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Fabiola Carranza

Sunday, January 17, 3pm

Artist Fabiola Carranza leads a tour in Spanish of the current exhibitions.

Domingo 17 de enero, 2016. 3:00p.m.
Recorrido comentado con Fabiola Carranza de la Exhibicion de Kim Beom

Kim Beom
5 de diciembre de 2015 – 17 de enero de 2016

La artista costarricense Fabiola Carranza hablará de la exhibicíon del artista coreano, Kim Beom el último día en que se presenta la muestra.

La galería de arte contemporaneo de Vancouver se complace en presentar la primera exhibicíon del artista coreano, Kim Beom, en Canadá. Esta muestra abarca más de veinte años de su obra artística y recálca una ámplia gama de los materiales y formas con los que Beom ha trabajado. La exhibicíon presenta una seríe de tomas humorísticas sobre como llegamos a ver y conocer las cosas.

 

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Fabiola Carranza | Tour in Spanish - Recorrido comentado con Fabiola Carranza de la Exhibicion de Kim Beom


Kim Beom in conversation with Paul Kajander

Kim and Kajander will discuss the ideas and themes present in the exhibition at the CAG.

Kim Beom, born in 1963 lives and works in South Korea. Solo exhibitions include: Kim Beom: The School of Inversion, Hayward Gallery, London (2012); Kim Beom: Animalia, REDCAT Gallery, Los Angeles (2011); Objects Being Taught They Are Nothing But Tools, The Cleveland Museum of Art, Cleveland, (2010); Kim Beom, Artsonje Center, Seoul (2010); Beom Kim, Sun Gallery, Seoul (2007); Flower, Trans Hudson Gallery, New York (2000); Utility Objects, Trans Hudson Gallery, New York (1997). Group exhibitions include: 2013 California Pacific Triennial, Orange  County Museum of Art, Newport Beach (2013); Time Mutations, UB Art Galleries, University of Buffalo, Buffalo (2013);Tireless Refrain, Nam June Paik Art Center, Korea (2013); Unknown Forces, MSGSU Tophabe-I Amire Culture and Arts Center, Istanbul (2013); (Im)Possible Landscape, PLATEAU, Samsung Museum of Art, Seoul (2013); Media City Seoul, Seoul Museum of Art (2012); City Within the City, Gertrude Contemporary  Art Spaces, Melbourne (2012); Tell me, Tell me: Australian and Korean Art 1976-2011, Museum of Contemporary Art, Sydney (2011); A Rock That Was Taught It Was A Bird, Artspace, Auckland (2010); The Malady of Writing. MACBA, Barcelona (2009); Your Bright Future: 12 Contemporary Artists  from Korea, Los Angeles County Museum of Art, Los Angeles (2009); The Demon of Comparisons, Stedelijk Museum Bureau, Amsterdam (2009); The Cover of a Book is the Beginning of a Journey, Arnolfini, Bristol (2008); Always a little further, 51st Venice Biennale, Venice (2005); 8th  International Istanbul Biennale, Istanbul (2003); Under Construction: New Dimensions of Asian Art, Tokyo Opera City Art Gallery, Tokyo (2002); Beyond Landscape, Artsonje Center, Seoul (1999). Work is in the collections of the Museum of Fine Arts, Houston; the Cleveland Museum of Art; and the Walker Art Center, Minneapolis in the United States; the Museum für Kommunikation, in Bern, Switzerland; and the Seoul Museum of Art, the Ho-Am Art Museum, Artsonje Center, and the Horim Museum, in Seoul, and the National Museum of Modern and Contemporary Art, in Gwachun, Korea.

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Kim Beom in conversation with Paul Kajander


PLEASE NOTE: This event is at The Burrard Marina Field House, 1655 Whyte Avenue, Vancouver

Join us at the Burrard Marina Field House for a morning of interpreting coffee grounds with invited artist Dilara Akay.

This fall the CAG launched a six-month independent study residency with local artist Fabiola Carranza. During her residency Carranza is considering the intertwining of art practice, community organization and public programing. She is using the Burrard Marina Field House as a studio space from where to conduct her own research and to collaborate with CAG on a series of public programs. Carranza’s programming will extend the use of the field house to the immediate members within her artistic community. For her first event at the field house Carranza has invited artist Dilara Akay.

