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Vancouver

The Contemporary Art Gallery welcomes the Feminist Land Art Retreat (FLAR) for a summer residency. FLAR was born in 2010 with a rock-concert style poster depicting mirrored images of Robert Smithson’s
Spiral Jetty, FLAR transformed this seminal work of land art into something resembling fallopian tubes, while inviting the viewer to a fantasy event. This began FLAR’s conceptual and humorous
subversion of familiar visual forms, including fashion, spa advertising, commemorative architecture, and aerial imagery. FLAR has continued appropriating commercial and art-historical
images with irony, challenging commonly held notions of how feminism is embodied and expressed.

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Residency | Feminist Land Art Retreat


Andrew Dadson
Site For Still Life
October 13 – December 31, 2017
B.C. Binning & Alvin Balkind Galleries

 

The Contemporary Art Gallery presents the most comprehensive solo exhibition in a public gallery to date of work by Vancouver-based artist Andrew Dadson.

Dadson’s practice engages with the notion of boundaries in relation to space and time, primarily through investigations with materials, process and abstraction. Comprising new, ambitious large-scale paintings, film and installation, this exhibition presents a major statement by this young artist of propositions core to his practice.

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Andrew Dadson | Site For Still Life


Sikarnt Skoolisariyaporn
July 31 to September 10, 2017

Produced in partnership with the Contemporary Art Gallery, Access Gallery and Burrard Arts Foundation, Sikarnt Skoolisariyaporn, currently based between Bangkok and Düsseldorf, is the eighth and final artist to participate in Twenty-Three Days at Sea, the travelling artist residency originated by Access.

Through moving image, performance, text and installation, Skoolisariyaporn’s practice embraces perpetual complexity of space and time. She is interested in contingency of the seascape, a landscape which only reveals itself in the fourth dimension of time, in its constant shifting through wave and wind. The seascape not only suggests an alternative approach to our perception of spatiality, but to the way our formless reality operates. There is perhaps no image that better describes our neoliberal present than a mass of alienated consumer products–at once material and monetary–floating precariously in the middle of the sea. Skoolisariyaporn imagines that as sea levels rise with climate change, the ground of modern reason “floods,” and a new “superstitious liquid state” pours in to take its place.

Following her time aboard a container ship to Shanghai in Twenty-Three Days at Sea, Skoolisariyaporn will take up residence at the Burrard Marina Field House Studio, and through a number of programmed events, will explore the state of flux of the sea and transnational mode of production in relation to ‘Cargo Cult’, a cultural phenomenon practiced by indigenous peoples in Melanesia in the wake of their contact with the colonialist West. The work will be presented in an exhibition at Access Gallery opening September 8, 2017.

Sikarnt Skoolisariyaporn’s practice involves moving image, performance, text, and installation, and examines notions of human and non-human history embedded in geological spacetime: the history of mankind as remembered by the earth and its landscape. She is particularly interested in the landscape of the sea, because a “seascape” offers the potential to imagine a perpetual landscape that transcends the concept of “space” into “time.” In this way, she suggests, the landscape of the sea suggests a new way to understand and approach history and spatiality. Recent exhibitions and performances include Chongqing Changjiang Contemporary Museum, Chongqing, China; Biquini Wax, Mexico City; Deptford Lounge, London, UK; Kunstakademie Dusseldorf; Gruentaler 9, Berlin; and Five Years Project, London, UK. Skoolisariyaporn lives and works in London and Bangkok.

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Residency | Burrard Marina Field House Studio | Sikarnt Skoolisariyaporn


Call for submissions: Cartems donuterie in partnership with CAG Young Patrons

Application Deadline is April 30th.

Cartems is partnering with the Contemporary Art Gallery, Vancouver to select an exhibition for June 2017 that will be presented in our storefront on West Pender Street.

Submission details below.

We are accepting submissions for either a solo or group exhibition that speaks to the evolving narrative of what it means to be a ‘Vancouverite’ – how work can address our notions of identity, history and space. This show will run for approximately one month and features an opening night with wine and donuts, actively promoted through social media coverage.

The featured artists or collective will be chosen by Krista Bailie, General Manager of Cartems Donuts and a panel comprised of CAG Young Patrons.

