Through its mandate the CAG is concerned essentially with the encouragement of a greater appreciation of contemporary art. We are actively involved in making opportunities for people who would not otherwise have the enjoyment and benefit of working with visual art. Our learning activity celebrates the importance of personal experience and we aim to create accessible environments that allow people of all ages to learn. Various interpretative prompts – curatorial texts, guides, participatory activity, artists’ writings, and filmed interviews – encourage imaginative audience engagement and talks, tours, off-site projects, workshops, residencies and seminars are structured to build ongoing dialogue, providing opportunities for diverse learning activity to develop.
The Contemporary Art Gallery acknowledges the ongoing support of the many volunteers and Board Directors who assist in the development and delivery of our learning programs.
Founding sponsor of our education, learning and outreach programs:
Connor, Clark & Lunn Investment Management Ltd.
‘Burrard Marina Field House Blog’
To read all the posts on the about the artists-in-residence and all events at the ‘CAG Burrard Marina Field House blog’ follow this link: http://www.contemporaryartgallery.ca/blog-category/field-house-studio-blog/
To read about all the events that have happened at the CAG Burrard Marina Field House follow this link:
The Field House Studio is an off-site artist residency space and community hub organized by the Contemporary Art Gallery.
This program moves beyond conventional exhibition making, echoing the founding origins of the gallery where artists were offered support toward the production of new work, while reaching out to communities and offering new ways for individuals to encounter and connect with art and artists.
Running parallel to the residency program are an ongoing series of public events for all ages.
The Field House Studio Residency Program is generously supported by the Vancouver Park Board and the City of Vancouver. We gratefully acknowledge the generosity of many private and individual donors toward this program. Please visit our website for a full list of supporters.MORE
The City in Motion
CAG/TELUS Garden Public Art Commission
November, 2014 – February, 2015
This fall the CAG embarked on a unique public art commission and intensive program for emerging artists ages 17 to 25 years old. Selected to develop a community-based permanent multimedia installation for the TELUS office located in the new TELUS Garden building on West Georgia Street in downtown Vancouver, the CAG has organized The City in Motion, an intensive four month program for emerging artists interested in investigating the city through the frame of moving images. Supported by Cineworks Independent Filmmakers Society and led by artist/mentors Josh Hite and Brian Lye, participants will consider how the city is documented and can be pictured through film, video and new media. The young artists will engage with the histories of documentary film and the city archive, interrogating contemporary forms of documentation from smart phones and social media to surveillance recordings. Youth will respond to the ideologies, perceptions and histories of the city, culminating in the production of a new commission for the TELUS Garden building.
This innovative program is an opportunity for youth to experiment with various media, offering training and mentorship on the concepts, documentation tactics and technical logistics for developing video/film/new media work. Through studio and gallery visits, workshops and screenings the group will be connected to Vancouver’s cultural community. Cineworks will host a screening of completed works in February 2015.MORE
Krista Belle Stewart
Nisga’a Museum New Visions Artist Residency
This Fall, in partnership with the Nisga’a Museum, the CAG launched a collaborative artist in residence project. Vancouver based Okanagan/Upper-Nicola artist Krista Belle Stewart travelled to Nisga’a in late October to mid-November to develop new work that will be exhibited at the Nisga’a Museum. A key component to this residency is community engagement and participation. Stewart’s project is centered on narrative and storytelling. She is curious to explore, learn about and listen to the stories/oral histories of Nisga’a people, their life and connection to the land. While in residence Stewart engaged with youth and elders throughout Nisga’a’s Nass Valley through visits, talks, workshops and the sharing of stories. Investigating how these stories are being preserved in the community; how they are shared and how community members talk about the past are critical components to the residency and future work created by the artist. Out of these community engagements Stewart is developing a video-based work.
Krista Belle Stewart is a member of Okanagan/Upper Nicola Band. She lives and works in Vancouver. Stewart holds a BFA from Emily Carr University and is currently working on a MFA from Bard College in New York. Recent exhibition and performance history includes Music from the New Wilderness at The Western Front, Shelved at the Burnaby Art Gallery (with Rebecca Belmore) and the Fiction/Non-fiction at the Esker Foundation (Calgary). Krista’s work explores First Nations identity, particularly by individuals and groups who have no direct links to North American Native culture, other than through romanticized/ fetishized interest such as health products that tap into the wisdom of the elders to help relieve your carpal tunnel syndrome; sculptures and trinkets that depict proud, ideal figures, and phenomena such as the German Indianer Klub, where members don elaborate buckskin outfits while interpreting Native American song and dance. Stewart’s photographic practice creates a dialogue between past and present, the romantic and the real, creating an awareness of the implications of misrepresentation, stereotypes, and racism. Her work engages the complexities of intention and interpretation made possible by archival material. The work approaches mediation and story-telling to unfold the interplay between personal and institutional history.
Most recently, Stewart was commissioned by the City of Vancouver as part of the Year of Reconciliation. The City’s Public Art Program commissioned 10 new artist projects overall with the first five debuting in March 2014 and new projects being introduced monthly through August 2014. The Granville and Georgia entrance of the Canada Line City Centre Station will host Krista-Belle Stewart’s Her Story, a large photo mural and a video work derived from the 1967 CBC documentary Seraphine: Her Own Story about her mother, the first Aboriginal public health nurse in BC. The images reflect personal and institutional histories and the complexities of residential school history. It touches on the young woman’s journey from residential school to UBC and the city.
