July 31 to September 3, 2017
Produced in partnership with the Contemporary Art Gallery, Access Gallery and Burrard Arts Foundation, Sikarnt Skoolisariyaporn, currently based between Bangkok and Düsseldorf, is the eighth and final artist to participate in Twenty-Three Days at Sea, the travelling artist residency originated by Access.
Through moving image, performance, text and installation, Skoolisariyaporn’s practice embraces perpetual complexity of space and time. She is interested in contingency of the seascape, a landscape which only reveals itself in the fourth dimension of time, in its constant shifting through wave and wind. The seascape not only suggests an alternative approach to our perception of spatiality, but to the way our formless reality operates. There is perhaps no image that better describes our neoliberal present than a mass of alienated consumer products–at once material and monetary–floating precariously in the middle of the sea. Skoolisariyaporn imagines that as sea levels rise with climate change, the ground of modern reason “floods,” and a new “superstitious liquid state” pours in to take its place.
Following her time aboard a container ship to Shanghai in Twenty-Three Days at Sea, Skoolisariyaporn will take up residence at the Burrard Marina Field House Studio, and through a number of programmed events, will explore the state of flux of the sea and transnational mode of production in relation to ‘Cargo Cult’, a cultural phenomenon practiced by indigenous peoples in Melanesia in the wake of their contact with the colonialist West. The work will be presented in an exhibition at Access Gallery opening September 8, 2017.
Sikarnt Skoolisariyaporn’s practice involves moving image, performance, text, and installation, and examines notions of human and non-human history embedded in geological spacetime: the history of mankind as remembered by the earth and its landscape. She is particularly interested in the landscape of the sea, because a “seascape” offers the potential to imagine a perpetual landscape that transcends the concept of “space” into “time.” In this way, she suggests, the landscape of the sea suggests a new way to understand and approach history and spatiality. Recent exhibitions and performances include Chongqing Changjiang Contemporary Museum, Chongqing, China; Biquini Wax, Mexico City; Deptford Lounge, London, UK; Kunstakademie Dusseldorf; Gruentaler 9, Berlin; and Five Years Project, London, UK. Skoolisariyaporn lives and works in London and Bangkok.