The selection committee will be judging work based on its ability to:
– activate and be in dialogue with the social space of Cartems Donuts
– strengthen community connections
– celebrate Vancouver’s rich and diverse arts and culture community.

If you are interested in submitting your work, please apply by attaching your CV, artist statement and 5-6 images in a single PDF to [email protected]

Application Deadline is April 30th, at 5pm.

Cartems Donuts is a locally owned and operated bakery in various locations in Vancouver. As a team consisting of artists, dancers, writers and musicians, we believe in promoting emerging artists in our community and offer a high traffic location where emerging artist’s work can be seen and enjoyed by Vancouverites and visitors.

The CAG Young Patrons program is an initiative to engage individuals aged 19-45 who are interested in becoming involved in the vibrant cultural scene in Vancouver. Connecting young professionals, artists and creatives, Young Patrons is an entry point into engagement in the Vancouver arts community through social and educational events, from studio visits to collection tours and more, as well as exciting events with our dynamic community partners.

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Call for submissions: Cartems donuterie in partnership with CAG Young Patrons


Join artist Derya Akay, Hayat Shabo and her daughter Carmen Aldakhlallah of Tayybeh as they explore Syrian cuisine

RSVP your ticket here: https://www.picatic.com/event14912617773169

Please note tickets are very limited.

Hayat Shabo, a chef originating from Damascus, and her daughter Carmen Aldakhlallah will discuss traditional Syrian dishes while demonstrating how to prepare kibbeh, minced meat, onion and bulgur balls.

All participants are welcome to try their hand at making kibbeh under Hayat’s guidance. Over the afternoon there will be opportunities to taste a range of Syrian recipes and share stories about food traditions.

This event is presented in collaboration with Tayybeh, a nascent organisation that aims to support Syrian women in Vancouver by organising community-based dining experiences. By showcasing beautiful and authentic dishes from their hometowns in Syria, the women of Tayybeh have access to an income and financial independence. Working together, they build connections with other women and interact with the communities they live in. All while doing something they love: cooking.

The word “tayybeh” in Arabic is the feminine construction that means “kind”, and in the colloquial Levantine dialect means “delicious.”

The Contemporary Art Gallery welcomes Vancouver-based artist Derya Akay as the CAG Burrard Marina Field House resident this spring. Expanding on recent projects, Akay is collaborating with women elders from a range of cultural backgrounds to explore and share local and diasporic culinary traditions through a series of workshops and meals. This convivial partaking of food is a gateway to oral history, which Akay understands as both storytelling and the sensations and memories summoned through communal eating.

About the Burrard Marina Field House
Throughout 2017 CAG is hosting a series of artists-in-residence, each working toward participatory projects to be realised throughout 2017–2019. The Field House Studio is an off-site artist residency space and community hub organised by CAG. This program moves beyond conventional exhibition making, echoing the founding origins of the gallery where artists were offered support toward the production of new work while reaching out to communities and offering new ways for individuals to encounter, participate and connect with art and artists.

The Field House Studio Residency Program is generously supported by Vancouver Park Board and the City of Vancouver, along with many private and individual donors. Please visit our website for a full list of supporters. For further details about the program, all forthcoming residencies and associated events visit our website at www.contemporaryartgallery.ca and the Field House blog at www.burrardmarinafieldhouse.blog

For 2016–2019 we acknowledge the generous support of the Field House Studio Residency Program by the Vancouver Foundation

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Derya Akay and Tayybeh explore Syrian cuisine


We are pleased to announce Andi Icaza-Largaespada as the winner of the second CAG Prize for an emerging artist selected from the BFA program at the School for the Contemporary Arts at Simon Fraser University.

Generously sponsored by the Peter Szeto Investment Group | BMO Nesbitt Burns, the CAG prize includes an award of $2,500, a solo presentation at CAG, career advice and a gift certificate from the CAG bookshop.

Andi Icaza-Largaespada’s practice — of image-reading and image-making — suggests a continuation of symbolic and subversive acts of resistance. Her multidisciplinary work incorporates elements of social research, ethics and sustainability and takes the forms of photography, sculpture and writing. Through her work, Icaza-Largaespada seeks to honour the emancipating labour of the women of Mina El Limon, Rancho Grande and Nueva Guinea in Nicaragua and the growing localized efforts of alternative community building.