Tasseomancy is a divination method that interprets coffee grounds, tea leaves or wine sediments. Anthropologist Webb Keane, refers to practices that transform the materiality of objects into other visual forms as “Practices of Spirit Writing”. These semiotic practices seek to generate control over unfathomable situations but can also be used to establish “power-laden relationships” between people, where one individual or practice can take advantage of another. Keane calls this the process of “semiotic transduction” and poses the question: “What can one hope to gain from interpreting physical signs that arrive from the non-physical world?” Come experience tasseomancy – have your coffee cup read this Saturday!

Print outs of Webb Keane’s essay, On Spirit Writing: materialities of language and the religious work of transduction will be available for those interested in reading about other practices of writing spirit.

Dilara Akay lives and works in Istanbul. She works mainly in sculpture. Her work questions the possibility of adding more dimensions to the three-dimensionality of an object by creating installations, event sculptures, happenings and/or social sculptures. Akay was born in Adana, Turkey in 1963. She is the mother of Vancouver based artist, Derya Akay. For more information about her work, visit her website. www.dilaraakay.com

Fabiola Carranza is a Costa Rican/Canadian artist who has participated in group exhibitions at The National Gallery of Costa Rica, The Contemporary Art Gallery, Artspeak, Access Gallery and 221A in Vancouver. Solo exhibitions include Apocalypse of Solentiname, Hardscrabble Gallery, Vancouver (2012); El Hábito de estrofas, Des Pacio Gallery, San José (2011); Pale. Pale. Pale. Pale. Pale. Pale. Pale, The Crying Room, Vancouver (2011); Foxgloves, Lucky Gallery, Vancouver (2010) and Sample Text in Vietnamese, Lobby Gallery, Vancouver (2007). Carranza studied art and art history in Vancouver, BC and in Vestfold, Norway.

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Turkish Coffee Readings by Dilara Akay | Hosted by Fabiola Carranza


Weekend events at CAG as part of ‘For a New Accessibility’ Nov 20 to 22, 2015

When I Walk
Film Screening & Tele-talk with Director: Jason DaSilva
Saturday, November 21: 7-9pm
Free admission

In 2006, 25-year-old Jason DaSilva was on vacation at the beach with family when, suddenly, he fell down. He couldn’t get back up. His legs had stopped working; his disease could no longer be ignored.  Just a few months earlier doctors had told him that he had multiple sclerosis, which could lead to loss of vision and muscle control, as well as a myriad of other complications. Jason tried exercise to help cope, but the problem only worsened. After his dispiriting fall on the beach, he turned to his Mom, who reminded him that, despite his disease, he was still a fortunate kid who had the opportunity to pursue the things he loved most: art and filmmaking. Jason picked up the camera, turned it on his declining body, and set out on a worldwide journey in search of healing, self-discovery, and love.

An emotional documentary filled with unexpected moments of humor and joy, WHEN I WALK is a life-affirming film driven by a young man’s determination to survive—and to make sense of a devastating disease through the art of cinema.

Read more about the film:

http://wheniwalk.com/about/

http://www.imdb.com/title/tt1395808/

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Film Screening & Tele-talk with Director: Jason DaSilva - When I Walk


FOR A NEW ACCESSIBILITY panel discussion
Sunday, November 22nd 11-1pm

In conjunction with ‘For a New Accessibility’ (November 20-22, 2015) a convergence of artists and activists meeting around the theme of organizing for accessibility and mutual aid produced in partnership with Gallery Gachet and artist Carmen Papalia.

Amanda Cachia, Carmen Papalia, Cheryl L’Hirondelle and Margaret Dragu: moderated by Cecily Nicholson.

The social condition of disability—in which a group or individual is disempowered by the systems that they are in relation to—is an epidemic that effectively marginalizes entire communities with diverse and complex needs. Locally, this oppression plays out in schools, hospitals, cultural institutions, policing, and through various arms of government, making the effort to claim agency a strategic, high-stakes intervention.

The panel will consider a series of propositions as we think/move towards a new accessibility:
-How do we collectively change a/this system of oppression?
-How can we provoke institutional entities to evolve?
-How does our negotiation of access alter our environment?
-What are the tenets of an open model for access?

