Last Saturday was Vancouver Draw Down. The event took place in multiple locations all over town and it was great day. I hope you had a chance to get out and participate in some of the stations set up around the city. I managed to take in 6 of the 18 locations and one of my stops was naturally the Contemporary Art Gallery.
Artist and Educator, Landon Mackenzie, transformed the gallery’s street front, foyer & hallways into a “Map Room.” Based on her work, Landon invited everyone to explore the “many potentials of drawing and mapping as an act and state of being.”
The place was packed when I arrived. Every table was covered with works in progress as visitors created collages from pieces of topographical print-outs.
When visitors were done they were invited to sketch the Monahan pieces in the BC Binning Gallery, examining form and mark making.
This was the 3rd year for Vancouver Draw Down and I can’t wait for the next. The event celebrated drawing and invited everyone to participate by simply making a mark. As the Vancouver Draw Down site says “If you can write your name, you can draw!”
I saw another great quote posted by Opus Art Supplies encouraging people to dispell their preconceptions: “If you hear a voice within you say – you cannot paint, then by all means paint and that voice will be silenced.” – van Gogh‘
The same goes with drawing!
Kay Slater (@kdot) is a volunteer at the Contemporary Art Gallery. Come visit her on shift every Sunday from Noon-3PM.
The Contemporary Art Gallery presents a major solo exhibition of work by Canadian artist Lyse Lemieux, incorporating two new inter-related large-scale commissions across the gallery façade and off-site at Yaletown-Roundhouse Station.
Lemieux’s artistic practice is often described as one focused on drawing, balanced between figuration and abstraction. Whether working in small (and until very recently, private) notebooks, on sheets of paper, or across the “page” of the gallery façade and the glass panelled architecture of the Yaletown-Roundhouse Station, Lemieux’s working process is inseparable from the forms she creates, which are almost always in reference to the human figure.MORE
FIRE ALARM is an exhibition of work by seven 15-19 year old participants of Looking Through the Window: Visual Art Summer Intensive, a youth program created in collaboration with Arts Umbrella. The exhibition is presented at CAG’s Window Spaces from September 16-24.MORE
Off-site: A New Path to the Waterfall
Lord Strathcona Elementary School, Vancouver
September 11, 2017 – June 29, 2018
This autumn we begin an ambitious public project with US artist Harrell Fletcher, engaging a broad range of Vancouver school students, residents and artists in a series of participatory projects reflecting the artist’s interest in bringing art and life together.MORE
The Contemporary Art Gallery welcomes the Feminist Land Art Retreat (FLAR) for a summer residency. FLAR was born in 2010 with a rock-concert style poster depicting mirrored images of Robert Smithson’s
Spiral Jetty, FLAR transformed this seminal work of land art into something resembling fallopian tubes, while inviting the viewer to a fantasy event. This began FLAR’s conceptual and humorous
subversion of familiar visual forms, including fashion, spa advertising, commemorative architecture, and aerial imagery. FLAR has continued appropriating commercial and art-historical
images with irony, challenging commonly held notions of how feminism is embodied and expressed.
The Contemporary Art Gallery presents the most comprehensive solo exhibition in a public gallery to date of work by Vancouver-based artist Andrew Dadson.
Dadson’s practice engages with the notion of boundaries in relation to space and time, primarily through investigations with materials, process and abstraction. Comprising new, ambitious large-scale paintings, film and installation, this exhibition presents a major statement by this young artist of propositions core to his practice.MORE
July 11 to 20, 2017
Off-site: 524 West 26th Street Gallery, Chelsea, New York
By appointment only.
The Contemporary Art Gallery will present a private exhibition in New York by Vancouver-based artist, Andrew Dadson. Comprising a new commission supported by Vancouver contemporary menswear label wings+horns, the exhibition space will be transformed into a large-scale installation.
Dadson has consistently engaged with the notion of boundaries in relation to space and time in his work, primarily through investigations with materiality, process and abstraction. Through different mediums – painting, film, and photography – Dadson explores the possibility to cross the perceptual boundaries of space, both physical and natural, and is thus reflected in his work in an attempt to subvert our perception and usual ways of looking at things.
The installation will use plant forms and objects sprayed a single colour lit by intense daylight grow lamps. Each light is of a slightly different hue creating multiple shadows on the wall behind and introducing a further dimension to the overall composition. Combined with the large leafy plants, light, shadow and coloured forms produce a painting that evolves and shifts over time. As the organic matter is nurtured over the duration of the exhibition, the unifying painted colour begins to crack and splinter to reveal the fresh natural colours of the leaves beneath.
In partnership with wings+horns.
Since his first solo exhibition at the Helen Pitt Gallery, Vancouver, in 2003, Andrew Dadson has exhibited in solo and group exhibitions in Canada and internationally, in France, Germany, Italy, Belgium, Switzerland and the United States. Dadson was the 2011 recipient of The Brink Award held at the Henry Art Gallery, Seattle.
Dadson is represented by Galleria Franco Noero, Turin, Italy and David Kordansky Gallery, Los Angeles, USA.MORE