EXHIBITIONS

Haroon Mirza – Entheogens

Loading
Gallery Hours
Tuesday to Sunday 12 - 6pm
Free Admission
 
Icon

Haroon Mirza – Entheogens

Info

ˇ

13 Jan, 2017 to 19 Mar, 2017

Use left (←) and right (→) arrow keys or swipe gestures on a touch device to navigate image gallery.


Haroon Mirza
Entheogens
January 13 to March 19, 2017
B.C. Binning and Alvin Balkind Galleries

Opening: Thursday, January 12, 7-9pm

The Contemporary Art Gallery presents the first solo exhibition in Canada by British artist Haroon Mirza.

Mirza has received international acclaim for work that tests the interplay and friction between sound and light waves and electric current. Kinetic sculptures, performances and immersive installations purposefully cross wired. An advocate of interference (in the sense of electro-acoustic or radio disruption), he creates situations in which he describes his role as a composer, manipulating electricity, a live, invisible and volatile phenomenon calling on instruments as varied as household electronics, vinyl and turntables, LEDs, furniture, video footage and existing artworks by other artists to behave differently.

The exhibition will centre on a series of new and recent works linked to various plants such as Lophophora williamsii, (Peyote), Psilocybe (mushrooms) and Echinopsis pachanoi (San Pedro cactus) known worldwide as supplements to various transcendence practices through their psychotropic qualities, and used for spiritual purposes including meditation and psychedelic psychotherapy. As such the exhibition invites us to consider perceptual shifts, disorientating environments and displacements of light and sound that create delirious moments as we unwittingly interfere with altering signals and appearances.

First made for PIVO in Brazil in May-July 2016, ããã takes over much of our BC Binning Gallery. Developed during a two-month residency in São Paulo, captured images and sounds from the city combine as four videos and eight channels of electric signal visualised through strips of LED light and heard via an array of speakers all in synchronization. The videos reflect on a heady mix of the current political climate in Brazil, the local culture of music, entheogens (plants that have psychedelic properties like the ones used in Ayahuasca) and developments in physics and cosmology, while the overall experience of the work collectively creates a mesmerizing visual and aural effect. Alongside this installation are  series of new pieces consisting of framed copper plates printed and acid etched using various methods including passing an electrical current through plant forms such as Psilocybe cubensis, Amanita muscaria, resting atop the plates. Amanita for example, is a mushroom genus noted for its hallucinogenic properties, with its main psychoactive constituent being the compound muscimol. The mushroom was used as an intoxicant and entheogen by the peoples of Siberia, and has a religious significance in these cultures. There has been much speculation on the possible traditional use of this mushroom as an intoxicant in other places; in the works, the phantom-like images are indelibly fixed into the metal surface, akin so some kind of vision or half-remembered experience.

The copper in these pieces, normally the raw material in the manufacture of printed circuit boards (PCB), also appears along with commercial solar panels in the relief works presented in our Balkind Gallery. Powered by energy from our gallery lights, both Five Liberty Caps (Solar Powered LED Circuit Composition 25) (2015) and Liberty Cap (Solar Powered LED Circuit Composition 27) (2015) comprise Psilocybe semilanceata imprinted copper plates used to complete the circuit, with the solar panels powering the LEDs. As part of their composition, therefore, these wall works involve the mushroom, commonly known as the liberty cap, a psychedelic (or “magic”) mushroom that contains the psychoactive compounds psilocybin, baeocystin and phenylethylamine. Of the world’s psilocybin mushrooms, it is both one of the most widely distributed in nature, and one of the most potent.

Together with these are other new works combining recycled furniture, solar panels, lights and various plant forms that have also have psychotropic qualities. For example, Lophophora williamsii or peyote is a small, spineless cactus containing psychoactive alkaloids, particularly mescaline and is one of the sacred and sought after cactus known to have been used for shamanic ceremonies for over five thousands of years. LED Circuit Composition 18 (Self-Transforming Machine) (2016) references Terence McKenna, an American ethnobotanist, mystic, psychonaut and author, and advocate for the responsible use of naturally occurring psychedelic plants. His experiments with hallucinogens are linked to the experience of viewing the work, named after the supernatural entities encountered during his Dimethyltryptamine (DMT) experiences.

Lamp for Williamsii (2016) is a sculptural assemblage involving a speaker from The National pavilion of Then and Now, a chair, a plastic cover for a civil aviation authority lamp from Emley Moor radio tower, cable, circuit board, Moroccan antique wooden door arch with Iraqi stained glass, and three  Big Bend Peyotes. It is designed to provide the perfect lighting conditions for the plant to grow requiring certain frequencies of light which are visible to the human eye along with blue and red light. More blue light is required than red so Mirza has created a sequence to calibrate the LED lights to the correct ratio using various electronic processes such as pulse width modulation. Such processes were also used in early electronic instruments and as the electrical signal from the LEDs is also amplified through a triangular speaker incorporated as a plinth, the electricity can be heard. The sound composition is therefore dictated by the lighting requirements of the plant.

Changing light conditions in the LEDs and the movement of visitors to the gallery will cause fluctuations in the light signals received by the solar panels across all of these pieces, a metaphor for the transformative properties that can occur through ingesting the plant forms. Processes are left exposed and sounds will occupy space in an unruly way, testing codes of conduct and charging the atmosphere whereby Mirza asks us to reconsider the perceptual distinctions between noise, sound and music, and draws into question the categorization of cultural forms. The exhibition presents a truly hypnotic and transformatory experience.

The exhibition is generously supported by Brigitte and Henning Freybe.