BIO’s of participants:

Amanda Cachia is an independent curator from Sydney, Australia and is currently completing her PhD in Art History, Theory & Criticism at the University of California, San Diego. Her dissertation will focus on the intersection of disability and contemporary art. She held the position Director/Curator of the Dunlop Art Gallery in Regina, Saskatchewan, Canada from 2007-2010, and has curated approximately 30 exhibitions over the last ten years in various cities across the USA, England, Australia and Canada. http://www.amandacachia.com/

Margaret Dragu works in video, installation, new media & performance art. Dragu’s performancesspan relational, durational, interventionist & community-based works. Her 45+ year practice encompasses writing, dance, theatre anda body/movement teaching that includes dance, aerobics/yoga and personal training specializing in Clinical Exercise. Margaret is also a one-woman TV Station (VERBFRAUTV). a 2012 Laureate of the Canadian Governor-General’s Award for Visual Art and Media, the recipient of City of Richmond’s Most Innovative Artist Award, Ethel Tibbett’s Woman of the Year Award for The Arts, Richmond Women’s Centre’s Inspirational Woman Award & Mall Peepre Award for Outstanding Fitness Leader. She is an internationally famous cleaning lady.

Cheryl L’Hirondelle is an Alberta-born mixed blood (Cree/Metis/German/Polish) community-engaged multi / interdisciplinary artist and singer/songwriter, who has been presenting and exhibiting her work since the 1980’s. Her creative practice investigates a Cree worldview (nêhiyawin) in contemporary time-space. L’Hirondelle uses song, voice, audio and more to develop endurance-based performances, interventions, site-specific installations, participatory projects while she keeps singing and writing songs where ever and with whomever she can. Currently Toronto-based, Cheryl has performed and exhibited her work widely both in Canada and abroad, and her previous musical efforts and new media work have garnered her critical acclaim and numerous awards.

Carmen Papalia is a Social Practice artist who makes participatory projects on the topic of access as it relates to public space, the Art institution and visual culture. His work has been featured as part of exhibitions and engagements at: The Solomon R. Guggenheim museum, the Museum of Modern Art in New York, the Whitney Museum of American Art, the L.A Craft and Folk Art Museum, the CUE Art Foundation, the Grand Central Art Center, the Portland Art Museum, the Columbus Museum of Art and the Vancouver Art Gallery.

Contemporary Art Gallery, 555 Nelson Street, Vancouver, contact@contemporaryartgallery.ca
www.contemporaryartgallery.ca

Register here: http://gachet.org/for-a-new-accessibility-registration-page/

Program: http://gachet.org/for-a-new-accessibility-program/

Convergence schedule: http://gachet.org/fana-2015-schedule/

===================
Accessibility information
===================

***Locations***

Gallery Gachet
88 E Cordova

front door: 5 feet width
front door step: 6 inch height
ramp: 34 inch width

washroom door: 33 inch width
toilet: 10 inch clearance on left side
14 inch clearance in front to sink
the washroom has a handrail
washroom is all genders

Full audit available at this link: https://radicalaccessiblecommunities.wordpress.com/2013/05/26/this-audit-of-gallery-gachet-was-performed-on/

Contemporary Art Gallery
555 Nelson St

front door: 33 3/4 inch width x 2 (double doors)
no steps at entrance.
washroom door: 33 3/4 inch width
toilet: 11 inch clearance on left side
the washroom has a handrail
washroom is all genders

Full audit available at this link: https://drive.google.com/folderview?id=0B81n0augDG8kfnB2V19uZlpBX0h2MmtKVzBWQThsZ2NiZjlEVzRUUlpLdTRoTlU3aXo3cFU&usp=sharing&tid=0B81n0augDG8kU2NfRlZSa3pIQ00

Downtown Eastside Neighbourhood House
573 E Hastings

front door: 34 inch width
no steps at entrance
washroom door: 31 inch width
toilet: 12 inch clearance on left side
the washroom has a handrail
washroom is all genders

Enterprising Women Making Art
800 E Hastings

front door: 33 inch width
no steps at entrance
washroom door: 33 inch width
toilet: 12 inch clearance on left side
washroom is all genders

***ASL Interpretation***

ASL Interpretation will be offered by default for the following events:

Opening night: 7pm – 9pm Friday November 20th at Gallery Gachet

Bodies in Deliberate Motion lecture: 1:00 – 3:00 pm Saturday, November 21st at Gallery Gachet

For A New Accessibility Panel Discussion: Sunday November 22nd 11:00 – 1:00 pm at CAG

Reverb: A Queer Reading Series: Sunday November 22nd 2:00 – 5:00 pm at CAG

For booking ASL interpretation at any of the other programs of the convergence please email: contact@gachet.org or come visit us in person.

