Okay, well, if you have a friend who is 12 and under, they can accompany you, but otherwise, it’s kids only as the CAG hosts a month of Children’s Film screenings! Continuing his tradition of challenging traditional methods of display, artist Gareth Moore has worked with an impressive set of international artists (including Ulla Von Brandenburg, Keren Cytter, Geoffrey Farmer, Julia Feyrer, Harrell Fletcher, Mike Marshall and Sylvain Sailly) to produce a series of 2-3 minute short films for children.
Kids know that art museums and galleries are mostly for adults. No touching, no loud talking, no rough-housing. In this series, the exhibition has been taken out of the gallery so that there is no confusion that this is not a program for adults. There’s no shushing (unless the other kids want you to be quiet) and if you should want to laugh or sing-along, then that’s what you do.
I’ve been lucky enough to host 2 sessions so far, and I’ve really enjoyed watching the different groups interact with the program. Today’s modern Vancouver kid is not entirely unfamiliar with a 16mm projector, but it’s definitely not something that most of them see regularly. At the Moberly Arts and Culture Centre afternoon showing, the long school day and the novelty of the projector inspired a few of the watchers to project their own shadow puppets over the silhouettes of The Little Hunchback and The Man and the Wild Boar. At Emery Barnes, we spent 2 days outdoors in a tent, inviting kids to check out the film during some of the hotter, last days of summer. Many of the park-goers were under 5, and while we had many in-and-out visitors, 30 minutes of contemporary film was a little much for the toddler crowd.
Some of my highlights so far have been singing along with Tina Fenomena, by Keren Cytter (♫meow, meow-meow-meow♫) and watching the reactions to (my personal favourite) The Drawer, by Geoffrey Farmer, as he draws on top of a picture of David. While the initial flash of the famous genitals can cause a bit of a stir, it’s more the fact that the Drawer draws inside an art book which causes confusion and delight in the crowd.
My next date with the Children’s Films is our screening at the Strathcona Community Centre from 9AM-12:45PM. Tell your friends under 12 to make a date. If they can’t make it on a school day, I’ll also be hosting 2 weekend screenings at the Roundhouse Community Arts & Recreation Centre from 11-4PM on Saturday, November 3rd and Sunday, November 4th. See you then!
Kay Slater (@kdot) is a volunteer at the Contemporary Art Gallery. Come visit her on shift every Sunday from Noon-3PM.
The Contemporary Art Gallery worked with Vancouver artist Gareth Moore to co-commission a project comprising seven new films, screened offsite and a series of related posters in the window spaces at the gallery.
For Children’s Films Moore approached a number of international artists to produce short films for children, each person free to focus on any particular topic, shaping the content and form of their respective piece. Artists invited consist of some from Europe as well as other Vancouver based practitioners familiar to our local audiences. Moore then collated the two to five minute pieces into one longer work, providing it with open and closing credits, each section acting as a discrete but interconnected episode.
Akin to the early days of cinema with travelling magic lantern shows, weekly screenings of the 16mm films took place in different locations throughout the city of Vancouver such as community centres, schools and a tent in Emery Barnes Park in downtown Vancouver.MORE
Lisa Schmidt is a curator at Hamburger Bahnhof in Berlin. She worked previously at K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf and with Ute Eskildsen at Museum Folkwang, Essen.
Her talk focused on her most recent exhibition, Das Kind, die Stadt und die Kunst (The Child, the City, and the Art), on view at the Schmela Haus of the Kunstsammlung Nordrhein-Westfalen until 15 September, 2013 which examines the social and aesthetic implications of playgrounds by the Dutch architect Aldo van Eyck, with contemporary responses by artists Yto Barrada, Nils Norman and Gareth Moore.MORE