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Residencies

The Contemporary Art Gallery welcomes the Feminist Land Art Retreat (FLAR) for a summer residency. FLAR was born in 2010 with a rock-concert style poster depicting mirrored images of Robert Smithson’s
Spiral Jetty, FLAR transformed this seminal work of land art into something resembling fallopian tubes, while inviting the viewer to a fantasy event. This began FLAR’s conceptual and humorous
subversion of familiar visual forms, including fashion, spa advertising, commemorative architecture, and aerial imagery. FLAR has continued appropriating commercial and art-historical
images with irony, challenging commonly held notions of how feminism is embodied and expressed.

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Residency | Feminist Land Art Retreat


Sikarnt Skoolisariyaporn
July 31 to September 10, 2017

Produced in partnership with the Contemporary Art Gallery, Access Gallery and Burrard Arts Foundation, Sikarnt Skoolisariyaporn, currently based between Bangkok and Düsseldorf, is the eighth and final artist to participate in Twenty-Three Days at Sea, the travelling artist residency originated by Access.

Through moving image, performance, text and installation, Skoolisariyaporn’s practice embraces perpetual complexity of space and time. She is interested in contingency of the seascape, a landscape which only reveals itself in the fourth dimension of time, in its constant shifting through wave and wind. The seascape not only suggests an alternative approach to our perception of spatiality, but to the way our formless reality operates. There is perhaps no image that better describes our neoliberal present than a mass of alienated consumer products–at once material and monetary–floating precariously in the middle of the sea. Skoolisariyaporn imagines that as sea levels rise with climate change, the ground of modern reason “floods,” and a new “superstitious liquid state” pours in to take its place.

Following her time aboard a container ship to Shanghai in Twenty-Three Days at Sea, Skoolisariyaporn will take up residence at the Burrard Marina Field House Studio, and through a number of programmed events, will explore the state of flux of the sea and transnational mode of production in relation to ‘Cargo Cult’, a cultural phenomenon practiced by indigenous peoples in Melanesia in the wake of their contact with the colonialist West. The work will be presented in an exhibition at Access Gallery opening September 8, 2017.

Sikarnt Skoolisariyaporn’s practice involves moving image, performance, text, and installation, and examines notions of human and non-human history embedded in geological spacetime: the history of mankind as remembered by the earth and its landscape. She is particularly interested in the landscape of the sea, because a “seascape” offers the potential to imagine a perpetual landscape that transcends the concept of “space” into “time.” In this way, she suggests, the landscape of the sea suggests a new way to understand and approach history and spatiality. Recent exhibitions and performances include Chongqing Changjiang Contemporary Museum, Chongqing, China; Biquini Wax, Mexico City; Deptford Lounge, London, UK; Kunstakademie Dusseldorf; Gruentaler 9, Berlin; and Five Years Project, London, UK. Skoolisariyaporn lives and works in London and Bangkok.

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Residency | Burrard Marina Field House Studio | Sikarnt Skoolisariyaporn


Join artist Derya Akay, Hayat Shabo and her daughter Carmen Aldakhlallah of Tayybeh as they explore Syrian cuisine

RSVP your ticket here: https://www.picatic.com/event14912617773169

Please note tickets are very limited.

Hayat Shabo, a chef originating from Damascus, and her daughter Carmen Aldakhlallah will discuss traditional Syrian dishes while demonstrating how to prepare kibbeh, minced meat, onion and bulgur balls.

All participants are welcome to try their hand at making kibbeh under Hayat’s guidance. Over the afternoon there will be opportunities to taste a range of Syrian recipes and share stories about food traditions.

This event is presented in collaboration with Tayybeh, a nascent organisation that aims to support Syrian women in Vancouver by organising community-based dining experiences. By showcasing beautiful and authentic dishes from their hometowns in Syria, the women of Tayybeh have access to an income and financial independence. Working together, they build connections with other women and interact with the communities they live in. All while doing something they love: cooking.

The word “tayybeh” in Arabic is the feminine construction that means “kind”, and in the colloquial Levantine dialect means “delicious.”