Haroon Mirza lives and works in London. Recent solo exhibitions include ‘ããã’, Pivô, São Paulo, Brazil (2016); Nam June Paik Center, Seoul, South Korea ; Matadero, Madrid, Spain; Museum Tinguely, Basel, Switzerland (all 2015); Museum Haus Konstruktiv, Zurich, Switzerland; Le Corbusier’s Villa Savoye, Poissy, France; IMMA, Dublin, Ireland; Le Grand Palais, Saint-Nazaire, France (all 2014); The Hepworth, Wakefield, UK; MIMA, Middlesbrough, UK (2013); The New Museum, New York, USA; Kunst Halle Sankt Gallen, St Gallen, Switzerland; University of Michigan Museum of Art, Ann Arbor, USA (all 2012); Camden Arts Centre, London and Spike Island, Bristol (2011) and A-Foundation, Liverpool, UK (2009). His work was included in the 7th Shenzhen Sculpture Biennale, China (2012) and the 54th Venice Biennale, Italy (2011), where he was awarded the Silver Lion. He was awarded the Northern Art Prize in 2011, the DAIWA Foundation Art Prize in 2012, the Zurich Art Prize in 2013, the Nam June Paik Art Center Prize in 2014 and the Calder Art Prize in 2015.

Connect

>




Categories

ˇ



Details

ˇ

Artists/Participants:
Haroon Mirza  



Icon

Related Events

Kay Slater
Sunday, March 12, 3pm
Join artist Kay Slater for a guided tour in French.

The Contemporary Art Gallery presents the first solo exhibition in Canada by British artist Haroon Mirza. Mirza has received
international acclaim for work that tests the interplay and friction between sound and light waves and electric current. Kinetic sculptures, performances and immersive installations purposefully cross wired. An advocate of interference (in the sense of electro-acoustic or radio disruption), he creates situations in which he describes his role as a composer, manipulating electricity, alive, invisible and volatile phenomenon calling on instruments as varied as household electronics, vinyl and turntables, LEDs, furniture, video footage and existing artworks by other artists to behave differently.

 

MORE

Kay Slater | Tour in French


Icon

Related Events

Haroon Mirza
Entheogens
January 13 to March 19, 2017

The Contemporary Art Gallery presents the first solo exhibition in Canada by British artist Haroon Mirza.

Mirza has received international acclaim for work that tests the interplay and friction between sound and light waves and electric current. Kinetic sculptures, performances and immersive installations purposefully cross wired. An advocate of interference (in the sense of electro-acoustic or radio disruption), he creates situations in which he describes his role as a composer, manipulating electricity, a live, invisible and volatile phenomenon calling on instruments as varied as household electronics, vinyl and turntables, LEDs, furniture, video footage and existing artworks by other artists to behave differently.

MORE

Nigel Prince | Downtown Gallery Tour


Icon

Related Events

FREE Lunch hour tours
First Thursday every month, with Maddy Tranter
Thursday, March 2, 12.15–12.45pm
Join CAG Visitor Assistant Maddy Tranter for a midday tour of current exhibitions.

 

MORE

FREE Lunch hour tours


Icon

Related Events

Last Sunday of every month with Jocelyn Statia
Sunday, February 26, 3pm
Join CAG Visitor Coordinator, Jocelyn Statia for a tour of the current exhibitions.

MORE

Jocelyn Statia | Sunday afternoon tour of the exhibitions


Icon

Related Events

Guadalupe Martinez
Sunday, April 9, 3pm
Join local artist Guadalupe Martinez for a tour of the current exhibitions in Spanish.

Guided visits are open to the public, providing free opportunities to engage with exhibitions and develop new skills for interpreting contemporary art. We also encourage visits from primary and secondary schools, ESL groups, university and college students and community groups. For more information or to book a guided visit for your group, contact learning@contemporaryartgallery.ca or telephone 604 681 2700.

 

MORE

Guadalupe Martinez | Tour in Spanish


Icon

Related Events

Tommy Ting
Sunday, January 22, 3pm

Join artist Tommy Ting for a tour of the current exhibitions in Mandarin.

New exhibitions by Haroon Mirza and Erdem Tasdelen.

The Contemporary Art Gallery presents the first solo exhibition in Canada by British artist Haroon Mirza. Mirza has received international acclaim for work that tests the interplay and friction between sound and light waves and electric current.

Kinetic sculptures, performances and immersive installations purposefully cross wired. An advocate of interference (in the sense of electro-acoustic or radio disruption), he creates situations in which he describes his role as a composer, manipulating electricity, a live, invisible and volatile phenomenon calling on instruments as varied as household electronics, vinyl and turntables, LEDs, furniture, video footage and existing artworks by other artists to behave differently. Read more at www.contemporaryartgallery.ca

Guided visits are open to the public, providing free opportunities to engage with exhibitions and develop new skills for interpreting contemporary art. We also encourage visits from primary and secondary schools, ESL groups, university and college students and community groups. For more information or to book a guided visit for your group, contact learning@contemporaryartgallery.ca or telephone 604 681 2700.

MORE

Tommy Ting | Tour in Mandarin


Icon

Visit CAG

555 Nelson Street
Vancouver, British Columbia
Canada V6B 6R5

T 00 1 604 681 2700
F 00 1 604 683 2710

Gallery Hours
Tues – Sun 12 – 6 pm



  • Closed on British Columbia statutory holidays
  • The galleries are wheelchair accessible
  • The Gallery is free of charge
  • Suggested donation of $5


Reference Library



Icon

CAG Shop


Icon

Join/Give


Become a Member


The CAG is a not-for-profit reliant on member support. As a Member of the CAG, you are supporting contemporary art now and playing a role in its future.

Make a Donation


Help support the only free public art gallery in Vancouver.
Donate Now

Exhibition
Archive

01-17

top