Boisjoly is an Aboriginal artist of Haida and Québécois descent based in Vancouver, BC. His practice engages the representation of Aboriginality through vernacular materials, photography and especially text-based work combining contemporary craft, pop references and street art with various cultural signifiers of traditional Northwest Coast imagery. His talk considered the varied intersections of history, technology, and cultural practice as the central concern of his current work marking the beginning of his residency at the Burrard Marina Field House. Presented in collaboration with Emily Carr University of Art + Design.
Upcoming at the Field House
Upcoming at the Field House
Broken City Lab
January to April, 2014
Broken City Lab is an artist-led collective that works through collaborative social practice and creative research to understand the ways in which locality is shaped and enacted in the city. Taking the form of events, workshops, installations, and interventions, their projects aim to connect various disciplines and critique, annotate and re-imagine the cities that they encounter, and have unfolded in collaboration with numerous organizations and institutions. They currently operate CIVIC Space in downtown Windsor, Ontario, a 24-month long project exploring the intersection of art and civic life. As part of the Field House Studio Residency members will embark on site-specific research towards a new project that explores and makes visible issues at the intersection of education, public space and civic life. This new project will develop a sequence of programming that circulates in and around the Burrard Marina Field House.
Broken City Lab’s work recently appeared in the th International Venice Biennial of Architecture as part of the Grounds for Detroit exhibit and the collective was long-listed for the Sobey Art Award. Previous projects have included working with the City of Windsor’s Transit Authority to install community-created text-based art in its buses; interactive outdoor projections detailing hundreds of ideas for saving the city; the design and distribution of removable micro-gardens; interactive text-based performance soware; large-scale messages projected across an international border; artists hosted for an interdisciplinary storefront residency project; a foot long message painted on a parking lot visible from planes and satellites; and leading numerous psycho-geographic walks, DIY workshops and community brainstorming sessions in cities all
For this residency, we gratefully acknowledge the financial support of the Province of British Columbia through the BC Creative
Communities Award and the generosity of many private and individual donations. The Field House Studio Residency Program is generously supported by the Vancouver Park Board and the City of Vancouver. Broken City Lab acknowledges support from Canada Council for the Arts, Ontario Arts Council, City of Windsor and Ontario Trillium Foundation.
Broken City Lab
Saturday, February 15 , 2pm
The Field House Studio at Burrard Marina
In partnership with SFU Philosophers Café, Broken City Lab will
host an artist talk and discussion at the Burrard Marina Field
Marie Lorenz – visit and upcoming 2014 project
This December 2013, Marie Lorenz will visit Vancouver to begin research for a project to be completed in May 2014 at the Burrard Marina Field House.
Marie Lorenz’s work combines psycho-geographic exploration with highly crafted, material forms. In her ongoing project The Tide and Current Taxi, (http://www.tideandcurrenttaxi.org/) Lorenz ferries people on the East and Hudson Rivers surrounding New York City in a boat she has specially made. Lorenz studies tidal charts of the New York Harbor and uses river currents to direct and drift the boat throughout the waterways of the City. The act of floating adds a specific presence to one’s own observation: the viewer maintains an awareness of their own balance and form as they absorb the details in their surroundings. This kind of observation creates something new out of something familiar. For Vancouver Lorenz will begin to develop ideas and discussion toward constructing a new vessel and mapping local waterways in which the community will play an important role as participants.
Previously at the Field House
Canadian artist Raymond Boisjoly was our inaugural resident artist at the Burrard Marina Field House Studio. For six months Boisjoly occupied the Field House, using it as a studio and a place for community engagement.
Please see the related blog posts on the right for more news about his residency at the Field House. Click here for the CAG Field House Blog
The Field House Studio is an off-site artist residency space and community hub organized by the Contemporary Art Gallery. This initiative seeks to support artists whose practice moves beyond conventional exhibition making, echoing the founding origins of the gallery where artists were offered support toward the production of new work. Our goal in presenting art outside of the boundaries of our exhibition spaces is to reach out to communities, offering new ways for individuals to encounter and connect with art and artists, expanding audiences as well as strengthening our commitment to nurturing artists through example, context and commissioning.