The Contemporary Art Gallery welcomes Vancouver-based artist Derya Akay as the CAG Burrard Marina Field House resident this spring. Expanding on recent projects, Akay is collaborating with women elders from a range of cultural backgrounds to explore and share local and diasporic culinary traditions through a series of workshops and meals. This convivial partaking of food is a gateway to oral history, which Akay understands as both storytelling and the sensations and memories summoned through communal eating.

About the Burrard Marina Field House
Throughout 2017 CAG is hosting a series of artists-in-residence, each working toward participatory projects to be realised throughout 2017–2019. The Field House Studio is an off-site artist residency space and community hub organised by CAG. This program moves beyond conventional exhibition making, echoing the founding origins of the gallery where artists were offered support toward the production of new work while reaching out to communities and offering new ways for individuals to encounter, participate and connect with art and artists.

The Field House Studio Residency Program is generously supported by Vancouver Park Board and the City of Vancouver, along with many private and individual donors. Please visit our website for a full list of supporters. For further details about the program, all forthcoming residencies and associated events visit our website at www.contemporaryartgallery.ca and the Field House blog at www.burrardmarinafieldhouse.blog

For 2016–2019 we acknowledge the generous support of the Field House Studio Residency Program by the Vancouver Foundation

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Derya Akay and Tayybeh explore Syrian cuisine


Derya Akay – The Chosen Food: Mantι, Börek, Baklava – Shabbat Dinner & Fresh Challah
Sunday, April 2, 5-8pm
The Jewish Museum and Archives of BC
6184 Ash Street, Second Floor, Vancouver

$40
Purchase tickets here

CAG and The Jewish Museum and Archives of BC are pleased to present The Chosen Food: Mantι, Börek, Baklava – Shabbat Dinner & Fresh Challah. This is the second event in the series Mantι, Börek, Baklava by Vancouver-based artist Derya Akay, the current CAG Burrard Marina Field House resident this spring. Akay will prepare a dinner informed by the family recipes of Jewish community members Sara Ciacci, Leonor Etkin, Claire Hammer, and Debbie Kafka. Several of these women will be present to share the history, memory and symbolism associated with the dishes served.

Expanding on recent projects, Akay is collaborating with women elders from a range of cultural backgrounds to explore and share local and diasporic culinary traditions through a series of workshops and meals. This convivial partaking of food is a gateway to oral history, which Akay understands as both storytelling and the sensations and memories summoned through communal eating.

This event is also the first evening in The Jewish Museum and Archives of BC supper club series, The Chosen Food. Each event in this series will showcase a regional style of Jewish cuisine. Read more here: www.jewishmuseum.ca/program/the-chosen-food/

 

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Derya Akay - The Chosen Food: Mantι, Börek, Baklava - Shabbat Dinner & Fresh Challah


Derya Akay
Manti, Börek, Baklava
Burrard Marina Field House Residency
Until April 2017

The Contemporary Art Gallery welcomes Vancouver-based artist Derya Akay as the Burrard Marina Field House artist-in-residence this spring.

Akay is collaborating with women elders from a range of cultural backgrounds to explore and share local and diasporic culinary traditions. This convivial preparing and partaking of food is a gateway to oral history, which Akay understands as both storytelling and the sensations and memories summoned through communal eating.

“For my residency, I have developed the project working with five elder women who will work with me to give workshops to ten to fifteen people, as a social exercise that revolves around food, time and the labour of kitchen” – Derya Akay

Over the course of March, April and May, Derya Akay will co-host a series of workshops and meals where the public is invited to gather for cooking and conversation with the women elders.

Image: Derya Akay and women elders cook at the Burrard Marina Field House. Photograph Michelle Martin.

Upcoming events:

Saturday, March 18, 12-3pm, free
Cooking with Maria Dyulgerova and her granddaughter Biliana Velkova

AT: Burrard Marina Field House, 1655 Whyte Avenue, Vancouver.
Tickets and information (currently a wait list)

Sunday, April 2, 5-8pm, $40 includes full meal and workshop.
Shabbat Dinner and Fresh Challah presented in partnership with The Jewish Museum and Archives of BC. 

Dinner will be prepared by artist Derya Akay, Sara Ciacci, Leonor Etkin, Claire Hammer and Debbie Kafka.
AT: The Jewish Museum and Archives of BC, 6184 Ash Street (2nd floor), Vancouver.
Tickets and information

More events to be announced in April and May, please check www.contemporaryartgallery.ca for details.