This artist residency is supported by and made possible through the generous funding provided by the First Peoples’ Cultural Council, British Columbia Arts Council, and the Nisga’a Nation through the Nisga’a Lisims Government.MORE
The City in Motion
CAG/Telus Garden Public Art Commission
Call for participants aged 17 to 25yrs old
November 2014 – February 2015
This fall, the Contemporary Art Gallery (CAG) is embarking on a unique public art commission and intensive program for emerging artists (ages 17 to 25 yrs old). The CAG has been selected by Telus to develop a community-based permanent multimedia installation for the Telus office located in the new Telus Garden building on West Georgia Street in downtown Vancouver. Through this invitation, the CAG has organized, The City in Motion, an intensive four month program for emerging artists interested in investigating the city through the frame of moving images. Supported by Cineworks Independent Filmmakers Society and led by artist/mentors Josh Hite, Brian Lye and Jem Noble, participants will consider how the city has and is documented and envisioned through film, video and new media, engaging with the histories of documentary film and the city archive, and interrogating contemporary forms of documentation from smart phones videos and social media to surveillance recordings. Youth will respond to the ideologies, perceptions and histories of the city, culminating in the production of a permanent work at the Telus Garden building
This innovative program is an opportunity for youth to experiment with various media, offering training and mentorship on the concepts, documentation tactics and technical logistics for developing video/film/new media work. Through studio and gallery visits, workshops and screenings will also be connected to Vancouver’s cultural community. Designed to immerse participants in a rigorous schedule that supports the process of developing an idea into a final permanent installation, the CAG is targeting self-motivated individuals interested in collaborating in the process of creating a collaborative public art commission.
This innovative program is an opportunity for youth to experiment with various media, offering training and mentorship on the concepts, documentation tactics and technical logistics for developing video/film/new media work. Through studio and gallery visits, workshops and screenings the group will be connected to Vancouver’s cultural community. Cineworks will host a screening of completed works in February 2015.
To enroll: Send a letter of interest (500 words max) introducing yourself and outlining your interest in the program to firstname.lastname@example.org by Friday November 14, 5pm.
For more information on the project, contact: Shaun Dacey, Curator, Learning and Public Programs : email@example.com or 604-681-2700MORE
Thursday, May 8, 6pm
Emily Carr University of Art + Design
Room 301, 1399 Johnston Street, Granville Island
This special event involves multiple voices approaching notions of abstraction from a variety of poetic, philosophical and theoretical standpoints by Audain Distinguished Artist-in-Residence Jürgen Partenheimer. Born in Munich in 1947, Partenheimer studied the theory and practice of art in Germany, the USA, Mexico and France. As a representative of a subjective abstraction, he is considered one of the most important contemporary artists of Germany. With theory, poetry and prose as his referential grammar for artistic expression, Partenheimer’s work encompasses painting, drawing, sculpture and text. Marked by a post-minimalist background and a poetic intensity, his art has been referred to as metaphysical realism. He became internationally renowned following his participation in the Paris, Venice and São Paulo Biennials, and in 2000 became the first contemporary German artist to have a retrospective in China at the National Museum of Art in Beijing. His work has been part of major exhibitions including The Museum of Modern Art in New York and San Francisco, the Miró Foundation in Barcelona and the Museum Ludwig in Cologne.
Featuring guest appearances by Nigel Prince, Nicholas Lea, Mayko Nguyen and Aoife MacNamara.
Partenheimer’s work has received many national and international prizes and awards, among others the Art Critics’ Prize of Madrid, Spain; the NEA Grant, National Endowment of the Arts, New York; Canada Council Grant, Montréal and the Federal Cross of Merit of Germany for outstanding international achievement. Partenheimer has taught as Professor, Distinguished Visiting Professor and Visiting artist among others at San Francisco Art Institute; Academy of Fine Arts, Düsseldorf, University of California at Davis; Rijks Academy in Amsterdam; Royal College of Art, Edinburgh; Rhode Island School of Design and WITS School of Arts in Johannesburg.
Partenheimer’s residency at Emily Carr takes place from February – May, 2014 in preparation for an exhibition at the Contemporary Art Gallery in the fall of 2014. The exhibition in Vancouver forms part of an open cooperation with the Pinakothek der Moderne München (The Museum of Modern and Contemporary Art, Munich); Falckenberg Collection, Deichtorhallen, Hamburg and the Gemeentemuseum The Hague, exploring site and space-related installation concepts. Parallel to the different exhibitions, all of which will be held in 2014, the participating institutions closely worked on a publication with the artist that aims at commenting on and integrating the various aspects of his work as an additional ‘fifth room’. International authors from a variety of different disciplines, including Anne Carson, Lebogang Mashile, Carla Schulz-Hoffmann, Antje v. Graevenitz, John Burnside, Oswald Egger and Rudi Fuchs, have taken up the invitation to write contributions and become involved in this project. Published by Distanz Publishers, Berlin, 2014.
Established in 2012, the Audain Distinguished Artist in Residence Program has a mandate to bring nationally and internationally renowned contemporary artists to Vancouver, create curriculum specific to each individual visiting artist, and support the creation of new works. Adopting a flexible model that encourages experimentation, collaboration, dialogue and engagement, the program will benefit artists, the academic community, the Vancouver art community at large, and will greatly contribute to Vancouver’s stature within the international art world. The Program, housed within the Audain School of Visual Arts encompassing the Faculty of Visual Arts + Material Practice, provides support for two artists per year to live and work in Vancouver for a one to three month period, and includes living and travel expenses, support for production costs, exhibitions and honoraria.
Please note that Aoife MacNamara’s reading has been removed due to technical difficulties. We sincerely apologize for the inconvenient.MORE