Art Agenda and more recently Decoy and Canadian Art. Together with Kasia Redzisz, he has just published Świadomość (Neue Bieriemiennost), the group involving artists such as Miroslaw Balka active in Warsaw during the 1980s. He is currently working on a new publication focusing on the ‘critical artists’ in Warsaw in 1990s, placing their work in the context of recent Polish transformation. Sienkiewicz’s talk considered Warsaw’s 10th-Anniversary Stadium as seen through the lens of contemporary art, the site serving as a transient symbol of historic changes, economic transformation and social relations and a specific reference for Sosnowska’s sculptures exhibited at the Contemporary Art Gallery.