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Tuesday to Sunday 12 - 6pm
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Events

Reverb – readings
Sunday, November 22, 2-5pm

Readers at this REVERB are: Adèle Barclay, Vi Levitt, Hiromi Goto, Lucas Crawford and Kay Ho

In conjunction with ‘For a New Accessibility’ (November 20-22, 2015) a convergence of artists and activists meeting around the theme of organizing for accessibility and mutual aid produced in partnership with Gallery Gachet and artist Carmen Papalia.

REVERB is an anti-oppressive, quarterly reading series for queer writers on unceded Musqueam, Sḵwxwú7mesh, and Tsleil-Waututh land. All our writers self-identify on a spectrum of queerness that centres trans* and femme experiences. All of our events are held in physically and financially accessible spaces, and with every event, we make at least one change to ensure that REVERB becomes more and more accessible. We promise to do all we can to create a safer space — bring your suggestions! Check your assumptions at the door; REVERB is a body-positive, anti-racist, anti-sexist, and hella queer- and trans-positive event. http://reverbqueerreadingseries.weebly.com/

Accessibility information:

Contemporary Art Gallery
555 Nelson Street

front door: 33 3/4 inch width
no steps at entrance.
washroom door: 33 3/4 inch width
toilet: 11 inch clearance on left side
the washroom has a handrail
washroom is all genders

Full audit available at this link: Accessibility Audit for CAG
ASL interpretation will be provided.

In order to create a space where folks with multiple chemical sensitivities can participate at all of our venues, please refrain from wearing perfumes, colognes or other scented products (including essential oils) and smoke far away from the entrances to the spaces. To request a For info on how to support folks with multiple chemical sensitivities, visit: http://www.peggymunson.com/mcs/fragrancefree.html

Childcare will be offered. Please let us know in your FANA registration what your childcare needs are.

LINKS:

http://gachet.org/event/for-a-new-accessibility/

Full Schedule: http://gachet.org/fana-2015-schedule/
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Accessibility information
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***Locations***

Gallery Gachet
88 E Cordova

front door: 5 feet width
front door step: 6 inch height
ramp: 34 inch width

washroom door: 33 inch width
toilet: 10 inch clearance on left side
14 inch clearance in front to sink
the washroom has a handrail
washroom is all genders

Full audit available at this link: https://radicalaccessiblecommunities.wordpress.com/2013/05/26/this-audit-of-gallery-gachet-was-performed-on/

Contemporary Art Gallery
555 Nelson St

front door: 33 3/4 inch width
no steps at entrance.
washroom door: 33 3/4 inch width
toilet: 11 inch clearance on left side
the washroom has a handrail
washroom is all genders

Full audit available at this link: https://drive.google.com/folderview?id=0B81n0augDG8kfnB2V19uZlpBX0h2MmtKVzBWQThsZ2NiZjlEVzRUUlpLdTRoTlU3aXo3cFU&usp=sharing&tid=0B81n0augDG8kU2NfRlZSa3pIQ00

Downtown Eastside Neighbourhood House
573 E Hastings

front door: 34 inch width
no steps at entrance
washroom door: 31 inch width
toilet: 12 inch clearance on left side
the washroom has a handrail
washroom is all genders

Enterprising Women Making Art
800 E Hastings

front door: 33 inch width
no steps at entrance
washroom door: 33 inch width
toilet: 12 inch clearance on left side
washroom is all genders

***ASL Interpretation***

ASL Interpretation will be offered by default for the following events:

Opening night: 7pm – 9pm Friday November 20th at Gallery Gachet

Bodies in Deliberate Motion lecture: 1:00 – 3:00 pm Saturday, November 21st at Gallery Gachet

For A New Accessibility Panel Discussion: Sunday November 22nd 11:00 – 1:00 pm at CAG

Reverb: A Queer Reading Series: Sunday November 22nd 2:00 – 5:00 pm at CAG

For booking ASL interpretation at any of the other programs of the convergence please email: contact@gachet.org or come visit us in person.