The BFA graduation exhibition Lazy Susan at Audain Galleries continues until April 22. Congratulations to all the graduating students:

Jessica Chu, Danni Gárate Cubillos, Kayla Elderton, Megan Fillo, Aghigh Gougani, Andi Icaza-Largaespada, A Yeong Kim, Carolina Krawczyk, Jilann Lechner, Cindy Liu, Clara Liu, Betty Ma, Emily Marston, Sana Sayahpour, Feon Yeung, Nico Yu and Jaromir Zelazny.

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Andi Icaza-Largaespada wins CAG Prize 2017


Curator tour
Saturday, April 22, 3pm
Join us for a guided tour of the exhibition Song of the Open Road.

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Curatorial tour with Kimberly Phillips


Curator’s Talk: Sally Tallant
Wednesday, April 12, 5:30pm

The Contemporary Art Gallery is pleased to partner with the Vancouver Art Gallery to present a talk by Sally Tallant, Director of Liverpool Biennial, UK, as she visits Vancouver on the occasion of the exhibition Vancouver Special: Ambivalent Pleasures (December 3, 2016 to April 17, 2017). Please join us at CAG for Tallant’s presentation on her current work, followed by questions and a small reception.

Sally Tallant is the Director of Liverpool Biennial, UK. Developing an interdisciplinary approach, Tallant has delivered large-scale exhibitions and commissioned ambitious music and performance programmes, including a new work by Michael Nyman in 2014.

Previously Tallant was Head of Programmes at the Serpentine Gallery, London where she was responsible for the development and delivery of an integrated programme of Exhibitions, Architecture, Education and Public Programmes. She has curated exhibitions in a wide range of contexts including the Hayward Gallery, Serpentine Gallery, Hospitals, Schools as well as public commissions. Additionally, her curated performances, sound events, film programmes and conferences include initiating the Park Nights series in the Serpentine Gallery Pavilions and co-curating the Serpentine Gallery Marathon series with Hans Ulrich Obrist.

Liverpool Biennial is the UK biennial of contemporary art. It takes place across the city of Liverpool in public places, unused buildings and galleries. The Biennial is underpinned by a programme of research, education, residencies and commissions. Founded in 1998, Liverpool Biennial has commissioned 305 new artworks and presented work by over 450 artists from around the world.

Liverpool Biennial 2018 takes place from 14 July – 28 October.

We gratefully acknowledge the financial support of the Province of British Columbia

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Curator Talk - Sally Tallant


We invite you to a special evening with renowned photographer Vikky Alexander

Meet at CAG at 6pm, drinks at 7pm at Opus Bar in Yaletown

Join us for an exclusive evening with artist Vikky Alexander. Alexander is one of Vancouver’s most acclaimed artists, often considered in association with the “Pictures Generation” and photo-conceptualism, she is best known for her large-scale photo mural installations and multimedia works that combine photography with sculptural objects.

Alexander will discuss Model Suite (Sliding Door) 2005/2017, a large-scale mural at CAG’s off-site Yaletown-Roundhouse Station site as part of the exhibition Song of the Open Road in partnership with Capture Photography Festival. Young Patrons are invited to a complimentary round of cocktails following the talk at the Opus Bar. Opus will be creating two custom cocktails inspired by Alexander.

We will be meeting at 6pm at the CAG and will walk collectively to the Yaletown-Roundhouse Station, Canada Line.

Sign up as a Young Patron today and begin your membership with the chance to meet Vikky personally over complimentary drinks at the Opus Bar after the talk.

In becoming part of the CAG Young Patrons community, you are joining a network of art-minded young professionals, artists and other creatives. Attend behind-the-scenes art gatherings that are both social and educational (drink and learn about contemporary art), from studio visits, to collections tours and more, as well as exciting events with our dynamic community partners. New members will also receive a limited edition publication and artist edition. If you are interested in learning more about the Young Patrons, please email [email protected]

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Happy Hour | Vikky Alexander


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