We’ve had a very eventful week here at the CAG. In Celebration of our 40th anniversary and the opening of our Current Exhibition we’ve held not one, not two, not three, but four fun events! It’s been pretty great (albiet a tad exhausting for some of our dedicated staff).
On Wednesday September 7th we held a donors preview and screen printing workshop. We were lucky enough to have thirteen of Corita Kent’s original screens to combine in any way guests pleased. Everyone was provided with preprinted cloth aprons to protect their fancy wares and Meggan Winsley from Malaspina Printmakers was on hand to help guests pull the screens. Best of all, everyone who participated got to walk away with their very own Corita Kent inspired print.
Present as well were members of the University of British Columbia Opera. In ode to Corita’s influencial friends (Charles and Ray Eames, Buckminster Fuller, and John Cage to be counted among them), Heather Malloy and Rebecca Paulding performed two of John Cage’s lesser known songs (and by that I mean lesser known than the famous Four minutes, thirty three seconds), Number Sixteen from Song Books and Aria.
The following night welcomed a crowd for the official opening of our current Corita Kent, Thomas Bewick, and Federico Herrero exhibition. What began as a typical art opening (what does that really mean, anyways?) quickly turned into a full blown party.
Members of the UBC Opera performed for a second time, and as the lights dimed everyone loosened their shirt collars to dance to the musical stylings of DJ David Wisdom. The loading bay was tranformed into party central with cupcakes provided by Coco cupcakes, goody bags, a Corita Kent inspired stamp station, personalized crepe paper ‘hats’ for the especially festive guests, and a slideshow showing exhibition documentation from our last 40 years in operation.
The week’s events wrapped up on Saturday with Family Day. We were pleased to welcome children, big and small, to come and see the new exhibition, print t-shirts, and hold a Happening/Parade. With newly minted Corita Kent inspired shirts and banners, guests and musicians took to the streets on one of the warmest days of the summer to celebrate art and life.
The Contemporary Art Gallery presents a major solo exhibition of work by Canadian artist Lyse Lemieux, incorporating two new inter-related large-scale commissions across the gallery façade and off-site at Yaletown-Roundhouse Station.
Lemieux’s artistic practice is often described as one focused on drawing, balanced between figuration and abstraction. Whether working in small (and until very recently, private) notebooks, on sheets of paper, or across the “page” of the gallery façade and the glass panelled architecture of the Yaletown-Roundhouse Station, Lemieux’s working process is inseparable from the forms she creates, which are almost always in reference to the human figure.MORE
FIRE ALARM is an exhibition of work by seven 15-19 year old participants of Looking Through the Window: Visual Art Summer Intensive, a youth program created in collaboration with Arts Umbrella. The exhibition is presented at CAG’s Window Spaces from September 16-24.MORE
Off-site: A New Path to the Waterfall
Lord Strathcona Elementary School, Vancouver
September 11, 2017 – June 29, 2018
This autumn we begin an ambitious public project with US artist Harrell Fletcher, engaging a broad range of Vancouver school students, residents and artists in a series of participatory projects reflecting the artist’s interest in bringing art and life together.MORE
The Contemporary Art Gallery welcomes the Feminist Land Art Retreat (FLAR) for a summer residency. FLAR was born in 2010 with a rock-concert style poster depicting mirrored images of Robert Smithson’s
Spiral Jetty, FLAR transformed this seminal work of land art into something resembling fallopian tubes, while inviting the viewer to a fantasy event. This began FLAR’s conceptual and humorous
subversion of familiar visual forms, including fashion, spa advertising, commemorative architecture, and aerial imagery. FLAR has continued appropriating commercial and art-historical
images with irony, challenging commonly held notions of how feminism is embodied and expressed.
The Contemporary Art Gallery presents the most comprehensive solo exhibition in a public gallery to date of work by Vancouver-based artist Andrew Dadson.
Dadson’s practice engages with the notion of boundaries in relation to space and time, primarily through investigations with materials, process and abstraction. Comprising new, ambitious large-scale paintings, film and installation, this exhibition presents a major statement by this young artist of propositions core to his practice.MORE
July 11 to 20, 2017
Off-site: 524 West 26th Street Gallery, Chelsea, New York
By appointment only.
The Contemporary Art Gallery will present a private exhibition in New York by Vancouver-based artist, Andrew Dadson. Comprising a new commission supported by Vancouver contemporary menswear label wings+horns, the exhibition space will be transformed into a large-scale installation.
Dadson has consistently engaged with the notion of boundaries in relation to space and time in his work, primarily through investigations with materiality, process and abstraction. Through different mediums – painting, film, and photography – Dadson explores the possibility to cross the perceptual boundaries of space, both physical and natural, and is thus reflected in his work in an attempt to subvert our perception and usual ways of looking at things.
The installation will use plant forms and objects sprayed a single colour lit by intense daylight grow lamps. Each light is of a slightly different hue creating multiple shadows on the wall behind and introducing a further dimension to the overall composition. Combined with the large leafy plants, light, shadow and coloured forms produce a painting that evolves and shifts over time. As the organic matter is nurtured over the duration of the exhibition, the unifying painted colour begins to crack and splinter to reveal the fresh natural colours of the leaves beneath.
In partnership with wings+horns.
Since his first solo exhibition at the Helen Pitt Gallery, Vancouver, in 2003, Andrew Dadson has exhibited in solo and group exhibitions in Canada and internationally, in France, Germany, Italy, Belgium, Switzerland and the United States. Dadson was the 2011 recipient of The Brink Award held at the Henry Art Gallery, Seattle.
Dadson is represented by Galleria Franco Noero, Turin, Italy and David Kordansky Gallery, Los Angeles, USA.MORE