Running parallel to the residency program is an ongoing series of public events for all ages.
Speaker Series: Artists in Public
This summer the CAG launched a new series inviting creative and cultural producers to share their theories, thoughts, and experiences of developing projects in the public realm.
Justin A. Langlois
Saturday, August 17, 4pm
Field House Studio at Burrard Marina
Langlois discussed his work as co-founder and research director of Broken City Lab, an artist-led interdisciplinary creative research collective and non-profit organization working to explore locality, infrastructures and creative practice leading towards civic change. He is currently an Assistant Professor in the Faculty of Arts and Social Sciences at the University of Windsor. In the fall of 2013, he will join the Faculty of Culture + Community at Emily Carr University of Art + Design.
Zoe Kreye and Catherine Grau
Saturday, June 22, 4pm
Field House Studio at Burrard Marina
This first talk presented collaborators Zoe Kreye and Catherine Grau who were working on a public project throughout Vancouver entitled Unlearning Weekender, a project by Goethe Satellite @ Vancouver, created in cooperation with Dance Troupe Practice, Windsor House School, Public Dreams and Revised Projects. They discussed the series of workshops which invited the public to create rituals as a means of challenging invisible social structures aiming to strengthen community bonds.
Free drop-in art activities for all ages which responded to the work of Raymond Boisjoly and CAG exhibitions.
Saturday August 24 – A free all ages drop-in art activity: making pin-wheel windmills.
Saturday July 27 – We welcomed art makers of all ages to the Field House, participants learnt the basics of printmaking by making their own styrofoam relief prints.
Saturday June 29 – All ages of visitors dropped by the Field House for a marine mobile workshop, constructing easy-to-make kinetic sculptures which took the marine world as a theme.
The Field House Studio Residency Program is generously supported by the Vancouver Park Board and the City of Vancouver. The inaugural residency with Raymond Boisjoly was supported by the Province of British Columbia through the Ministry of Advanced Education, Innovation and Technology.
Burrard Marina Field House artist-in-residence Raymond Boisjoly hosts a talk and discussion with Nathan Crompton.
Nathan Crompton co-editor of The Mainlander, will speak about the history of the land where Vanier Park and the Burrard Marina Field House are located, previously the Kitsilano Reserve. 2013 marks the 100 year anniversary of the dispossession and displacement of the reserve.MORE
Last week, I chaired a panel at The Life and Death of the Arts in Cities after Mega-Events conference co-organized by Simon Fraser University’s Department of English, the University of British Columbia’s Department of Theatre and Film, and the Queen Mary Drama Department, University of London. The panel was called Art and Activism and I was honoured to have been asked to participate and engage with such an innovative panel and group of conference participants.
The panel consisted of research papers given by Selena Couture, Kirsten Forkert, Heather Sykes and Priya Vadi. The themes of their works focused on questioning the role of Indigenous peoples, lands and culture during the Vancouver, London and Sochi Olympic Games. In their own way, each panelist discussed how the Olympics’ attempts to create a cultural semiotic sign to represent the hosting country- which normally resulted in misappropriating Indigenous knowledges or cultures. This cartoon image designed for the Vancouver Olympics came up a number of times, click her to see the images: http://billtieleman.blogspot.ca/2009/10/2010-vancouver-winter-olympics-should-i.html
The international conference generated dialogue about the role of the arts in the production of urban mega-events, with a specific comparative focus on both the positive and negative cultural legacies of the Vancouver 2010 Winter Olympic and Paralympic Games and the London 2012 Summer Olympic and Paralympic Games (ACME website). The Arts and Activism panel brought together academics, artists, cultural researchers and urban planners in order to re-consider the impact and relevance that Indigenous peoples and lands hold in such large-scale events.
Thank you to the organizers for inviting me to participate and for the panelists for sharing some innovative and thought provoking works!