***Scent-reduced Policy***

In order to create a space where folks with multiple chemical sensitivities can participate at all of our venues, please refrain from wearing perfumes, colognes or other scented products (including essential oils) and smoke far away from the entrances to the spaces. To request a For info on how to support folks with multiple chemical sensitivities, visit: http://www.peggymunson.com/mcs/fragrancefree.html

***Childcare***

Childcare will be offered throughout the convergence. Please remember to let us know in your registration what your childcare needs are.

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Reverb – readings


Panel Discussion: Sustenance Festival
With Randy Lee Cutler, Holly Schmidt, Gaye Chan, Derya Akay and Keg de Souza
Saturday, October 17, 3pm

In conjunction with the Sustenance Festival: a city-wide festival with local food-focused workshops, exhibitions and talks, CAG has organized a panel examining artistic practices that consider food security, sovereignty and knowledge sharing. www.sustenancefestival.ca

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Panel Discussion: Sustenance Festival


Feedback Series Events: Tad Hozumi
Saturday, June 6, 13 and 27, 4pm

Hozumi is a Vancouver-based artist and hip hop therapist, involved in local street dance culture and currently working on a body of photo, installation, social intervention and performance work that explores the history of struggle coded in to the subversive vocabulary of street style dances. Responding to the pop culture references of Julia Dault’s paintings he will curate a collection of records, on June 6 and 13 he will conduct a series of participatory movement workshops building on his selections. On June 27 Hozumi will give a talk on the practice of crate digging AKA record collecting and play a live set.

Tad Hosumi: vinyl + music blog “Back Ground Music” http://bgmdiscotheque.tumblr.com

Tad Hozumi’s feedback events reflect his experiences as an artist, deejay and movement based therapist he will respond to Julia Dault’s paintings in her exhibition ‘Blame It On the Rain’ by playfully referencing elements found in her work.

Hozumi has resourced his record collection in search for albums such as ‘Sweet Hone’ in the Rock’s Self-Titled; Brian Auger’s ‘Oblivion Express Live Oblivion’; Donny Hathaway’s ‘Extensions of a Man’ and Gino Soccio ‘Outline’. For Hozumi these records resonate with Dault’s work and inform the two movement based participatory events. The first class will be led by disco dancer and yoga teacher, Gary Quon. The second movement class will be based on expressive movements led by Hozumi. He will also host an artist talk and deejay an event to cap off the feedback series.

Yoga Boogie
Saturday, June 6th, 4pm
Yoga Boogie, a unique hybrid practice developed by Quon combines his passion for dance and yoga. Using songs curated from Hozumi’s collection, Quon will lead a dynamic session that will begin on the mat and get you up and grooving! Be prepared to BOOGIE! Gary Quon is a yoga practitioner who specializes in Kundalini style and a well-recognized disco dancer (waacking). Quon’s practice often incorporates elements of rhythm and dance along with the kriyas resulting in an uplifting and energetic practice.

*This session will be available for the first 15 people – Please register to save your spot at learning@contemporaryartgallery.ca
*Please bring your own yoga mat.

Body Jazz
Sat, June 13th, 4pm
This movement-based session is about becoming mindful of how music and visual stimuli resonate within our bodies, by letting impulses that we discover from the music and Dault’s artworks move us around the gallery space.
*This session will be available for the first 15 people

Artist Talk and DJ Session
June 27th,  4pm
Music Back Ground (talk) and Back Ground Music (party). Hozumi will speak about fan videos of Mariah Carey, deejaying indie dance parties in the 2000s, making video game music, finding himself in hip hop and (re)discovering crate-digging. After the talk he will play a deejayed set of some unique records from his collection of jazz, soft pop/rock, disco, funk and more, weaving around the albums that were selected for the feedback series.

Feedback Talks:
This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Feedback Series Events: Tad Hozumi


James Langdon
A School for Design Fiction
September 2014

As our contribution to Vancouver Design Week, the CAG is
working with James Langdon, recipient of the 2012 Inform
Award for Conceptual Design, presented by the Museum
of Contemporary Art Leipzig, Germany. Langdon will
offer a short course in reading objects, environments and
messages. Stimulated by the curious genre of design fiction, the programme asserts storytelling as the primary function of design. Langdon will conduct a three day workshop on September 16–18 exploring narrative approaches to design, a series of connected exercises subjecting a collection of found materials to various manual and conceptual processes.

