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Tuesday to Sunday 12 - 6pm
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Architecture

Clip/Stamp/Fold was the first exhibition of independent architectural magazines produced in the 1960s and 1970s. It was curated by renowned architectural theorist Beatriz Colomina and a group of PhD students at the Princeton University, School of Architecture. The exhibition was first presented in New York at the Storefront for Art and Architecture in 2006. It has since met great critical acclaim especially for remaining geographically specific to each city where it is presented. While the concept and presentation elements are portable, the archival magazines vary, being sourced from local collections. Since its debut in New York, it has traveled to the Canadian Centre for Architecture, Montreal; Documenta 12, Kassel; AA, London; and Norsk Form, Oslo with plans to go to Madrid and Barcelona.

With the help of architectural critic and curator Adele Weder, the CAG researched and assembled from local collections architectural magazines for exhibition. Clip/Stamp/Fold also included custom wallpaper featuring images of the magazines, facsimiles of historical magazines for viewers to peruse, and a historical timeline examining the social and political contexts behind many of the collected magazines.

For Clip/Stamp/Fold 6, the CAG organized a comprehensive program of talks, inviting architects, writers and publishers from the region to respond to the exhibition. Beatriz Colomina gave public a lecture on the exhibition on October 14.

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Clip/Stamp/Fold 6: THE RADICAL ARCHITECTURE OF LITTLE MAGAZINES 196X-197X


Ian Skedd is an artist interested in the dynamics of light as they intersect with architectural space. For the Contemporary Art Gallery’s window vitrines, Skedd built large wooden enclosures, with lateral incisions at intervals that mimic window slats. The light from the gallery’s fluorescent fixtures illuminated and animated these structures. Skedd’s work explored distinctions between its appearance during evening hours, when light spilled from within the enclosures through the slats, and the more imposing structural qualities evident during the day; when it may appear as a hoarding around a building under construction.

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Ian Skedd - Wood Slat Screen


Broken City Lab
Saturday, February 15,  2pm Artist talk – 3-5 pm discussion
The Field House Studio at Burrard Marina
1655€ƒƒ Whyte Avenue

In partnership with SFU Philosophers Café, Broken City Lab will host an artist talk and discussion at the Burrard Marina Field House Studio.

 

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Artist Talk - Broken City Lab


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555 Nelson Street
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Canada V6B 6R5

T 00 1 604 681 2700
F 00 1 604 683 2710

Gallery Hours
Tues – Sun 12 – 6 pm



  • Closed on British Columbia statutory holidays
  • The galleries are wheelchair accessible
  • The Gallery is free of charge
  • Suggested donation of $5


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