Through its mandate the CAG is concerned essentially with the encouragement of a greater appreciation of contemporary art. We are actively involved in making opportunities for people who would not otherwise have the enjoyment and benefit of working with visual art. Our learning activity celebrates the importance of personal experience and we aim to create accessible environments that allow people of all ages to learn. Various interpretative prompts – curatorial texts, guides, participatory activity, artists’ writings, and filmed interviews – encourage imaginative audience engagement and talks, tours, off-site projects, workshops, residencies and seminars are structured to build ongoing dialogue, providing opportunities for diverse learning activity to develop.
The Contemporary Art Gallery acknowledges the ongoing support of the many volunteers and Board Directors who assist in the development and delivery of our learning programs.
Founding sponsor of our education, learning and outreach programs:
Connor, Clark & Lunn Investment Management Ltd.
Hiba Abdallah is a Senior Research Fellow at Broken City Lab and is currently an Artist in Residence at the CAG Burrard Marina Field House in Vancouver.
Broken City Lab is working on a series of installations and community projects during the residency at the field house studio site entitled Flagged for Review.
Hiba Abdallah sat down to speak with the Jaclyn Bruneau from the CAG about how Vancouver offers a different set of conditions for city-specific social practice, and how she confronts the gap between contemporary practice and socially-engaged, community practices, and what Flagged for Review might look like in action.
This is part one of a two-part interview.MORE
As part of our Feedback series acclaimed Toronto-based artist Luis Jacob responded to Aurélien Froment’s exhibition ‘Fröbel Fröbeled’, he also discussed his own practice and his interest in pedagogical ideas contained in the exhibition.
Luis Jacob is an artist based in Toronto, whose diverse practice addresses social interaction and the subjectivity of aesthetic experience. Realized as painting, video, installation, photography and actions in the public sphere, Jacob’s work invites a collision of meaning systems that destabilize our conventions of viewing and that open up possibilities for engagement and the creation of knowledge.
As an artist, he has achieved an international reputation – particularly since his participation in documenta12, curated by Ruth Noack and Roger Bürgel in 2007. Several significant solo exhibitions include Kunstverein Hamburg (curated by Meike Behm and Yilmaz Dziewior in 2008) ; Städtisches Museum Abteiberg, Mönchengladbach (curated by Suzanne Titz in 2009); Fonderie Darling, Montréal (curated by Marie Fraser in 2010); Museum of Contemporary Canadian Art, Toronto (curated by David Liss in 2011); and Kunsthalle Lingen (curated by Meike Behm in 2012). Jacob’s work was also featured in group exhibitions at the Taipei Biennial (2012); Centro de Arte Dos de Mayo, Madrid (2012); Witte de With Contemporary Art, Rotterdam (2012); Generali Foundation, Vienna (2011); Solomon R. Guggenheim Museum, New York (2010); Contemporary Art Museum, Houston (2010); Institute of Contemporary Art (ICA), Philadelphia (2009); Museum voor Hedendaagse Kunst (MuHKA), Antwerp (2008); Barbican Art Gallery, London (2008); and The Power Plant Contemporary Art Gallery, Toronto (2008). His work is found in the permanent collection of the Generali Foundation (Vienna, Austria); National Gallery of Canada (Ottawa, Canada); Solomon R. Guggenheim Museum (New York, USA); Städtisches Museum Abteiberg (Mönchengladbach, Germany); Morris and Helen Belkin Art Gallery, University of British Columbia (Vancouver, Canada); Musée d’art contemporain de Montréal (Canada); Museion‚ Museum of Modern and Contemporary Art (Bolzano, Italy); Agnes Etherington Art Centre (Kingston, Canada); Art Gallery of Ontario (Toronto, Canada); and the Justina M. Barnicke Gallery, University of Toronto (Toronto, Canada).MORE
William Wood is an art historian and critic concentrating on the history of conceptual art and contemporary Canadian and international work in photography, moving pictures and installation. Starting as a critic and editor with C Magazine, Vanguard, Parachute and Public, Wood went on to a doctorate at the University of Sussex and has taught at universities in the United Kingdom, Alberta, British Columbia and Ontario. Recent publications include essays for Ian Wallace: At the Intersection of Painting and Photography and Traffic: Conceptual Art in Canada 1965–1980. Forthcoming are writings on The Piano, an exhibition held at the Art Gallery of Alberta this past summer, and Michael Morris: Letters for the Helen and Morris Belkin Art Gallery. For his Feedback talk Wood addressed his remarks to the theme of the para-photographic as it related to the James Welling exhibition and other artists working with photography.
This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.MORE
Congratulations to British Columbia born artist Erin Shirreff on WINNING! the AIMIA | AGO Photography prize.
Scroll below, to listen to her artist talk, delivered earlier this year during her exhibition at the Contemporary Art Gallery.
Kelowna born Shirreff presented a talk on her exhibition Pictures and discussed her interest in differing encounters between representations of image and object. Erin Shirreff’s solo exhibition, Pictures, at the Contemporary Art Gallery was the first presentation dedicated exclusively to the artist’s film and video work.MORE