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Jessica Stockholder – It’s Not Over ‘Til The Fat Lady Sings.

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Jessica Stockholder – It’s Not Over ‘Til The Fat Lady Sings.

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This catalouge was published on the occasion of the exhibition It’s Not Over ‘Til The Fat Lady Sings. by Jessica Stockholder at the Contemporary Art Gallery, Vancouver from September 1st to the 26th, 1987. The publication contains an essay my Mark Holmes.

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$6.00

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Authors/Artists:
Jessica Stockholder  
Mark Holmes  

ISBN:
0-920751-15-6  

more:
16  pages
9    colour illustrations
2    b&w illustrations
8 x 10 x 0.07 inches  
soft binding / catalogue  

Published in Canada by Contemporary Art Gallery.

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The evening is sponsored by Jameson Whiskey.
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An artist-run centre established in 1991, Access Gallery is a non-profit organization dedicated to supporting and presenting the work of emergent artists, curators and cultural practitioners, as well as those entering a new experimental phase of their practice. We enable critical conversations and risk taking through new configurations of audience, artists and community.

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OFFICIAL NOTICE OF ANNUAL GENERAL MEETING 2015
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Thursday June 25, 2015 at 6:00 p.m.
At the Contemporary Art Gallery, 555 Nelson Street, Vancouver

Attached: Agenda, Appendix A Slate of Nominees and Nomination Form

Following the AGM there will be a cocktail reception to thank these outgoing Directors for their significant contributions:

Leanne Armstrong outgoing Treasurer, 3 years of service
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As our contribution to Vancouver Design Week, the CAG worked with James Langdon, recipient of the 2012 Inform Award for Conceptual Design, presented by the Museum of Contemporary Art Leipzig, Germany. Langdon presented a short course and workshop in reading objects, environments and messages. Stimulated by the curious genre of design fiction, the programme asserts storytelling as the primary function of design. Langdon conducted a three day workshop on September 16–18 exploring narrative approaches to design, a series of connected exercises subjecting a collection of found materials to various manual and conceptual processes.

CAG volunteer Sara Khan writes about her experiences taking part in the three day workshop:

 

As an artist who enjoys telling stories through two dimensional media, the School for Design fiction workshop caught my attention; I was curious about what fiction through design could entail. On our first day we were asked to bring in three objects, organic or designed. People brought along things ranging from eggshells and apples to metal birds, buttons, bottles, and moth traps.

Before we started working on the activity set for the day James Langdon had us watch a short film. It replayed the same event but with slight variations with each iteration. A human figure used different objects in unconventional ways, from dumping food on a laptop to sitting on a book instead of reading it. At a glance the human figure came across a sort of a machine that had malfunctioned. Mulling over the film afterward made me wonder about why objects around us are operated the way they are and have a specific function or name, how come we almost use them like robots not really questioning their history, form or task.

Once we started talking about the objects we’d brought along and the workshop progressed; I realised more and more that in the everyday structure and organization of things and lives, we had forgotten to ponder the existence of what surrounds us. It reminded me of Sartre’s Antoine in “Nausea” and how he wonders about the bark of a tree and why it is considered to be black.

As we arranged and rearranged the items with each other, we saw how meaning was added to or subtracted from them. One of the last exercises led some of us to completely deconstruct the objects we were working with; which resulted in a lot of them either being completely stripped off their meaning or not changing at all, which was interesting to see.

By the end of the workshop though, I think, perhaps we were reading too much into everything, as humans often do; put anything before us and we’ll make up a story. At this point we watched a documentary about the Piltdown man. The film reminded me of the story of the Emperor’s New Clothes.

It is amazing how if you put forth a thought with enough conviction and confidence most people will believe it as the truth. It makes me wonder what falsehoods lurk in our histories.

So, as we wonder in awe at the totality of this existence, it is important to question the things we experience.

- Sara Khan

Check out a selection of books by James Langdon in the CAG book shop, on a specially dedicated shelf.

School for design fiction workbook

More Books by James Langdon.

James Langdon
A School for Design Fiction – workshop
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