Derya Akay (b, 1988, Turkey) is an artist living in Vancouver.  He received the 2016 Portfolio Prize Emerging Artist Award in Vancouver. Recent solo exhibitions include with bread, Campbell River Art Gallery, 2017; Pumice, Del Vaz Projects, Los Angeles, California, 2017; Painting with Light, Kunstverein Toronto, 2015; Breakfast, Lunch, Dinner & Supper, Centre A, Vancouver, 2014. Group exhibitions include Aga Khan Museum, Toronto, 2017; Unit 17, Vancouver, 2017; Ambivalent Pleasures, Vancouver Art Gallery, 2016; The Gardener Museum, Toronto, 2015; Geometry of Knowing Part I, Simon Fraser University Gallery, Burnaby, 2015.

About the Burrard Marina Field House
Throughout 2017 CAG is hosting a series of artists-in-residence, each working toward participatory projects to be realized throughout 2017–2019. The Field House Studio is an off-site artist residency space and community hub organized by CAG. This program moves beyond conventional exhibition making, echoing the founding origins of the gallery where artists were offered support toward the production of new work while reaching out to communities and offering new ways for individuals to encounter, participate and connect with art and artists.

The Burrard Marina Field House Studio Residency Program is generously supported by Vancouver Park Board and the City of Vancouver, along with many private and individual donors. Please visit our website for a full list of supporters. For further details about the program, all forthcoming residencies and associated events visit our website at www.contemporaryartgallery.ca
and the Field House blog at www.burrardmarinafieldhouse.blog

For 2016–2019 we acknowledge the generous support of the Burrard Marina Field House Studio Residency Program by the Vancouver Foundation.

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Burrard Marina Field House Studio - Derya Akay: Mantı, Börek, Baklava


Cooking with Maria Dyulgerova & her granddaughter Biliana Velkova

Burrard Marina Field House, 1655 Whyte Ave, Vancouver, BC, Canada

We invite participants to join in the preparation and enjoyment of the food while sharing stories and conversation.

Tickets are free can be reserved here.
Limited tickets are available, a wait list will be available.

The Contemporary Art Gallery welcomes Vancouver-based artist Derya Akay as the CAG Burrard Marina Field House resident this spring. Expanding on recent projects, Akay is collaborating with women elders from a range of cultural backgrounds to explore and share local and diasporic culinary traditions through a series of workshops and meals. This convivial partaking of food is a gateway to oral history, which Akay understands as both storytelling and the sensations and memories summoned through communal eating.

About the Burrard Marina Field House
Throughout 2017 CAG is hosting a series of artists-in-residence, each working toward participatory projects to be realized throughout 2017–2019. The Field House Studio is an off-site artist residency space and community hub organized by CAG. This program moves beyond conventional exhibition making, echoing the founding origins of the gallery where artists were offered support toward the production of new work while reaching out to communities and offering new ways for individuals to encounter, participate and connect with art and artists.

The Field House Studio Residency Program is generously supported by Vancouver Park Board and the City of Vancouver, along with many private and individual donors. Please visit our website for a full list of supporters. For further details about the program, all forthcoming residencies and associated events visit our website at www.contemporaryartgallery.ca and the Field House blog at www.burrardmarinafieldhouse.blog

For 2016–2019 we acknowledge the generous support of the Field House Studio Residency Program by the Vancouver Foundation.

MORE

Derya Akay, cooking with Maria Dyulgerova & her granddaughter Biliana Velkova


Diane Borsato
The Moon Is Often Referred To As A Dead, Barren World, But I Think This Is Not Necessarily The Case
Saturday, March 25, 6-9pm
B.C. Binning Gallery

With the collaboration of Judie Glick, Kuniko Yamamoto, Naomi Sawada and Anne Morrell Robinson.

The Contemporary Art Gallery presents a unique one-night installation by Toronto-based artist Diane Borsato. Evolving from a research visit to Vancouver in summer 2016 as part of our Burrard Marina Field House Studio Residency Program, Borsato will work with members of the Japanese flower arranging (Ikebana) community in Vancouver to develop The Moon Is Often Referred To As a Dead, Barren World, But I Think This Is Not Necessarily The Case.