The workshop is not concerned with speculative design or futurism, but with documenting and manipulating the narrative potential of ordinary artefacts through conside ration of their essence; their relations with each other; and the meanings they might be made to express.

Space is limited to 12 participants. further information at
learning@contemporaryartgallery.ca or 604 681 2700.

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James Langdon - A School for Design Fiction


Screenings and reception at Western Front, 303 E 8th Avenue, Vancouver

Reception: Thursday, June 26, 7-9pm.
Screenings: Friday, June 27 – Sunday, June 29, 12 -5pm.

The Contemporary Art Gallery (CAG), Western Front and Dim Cinema present a weekend-long screening in the Grand Luxe Hall of 2014 Turner Prize nominee, Duncan Campbell’s film Bernadette, as part of the CAG exhibition The Act of Seeing with One’s Own Eyes. Bernadette presents an open and indirect account of Irish dissident and political activist Bernadette Devlin, constructed out of archival footage from the 1960s and early 1970s. Campbell approaches documentary as form of fiction, revealing the complex relationship between author, subject and audience.

Duncan Campbell, born 1972 in Dublin, lives and works in Glasgow. His solo exhibitions include: Duncan Campbell, Carnegie Museum of Art, Pittsburgh (2012);  Arbeit, Hotel, London (2011); Duncan Campbell, Belfast Exposed, Belfast (2011); Make It New John, Artist Space, New York and Tramway, Glasgow (2010); Duncan Campbell, Kunstverein Munich, Munich (2009); Bernadette, Scottish National Gallery of Modern Art, Edinburgh (2009); Bernadette and Sigmar, MUMOK, Vienna (2009); Art Now Lightbox: Duncan Campbell, Tate Britain, London (2009); 0-60, ICA, London (2008); Art Statements, Art Basel 38, Basel (2008); The Unnameable, Lux at Lounge, London (2006); Something in Nothing, TART Contemporary, San Francisco (2005); Falls Burns Malone Fiddles, Luis Campaña, Cologne (2004). His group exhibitions include: The Big Society, Galerie Vallois, Paris (2011); British Art Show 7,  Nottingham and Hayward Gallery, London  (2010); Critical Fetishes, Centro de Arte Dos de Mayo, Madrid (2010); Asking Not Telling, Institute of Contemporary Art, Philadelphia (2009);  Fight the Power, Museo Nacional Centro de Arte Reina Sofia, Madrid (2009); After October, Elizabeth Dee Gallery, New York (2008); Art Now, Tate Britain, London (2006); The Need to Document, Halle für Kunst, Lueneburg (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Advertence, festival of documentary film , Belfast and Dublin (2003); Fresh and Upcoming, Frankfurter Kunstverein, Frankfurt (2003); Shadazz, Royal College of Art, London (2002). He had been nominated for the 2014 Turner Prize.

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Bernadette - Duncan Campbell


Tim Etchells
Sight Is The Sense That Dying People Tend To Lose First
Monday, January 20  , 7 pm, by donation
The Fox Cabaret,  ‚2321  Main Street

Sight Is The Sense That Dying People Tend To Lose First, written and directed by Tim Etchells, is a long free-associating
monologue that tumbles from topic to topic to create a vast, failing iteration and explanation of the world. Comical in its apparent naivety and preposterously encyclopedic in scope, the piece explores the absurdity and horror of consciousness as it tries and fails to seize and define everything that it encounters. Performed by Jim Fletcher, legendary New York actor, best known for his work with Richard Maxwell’s New York City Players and Elevator Repair Service’s Gatz, the monumental, word-for- word, eight hour staging of Fitzgerald’s prose masterwork. Join us post-performance for a drink and a conversation with Jim Fletcher and Tim Etchells, hosted by Norman Armour, Artistic and Executive Director of PuSh, in the newly renovated Fox Cabaret.

Presented with PuSh International Performing Arts Festival.

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Sight Is The Sense That Dying People Tend To Lose First - Tim Etchells


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555 Nelson Street
Vancouver, British Columbia
Canada V6B 6R5

T 00 1 604 681 2700
F 00 1 604 683 2710

Gallery Hours
Tues – Sun 12 – 6 pm



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