Curator Talk – Peter White
Tuesday, July 18, 6pm
The Cinematheque, 1131 Howe Street, Vancouver
Join guest curator Peter White as he introduces the research and process undertaken with Nancy Tousley to produce the exhibition Levine Flexhaug, ‘A Sublime Vernacular: The Landscape Paintings’MORE
Curator Talk – Nancy Tousley
Friday, June 30, 6pm
Join guest curator Nancy Tousley as she discusses the research undertaken with Peter White to produce the exhibition Levine Flexhaug, ‘A Sublime Vernacular: The Landscape Paintings’.MORE
Lisa Schmidt is a curator at Hamburger Bahnhof in Berlin. She worked previously at K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf and with Ute Eskildsen at Museum Folkwang, Essen.
Her talk focused on her most recent exhibition, Das Kind, die Stadt und die Kunst (The Child, the City, and the Art), on view at the Schmela Haus of the Kunstsammlung Nordrhein-Westfalen until 15 September, 2013 which examines the social and aesthetic implications of playgrounds by the Dutch architect Aldo van Eyck, with contemporary responses by artists Yto Barrada, Nils Norman and Gareth Moore.MORE
Lawrence Paul Yuxweluptun refers to his drawings as preliminary studies serving as background work and the measuring-stick for developing the forms and ideas that have come to identify his style and distinguish his pictorial inventiveness. Neo-Native Drawings and Other Works features three decades of drawings extending from 1980 to 2009. The most recent tree studies (2004 – 2009), as well as ovoid portraits (2002 – 2005), figurative works (1985 – 2009), etchings (1993 – 2009), watercolours (1980 – 1993), and a number of sketchbooks comprised the first exhibition to focus on Yuxweluptun’s works on paper.
Yuxweluptun refers to his work as a discourse. In his work, art and politics intermix with a Salish cosmology to critique and transform the conditions arising from colonial displacement, returning the notion of an empty newly discovered land to an indigenous sense of place. In this way a cultural landscape becomes known, if not fully understood, through the myriad forms that are central to Yuxweluptun’s image making. While his work often lays out the terms of a grim pedagogy addressing racism and abuse of the land, Yuxweluptun explores these ideas with a liberating and playful humour.MORE
Holly Ward discusses her work in the group exhibition An Invitation to An Infiltration, 2010. An ideal context for an examination of the competitive nature of group exhibitions was during the 2010 Winter Olympic Games. Organized by guest curator Eric Fredericksen, An Invitation to An Infiltration was a group exhibition of local and international artists ranging from emerging to established.MORE
Dexter Sinister discuss the exhibition An Invitation to An Infiltration, 2010. An ideal context for an examination of the competitive nature of group exhibitions was during the 2010 Winter Olympic Games. Organized by guest curator Eric Fredericksen, An Invitation to An Infiltration was a group exhibition of local and international artists ranging from emerging to established.MORE
The Contemporary Art Gallery presented the North American debut of For Example: Dix-Huit Leçons sur la Société Industrielle, a new body of work by internationally respected Los Angeles artist Christopher Williams. Williams is strongly associated with a group of Vancouver artists known for the development of Photo Conceptualism. Like them, his approach comes out of the history of conceptual art of the 1960s and 70s, which used language and photography to address issues related to painting and sculpture. Williams has self-consciously adopted the production values of fine art or “straight” photography into a practice that explores sculptural ideas using photography and installation.MORE