– Lindsay LachanceMORE
After an amazing week of talking, sharing, conceptualizing and relationship building- the Indigenous Acts Gathering has come to an end. On Friday, August 8th we hosted the participants at the Contemporary Art Gallery for a chance to share and exchange experiences, and potential “next steps” from their week together. Vancouver-based curators, directors and artists were invited to listen, share and respond to the topics and themes that surfaced over the week.
It was an opportunity for the participants to meet and hear from those involved in Vancouver galleries and urban/artistic planners from around the city and artistic community at large. Dylan Robinson and Candice Hopkins facilitated an engaging and thought provoking closing discussion that allowed for the participates to engage with each other and begin dialogues with the invited guests.
It was an honour to have been able to participate and work through topics that are owed so much attention. I look forward to seeing all of you again, and to continue to learn from your works and teachings!
– Lindsay Lachance
The Contemporary Art Gallery is hosting Australian artist Keg de Souza as an up-coming Burrard Civic Marina Artist in Residence in 2015.
I have been lucky enough to spend the last few days with Keg as she begins to conceptualize her upcoming residency. Keg’s most recent works explore ideas surrounding space, place and food. These themes appear to be forming around her residency here in Vancouver. Keg has visited community centre’s and women shelters in the Downtown East Side, UBC Farms, MOA and places in-between to reflect on the use of local foods and spatial politics.
We have also learned that Keg is an amazing vegan and dairy-free cook… so we’re counting on taste testing some of her own recipes!
Check out more about Keg and her work on her blog here and stay posted to find out more about her upcoming residency.
– Lindsay LachanceMORE
The Contemporary Art Gallery is excitingly awaiting this year’s National Aboriginal Day events! On June 21st Indigenous and non-Indigenous communities across Canada gather to acknowledge and celebrate the histories, knowledges and cultures of First Nations, Métis and Inuit peoples. Trout Lake National Aboriginal Day Organizing Committee explains:
Setting aside a day for Aboriginal Peoples is part of the wider recognition of Aboriginal Peoples’ important place within the fabric of Canada and their ongoing contributions as First Peoples. As former Governor General Adrienne Clarkson said, “It is an opportunity for all of us to celebrate our respect and admiration for First Nations, for Inuit, for Métis — for the past, the present and the future. ” (NADOC 2014).
This year’s events will take place at various venues across the city including Trout Lake Community Centre at 3360 Victoria Drive in East Vancouver. Throughout the day there will be a pancake breakfast, a community walk, dance performances, live music, storytelling, and much more! There will also be food and art vendors. At Trout Lake from 2-3pm, the performance of Songs For Reconciliation will take place. Artist in Residence William Wasden Jr, Community members from Hillcrest, Hastings and Britannia Community Centres, UBC Learning Exchange, Britannia Elementary and Hamber Secondary share and celebrate the learning of Kwakwaka’wakw culture.
William Hiłamas Edward Wasden Jr. is ‘Namgis (Nimpkish Valley and Alert Bay Area) from the Kwakwaka’wakw “Kwakwala Speaking Nations”. William was taught traditional Kwakwaka’wakw artwork by late ‘Namgis Chief / Master Carver Pal’nakwalagalis Wakas Douglas Cranmer and also from Haida Artist Don Yeomans. He was taught singing and the traditions around ceremonial culture by the last Kwakwaka’wakw Song Keeper/Composer/Historian, the late Nakwaxda’xw Chief Hiwakalis Tom Willie “Mackenzie” from Blunden Harbour and his late wife, matriarch ‘Malidi Elsie nee Wamiss from Kingcome Inlet. William credits the survival and strength of present Kwakwaka’wakw culture and ceremonies to the teachings of dedicated Elders such as them (Songs For Reconciliation Online, 2014). William Wasden Jr’s residency in Vancouver is coming to an end, but his work with art and reconciliation continues on through the communities he has worked with.
The celebration of National Aboriginal day allows for all interested to learn, share, and enjoy traditional cultural elements like traditional dialects, song, dance, art, histories and knowledge. It is a day of celebration and community building. I can’t wait for Saturday, and hope that you make it out too!MORE
On Monday, October 7th we attended a potluck get-together for everyone involved in the City of Vancouver’s Field House Residence Program at Roundhouse Community Centre. There were heaping plates of kale, rice, beans and hummus, mini glasses of wine, and three hours worth of interesting presentations about what each group of artists are doing to make the most of their unique locations.
