Our Young Patrons program is tailored to individuals who are active in the arts and culture sector, creative, and motivated. In becoming part of the CAG Young Patrons community, you are joining a network of art-minded young professionals, artists and other creatives. Attend behind-the-scenes art gatherings that are both social and educational (drink and learn about contemporary art), from studio visits to collections tours and more, as well as exciting events with our dynamic community partners.
We would love to have you on board as a Young Patron; the rate of the program is only $10/month or a one-time rate of $120/year. The benefits of the program not only include an invitation to the activities mentioned but your choice of a free publication and artist editioned work, in addition to complimentary beverages at all CAG events.
If you sign up by April 25th two lucky winners will receive a prize package that includes a $25 gift card to Earnest Ice Cream, a $50 gift card to Frank + Oak, and a $50 gift card to Woo to See You (total value $125). In addition, the next five winners will win a scent by Osmics. If you would like to join our program to be eligible to win this prize, sign up here or email [email protected] to learn about monthly instalments.MORE
Curator’s Talk: Sally Tallant
Wednesday, April 12, 5:30pm
The Contemporary Art Gallery is pleased to partner with the Vancouver Art Gallery to present a talk by Sally Tallant, Director of Liverpool Biennial, UK, as she visits Vancouver on the occasion of the exhibition Vancouver Special: Ambivalent Pleasures (December 3, 2016 to April 17, 2017). Please join us at CAG for Tallant’s presentation on her current work, followed by questions and a small reception.
Sally Tallant is the Director of Liverpool Biennial, UK. Developing an interdisciplinary approach, Tallant has delivered large-scale exhibitions and commissioned ambitious music and performance programmes, including a new work by Michael Nyman in 2014.
Previously Tallant was Head of Programmes at the Serpentine Gallery, London where she was responsible for the development and delivery of an integrated programme of Exhibitions, Architecture, Education and Public Programmes. She has curated exhibitions in a wide range of contexts including the Hayward Gallery, Serpentine Gallery, Hospitals, Schools as well as public commissions. Additionally, her curated performances, sound events, film programmes and conferences include initiating the Park Nights series in the Serpentine Gallery Pavilions and co-curating the Serpentine Gallery Marathon series with Hans Ulrich Obrist.
Liverpool Biennial is the UK biennial of contemporary art. It takes place across the city of Liverpool in public places, unused buildings and galleries. The Biennial is underpinned by a programme of research, education, residencies and commissions. Founded in 1998, Liverpool Biennial has commissioned 305 new artworks and presented work by over 450 artists from around the world.
We gratefully acknowledge the financial support of the Province of British ColumbiaMORE
What’s At Stake? Intertextual Indigenous Knowledges
Saturday, February 4, 12-5PM
World Art Centre, SFU, 149 West Hastings, Vancouver
What’s At Stake? Intertextual Indigenous Knowledges is an afternoon of talks, panels and a spoken word performance that examines knowledge, power, authority, and sovereignty in the construction of artistic practices. Following on Intertextual: Art in Dialogue, a roving reading group that was held at participating galleries over the last year, this program is meant to function less like a syllabus and more like a web of ideas. Intertextual aims to examine/critique and create/support a community based in text, recognizing the process of selection and concomitant erasure that occurs in any process of representation.
Taking the critical historiography of Native Art of the Northwest Coast: A Changing History of Ideas (UBC Press, 2013) as a point of provocation, this event belongs to an intertextual discussion of artistic practice and the role of art institutions (from artist-run centres to public gallery models) in Vancouver. This series has been produced with the participation of SFU Galleries, Bill Reid Gallery of Northwest Coast Art, Contemporary Art Gallery, grunt gallery, Morris and Helen Belkin Art Gallery, Museum of Anthropology, Presentation House Gallery, UBC Press, Vancouver Art Gallery, and Western Front.MORE
Collaborative Poetry reading with Daniel Zomparelli and Dina Del Bucchia
Thursday, February 16, 7pm
In response to Erdem Taşdelen’s ‘The Quantified Self Poems’, poet Daniel Zomparelli will speak about his work with Taşdelen and the central role collaboration plays in his creative practice. Zomparelli and frequent collaborator Dina Del Bucchia will follow with a reading from recent work.
Zomparelli is editor-in-chief of Poetry is Dead magazine, co-podcaster of Can’t Lit and co-editor of After You, a collaborative poetry project. His first book of poems Davie Street Translations and Rom Com a collaborative book with Dina Del Bucchia are published by Talonbooks. His first collection of short stories Everything is Awful and You’re a Terrible Person will be published by Arsenal Pulp Press in Spring 2017.
The Big Draw – Keg de Souza
Saturday, October 1, 12-3pm
*Off-site: 544 Main Street – entrance on Keefer Street
Australian artist Keg de Souza will be working from a temporary studio in Chinatown as part of the final phase of her eighteen month residency in Vancouver. Developing on from a series of public participatory events examining food culture as a metaphor for urban displacement, for ‘The Big Draw’ the artist will conduct an exploratory food mapping project of the Strathcona neighbourhood by inviting people to become urban cartographers and contribute to a large-scale collaborative map considering local shops, restaurants, urban farms and our interconnected relationships/experiences to them.
Presented as part of ‘The Big Draw’, the world’s largest drawing festival and Culture Days, a Canada-wide celebration that raises the awareness, accessibility, participation and engagement of Canadians in the arts and cultural life of their communities.
