Nancy Holt is one of the leading artists of her generation and a pioneer in conceptual, site-specific art and film and video work. She is one of a group of important international artists who initiated the Land art movement in the late 1960s. The Contemporary Art Gallery brings together a selection of photographs from 1967 onwards, many seen for the first time, alongside pivotal film works.
Holt deals with themes centering on memory, perception, time and space. She uses the natural environment as both medium and subject with a focus on the cyclical time of the universe, the daily axial rotation of our planet Earth and its annual orbit around the sun. Photography has always played a central role within her work, both as a way of engaging with the landscape and as a way of documenting site-specific projects.
This exhibition includes major photographic pieces, including early work such as Concrete Visions (1967), an important project made on Dartmoor while visiting the UK with the artist Robert Smithson over forty years ago, Trail Markers (1969); a series of photographs entitled Light and Shadow Photo-Drawings (1978); and photographs by Holt of her most famous work, Sun Tunnels, 1973 – 76 among others. Vancouver itself could not be a more appropriate location for this exhibition, the city renowned for its setting within magnificent natural surroundings, the ongoing photographic legacies in picturing within international visual arts practice, and also being the site for the seminal Glue Pour (1970) by Robert Smithson, Holt’s late husband.
This full colour publication features an introduction by Ben Tufnell and an essay by Douglas Fogle, and was published on the occasion of the exhibition Photoworks, June 7 to August 25, 2012 by Haunch of Venison, London.MORE