One of my favourites was the Loco Moto Art Collective, located in the Aberthau Mansion at West Point Grey Community Centre. Spearheaded by Laura Lee Coles but including around 20 others, the group works broadly in the realm of digital media, eco-aesthetics, and the relationships between humans, technology and nature. They are the newest Field House to have set-up shop, and they’ve already hosted a few events indoors and outdoors. They seem to have lots of wild and wonderful things coming up for the new year. They’ll be launching a new exhibition called No Memes No at Hot Art Wet City at 2206 Main Street on the spookiest day of the year–October 31st.
Another group that piqued my interest was Cloudscape Comics. They’re located at 5955 Ross Street inside the Memorial Park South Field House. The 30 of them approach the production of comics from different backgrounds, which makes their oeuvre very dynamic. There’s something for everyone and they release an anthology of comics every year. They recently posted a call-out for submissions with Sci-Fi/Fantasy comics with queer characters and themes. They offer a free drop-in comic jam every Wednesday starting at 7:30pm at their Field House.
And these are only a few examples of the 50 artists who are enlivening 13 spaces in parks around the city. It was awesome to hear about the ways that other artists are negotiating the best use of their spaces, and it’ll be great to keep an eye on all these projects that are largely community oriented and site specific.
Today at the Burrard Marina Field House! (Saturday September 28th at 4 pm)
Nathan Crompton co-editor of The Mainlander will be speaking about the history of the land where Vanier Park and Burrard Marina Field House are located, previously the Kitsilano Reserve (Crompton co-wrote an article about the reserve here). This year marks 100 years since the dispossession of the Kitsilano Reserve, a year the city of Vancouver has also declared the Year of Reconciliation .
Our Field House Intern (Jaclyn Bruneau) interviewed Crompton about the article and his upcoming talk this past week. Here is an excerpt where Crompton draws out the analogus connection between the history of the dispossessed land and current situations in the city. We will be posting the rest of the interview in the coming days.
Jaclyn Bruneau: Your article in The Mainlander draws attention to the linkage between the kinds of aggressive colonialist displacement and dispossession that took place 100 years ago in 1913, and the accelerating gentrification happening in Gastown, the DTES, and extending as far as Grandview-Woodlands. What kinds of excuses or justifications are people making for these new developments that render such a seemingly obvious linkage invisible? You cite a The Province editorial is titled, “The sooner the Downtown Eastside is cleaned up the better” which touches on this.
Nathan Crompton: I think that “cleaned up” is a telling choice of words in this case. What the editors of the Province want today is what they have always wanted as they lean in on the benefits of a capitalist, colonial society while disavowing the consequences of displacement, exclusion, endemic unemployment in the cities, etc. Our article tries to draw on old Province editorials. There is a 1903 editorial calling for the displacement of the Kits reserve, which describes the First Nations settlement in familiar terms, as an “eyesore” that should be removed because it does not maximize the financial value of the land.
It is important to read those old articles, because despite the passage of time they resonate with our troubled present. What the Province wants to “clean up” is of course the same communities that have been resisting and surviving since the beginning of colonial settlement. This is why the proposed cleaning is so deeply political and social. The cleansing of Vancouver’s low-income neighborhoods is a social cleansing, and we need to look beyond the realm of ideology and discourse to identify the process. The “proposals” being put forward by the Province already being acted upon by the real-estate developers and the police, so we have the white press, the State and capital, each forming their own part of the eternal recurrence of colonialism.
Be sure not to miss Nathan’s talk today at 4pm at the Burrard Marina Field House.
Nathan was invited to speak by our current CAG Field House at Burrard Marina artist-in-residence Raymond Boisjoly. The Field House Studio Residency Program is generously supported by the Vancouver Park Board and the City of Vancouver. The inaugural residency with Raymond Boisjoly is supported by the Province of British Columbia through the Ministry of Advanced Education, Innovation and Technology.MORE