For more information and workshop times visit: www.drawvancouver.comMORE
Artist talk and project launch with Keg de Souza
Wednesday September 28, 7pm
544 Main Street, Vancouver
We welcome back to Vancouver Australian artist Keg de Souza, on her final visit to the city, de Souza presents an artist talk and a public project exploring food culture as a metaphor for urban displacement. De Souza will discuss her recent projects including the Redfern School of Displacement, presented as part of the 20th Biennale of Sydney. This project reflected on the ongoing activism, debate, speculation and political rhetoric concerning displacement and gentrification in Sydney.
Throughout October, de Souza will operate from a temporary space in the former Park Lock Dim Sum/Seafood Restaurant on the second floor of 544 Main Street in Chinatown. From this location she will initiate a food mapping installation developed via a series of public events, workshops and discussions centered on this disused space, the last original building standing on the corner of Main and Keefer.
Participants are invited to contribute items that represent the changing urban fabric of the Chinatown/DTES area through its food culture. Each participant’s items will be vacuum bagged and used to create a tile in the construction of a temporary structure within the Chinatown space. The numerous vacuum bags will create a patchwork surface that represents various community members, and their insights into local food culture and gentrification. Items could range from: menus from new upmarket establishments; packaging from iconic restaurants of the area, soup kitchen fliers, info on urban farming or even something grown from an urban farm.
De Souza’s practice investigates the politics of space, emphasizing participation and reciprocity to create site and situation-specific projects. De Souza aims to cultivate local knowledge regarding the displacement of low income, indigenous and immigrant communities in collaboration with residents and the community, creating a platform for conversation and debate.
The project in Vancouver is assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, and Left of Main.MORE
Free screening at The Cinematheque, 1131 Howe St. Vancouver.
The 7pm screening is now booked out. Due to high demand a 2nd screening has been added at 9pm on the same night (Tuesday, September 27), tickets will ONLY be available at the door, on a first come, first served basis at the Cinematheque box office from 6.30pm onwards.
ART21, The Cinematheque and Contemporary Art Gallery partner to premiere ART21’s new season, Season 8 of Art in the Twenty-First Century includes a one hour film on four, Vancouver based, celebrated Canadian artists: Stan Douglas, Brian Jungen, Liz Magor and Jeff Wall.
“In small and tightly-knit Vancouver, artists reframe the world through a series of sophisticated illusions. By recreating historical moments, staging photos of vernacular scenes, and crafting intricate sculptures that trick the eye, artists reveal how everyday images and moments from the past are not always what they seem. Liz Magor (b.1948, Winnipeg, MB, Canada) makes uncannily realistic casts of humble objects—gloves, cardboard boxes, cigarettes—that speak to mortality and local histories. Through complex video installations, photos, theatrical productions, and virtual reality simulations,Stan Douglas (b.1960, Vancouver, BC, Canada) reenacts historical moments of tension that connect the history of Vancouver to broader social movements of struggle and utopian aspiration. Brian Jungen (b.1970, Fort St. John, BC, Canada) draws from his family’s ranching and hunting background, as well as his Dane-zaa heritage, when disassembling and recombining consumer goods into whimsical sculptures. Attentive to the accidental encounters that can inspire an image, photographer Jeff Wall (b.1946, Vancouver, BC, Canada) recreates flashes of inspiration by building sets and repeatedly photographing gestures until they coalesce into a picture that’s printed on a grand scale.” (ART21)
ART21 is a celebrated global leader in presenting thought-provoking and sophisticated content about contemporary art, and the go-to place to learn first-hand from the artists of our time. A nonprofit organization, ART21’s mission is to inspire a more creative world through the works and words of contemporary artists. Season 8 of Art in the Twenty-First Century premieres fall 2016 on PBS with stories on artists who live and work in four North American cities: Chicago, Los Angeles,Mexico City, and Vancouver. For more information on ART21’s films and educational programs:art21.org
The Young Patrons program, which I got the chance to work on with CAG Development Officer Kristin Cheung during my time at CAG, aims to create events that are at once social, educational, inclusive and intimate. Events like last week’s Happy Hour with an artist talk by Montreal-based Mohawk artist Skawennati, are a chance for Vancouver young professionals to both get to know one another and learn about art directly from the artists themselves.
Above are some photos from Young Patrons’ first event of the season.
This fall on will include an artist talk with Rebecca Chaperon, as well as an introduction to the Vancouver Art Gallery’s Art Rental & Sales program, and a tour of Isabel Nolan’s exhibition by assistant curator Jas Lally.
See you at the next event on Tuesday September 6 at 6pm.
– Rachel BuchholtzerMORE
Intertextual: Art in Dialogue
Dylan AT Miner: Indigenous Aesthetics: Art, Activism and Autonomy
Grunt Gallery, #116–350 E 2nd Ave, Vancouver
Wednesday, August 3, 7pm
Join Dylan AT Miner a Wiisaakodewinini (Métis) artist, activist and scholar for a discussion of from his book, Indigenous Aesthetics: Art, Activism and Autonomy to be published in 2017.
This talk is presented as part of Intertextual; Art in Dialogue, a roving reading group that aims to examine/critique and create/ support a community based in text. In addition to the CAG
participating organizations include UBC Press, Morris and Helen Belkin Gallery, grunt gallery, SFU Galleries, Vancouver Art Gallery, Museum of Anthropology, Western Front, Presentation
House Gallery, Access Gallery, Or Gallery, Charles H Scott, 221A Gallery, Bill Reid Gallery and VIVO Media Arts Centre. For more information about Intertextual: Art in Dialogue, please visit www.facebook.com/intertextualartindialogue