Through its mandate the CAG is concerned essentially with the encouragement of a greater appreciation of contemporary art. We are actively involved in making opportunities for people who would not otherwise have the enjoyment and benefit of working with visual art. Our learning activity celebrates the importance of personal experience and we aim to create accessible environments that allow people of all ages to learn. Various interpretative prompts – curatorial texts, guides, participatory activity, artists’ writings, and filmed interviews – encourage imaginative audience engagement and talks, tours, off-site projects, workshops, residencies and seminars are structured to build ongoing dialogue, providing opportunities for diverse learning activity to develop.
The Contemporary Art Gallery acknowledges the ongoing support of the many volunteers and Board Directors who assist in the development and delivery of our learning programs.
Founding sponsor of our education, learning and outreach programs:
Connor, Clark & Lunn Investment Management Ltd.
Karol Sienkiewicz is a Polish art critic and art historian, currently based in Vancouver. He has contributed essays and reviews to numerous publications, including dwutygodnik, Spike, Camera
Austria, Art Agenda and more recently Decoy and Canadian Art. Together with Kasia Redzisz, he has just published Świadomość (Neue Bieriemiennost), the group involving artists such as Miroslaw Balka active in Warsaw during the 1980s. He is currently working on a new publication focusing on the ‘critical artists’ in Warsaw in 1990s, placing their work in the context of recent Polish transformation. Sienkiewicz’s talk considered Warsaw’s 10th-Anniversary Stadium as seen through the lens of contemporary art, the site serving as a transient symbol of historic changes, economic transformation and social relations and a specific reference for Sosnowska’s sculptures exhibited at the Contemporary Art Gallery.
Colin Browne’s most recent book of poems, ‘The Properties’ was the prompt for this special Feedback talk. Readings and discussion points from Colin Browne led an inquiry into the idea of ‘documentary’ in relationship to the works on display. Colin Browne is a filmmaker, writer, film historian, a professor of film in the School for the Contemporary Arts at Simon Fraser University, and a poet who has been nominated for the Governor-General’s Award for Poetry.
The Feedback series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.MORE