Typical of her practice, Borsato often works with amateur organisations – mycologists, astronomers, beekeepers – in projects that examine social and sensorial modes of knowing. She has been practising and researching Sogetsu Ikebana for several years.

Taking its title from a statement made by the modern sculptor and Sogetsu founder Teshigahara Sofu in Kadensho: Book of Flowers the work echoes ideas found in the publication in which he imagines making arrangements in another, very different world. For the project, Borsato invites several Ikebana masters from the modern Sogetsu school to participate in a collaborative workshop and installation. The practitioners will work with seasonal materials, and objects, supplies and the space of the gallery building itself to provide a conceptual framework for materialising a dialogue between the worlds of Ikebana – often a highly technical, rule-based traditional cultural practice and contemporary art – with its own unmistakable tropes and cultural specificities.

The project is generously supported by The Vancouver Foundation.

Diane Borsato has established an international reputation for her social and interventionist practices, performance, video, photography, and sculpture. She was twice nominated for the Sobey Art Award and was winner of the Victor Martyn-Lynch Staunton Award for her work in the Inter-Arts category from the Canada Council for the Arts. She has exhibited and performed at major Canadian institutions including the Art Gallery of Ontario, The Power Plant, the Art Gallery of York University, MOCCA (Toronto), the Vancouver Art Gallery, the National Art Centre (Ottawa), and in galleries and museums in the US, France, Mexico, Taiwan and Japan.

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Diane Borsato - The Moon Is Often Referred To As A Dead, Barren World, But I Think This Is Not Necessarily The Case


Hello, my name is Michele Davey. I am in my third year at the University of British Columbia completing a Bachelor of Fine Arts in Visual Art. I am happy to be interning and assisting with learning programs at the CAG  through my studio class Artists in Society at UBC. This internship is a special opportunity for me to work within an art institution in order to witness the process and rhythm of the gallery space.

I have been documenting and blogging about Burrard Marina Field House artist in residence, Keg de Souza and her temporary installation located in a former Dim Sum restaurant at 544 Main St.  After visiting Keg in the space, I began to examine and reflect on Vancouver’s Chinatown in new ways. I find Keg’s work very unique and I feel lucky to have witnessed the growth of her installation related to food culture, displacement and urban gentrification in Vancouver.

I am an artist of many mediums, including drawing, painting, printmaking, sound, video, and photography. Currently, I am learning how to communicate ideas visually and acquiring medium specific skills to be able to generate meaningful content. You can visit my website at www.michelejubilee.com to see more of my work. Two of my favourite mediums are photography and painting. I am excited to interact with the community and learn more about the CAG and it’s projects.

-Michele

 

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Hello from Michele, exploring learning programs at CAG.


‘The Madam’, was created as part of the ‘Skins’ workshop. In collaboration with the Museum of Anthropology, Emily Carr University of Art + Design and the Initiative for Indigenous Futures (IIF), a branch of Aboriginal Territories in Cyberspace (AbTeC), Skawennati led an intensive workshop called ‘Skins’ participating in MOA’s Native Youth Program. Supported by the British Columbia Arts Council Youth Engagement program.

‘Skins’ involved six Indigenous youth currently participating in the Native Youth Program, part of an ongoing relationship between CAG and MOA. Hosted at ECUAD, the workshop began with an exploration of storytelling as oral tradition folding into how stories can be told in new ways through ‘machinima’ (a portmanteau of “machine” and “cinema”).

Calvin Charlie-Dawson – Squamish, Stó:lō, Kwakwaka’wakw
Dusty Carpenter – Heiltsuk
Latisha Wadhams – Kwakwaka’wakw
Karoleena Medina – Heiltsuk
Jennifer Pahl – Tsimshian, Nisga’a , Gitxsan
Isaiah Wadhams – Squamish, Stó:lō, Kwakwaka’wakw

Montreal based, Kanien’keha:ka artist Skawennati’s project with CAG, ‘machinima’ workshops that use new technologies, virtual environments and video games to empower Indigenous youth to tell stories in a new way.

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Video | The Madam - Skins workshop


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