***Scent-reduced Policy***

In order to create a space where folks with multiple chemical sensitivities can participate at all of our venues, please refrain from wearing perfumes, colognes or other scented products (including essential oils) and smoke far away from the entrances to the spaces. To request a For info on how to support folks with multiple chemical sensitivities, visit: http://www.peggymunson.com/mcs/fragrancefree.html

***Childcare***

Childcare will be offered throughout the convergence. Please remember to let us know in your registration what your childcare needs are.

Image: Carmen Papalia leads a tour as part of a feedback series talk at the CAG in 2014.

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FOR A NEW ACCESSIBILITY - panel discussion


Reverb – readings
Sunday, November 22, 2-5pm

Readers at this REVERB are: Adèle Barclay, Vi Levitt, Hiromi Goto, Lucas Crawford and Kay Ho

In conjunction with ‘For a New Accessibility’ (November 20-22, 2015) a convergence of artists and activists meeting around the theme of organizing for accessibility and mutual aid produced in partnership with Gallery Gachet and artist Carmen Papalia.

REVERB is an anti-oppressive, quarterly reading series for queer writers on unceded Musqueam, Sḵwxwú7mesh, and Tsleil-Waututh land. All our writers self-identify on a spectrum of queerness that centres trans* and femme experiences. All of our events are held in physically and financially accessible spaces, and with every event, we make at least one change to ensure that REVERB becomes more and more accessible. We promise to do all we can to create a safer space — bring your suggestions! Check your assumptions at the door; REVERB is a body-positive, anti-racist, anti-sexist, and hella queer- and trans-positive event. http://reverbqueerreadingseries.weebly.com/

Accessibility information:

Contemporary Art Gallery
555 Nelson Street

front door: 33 3/4 inch width
no steps at entrance.
washroom door: 33 3/4 inch width
toilet: 11 inch clearance on left side
the washroom has a handrail
washroom is all genders

Full audit available at this link: Accessibility Audit for CAG
ASL interpretation will be provided.

In order to create a space where folks with multiple chemical sensitivities can participate at all of our venues, please refrain from wearing perfumes, colognes or other scented products (including essential oils) and smoke far away from the entrances to the spaces. To request a For info on how to support folks with multiple chemical sensitivities, visit: http://www.peggymunson.com/mcs/fragrancefree.html

Childcare will be offered. Please let us know in your FANA registration what your childcare needs are.

LINKS:

http://gachet.org/event/for-a-new-accessibility/

Full Schedule: http://gachet.org/fana-2015-schedule/
===================
Accessibility information
===================

***Locations***

Gallery Gachet
88 E Cordova

front door: 5 feet width
front door step: 6 inch height
ramp: 34 inch width

washroom door: 33 inch width
toilet: 10 inch clearance on left side
14 inch clearance in front to sink
the washroom has a handrail
washroom is all genders

Full audit available at this link: https://radicalaccessiblecommunities.wordpress.com/2013/05/26/this-audit-of-gallery-gachet-was-performed-on/

Contemporary Art Gallery
555 Nelson St

front door: 33 3/4 inch width
no steps at entrance.
washroom door: 33 3/4 inch width
toilet: 11 inch clearance on left side
the washroom has a handrail
washroom is all genders

Full audit available at this link: https://drive.google.com/folderview?id=0B81n0augDG8kfnB2V19uZlpBX0h2MmtKVzBWQThsZ2NiZjlEVzRUUlpLdTRoTlU3aXo3cFU&usp=sharing&tid=0B81n0augDG8kU2NfRlZSa3pIQ00

Downtown Eastside Neighbourhood House
573 E Hastings

front door: 34 inch width
no steps at entrance
washroom door: 31 inch width
toilet: 12 inch clearance on left side
the washroom has a handrail
washroom is all genders

Enterprising Women Making Art
800 E Hastings

front door: 33 inch width
no steps at entrance
washroom door: 33 inch width
toilet: 12 inch clearance on left side
washroom is all genders

***ASL Interpretation***

ASL Interpretation will be offered by default for the following events:

Opening night: 7pm – 9pm Friday November 20th at Gallery Gachet

Bodies in Deliberate Motion lecture: 1:00 – 3:00 pm Saturday, November 21st at Gallery Gachet

For A New Accessibility Panel Discussion: Sunday November 22nd 11:00 – 1:00 pm at CAG

Reverb: A Queer Reading Series: Sunday November 22nd 2:00 – 5:00 pm at CAG

For booking ASL interpretation at any of the other programs of the convergence please email: contact@gachet.org or come visit us in person.

***Scent-reduced Policy***

In order to create a space where folks with multiple chemical sensitivities can participate at all of our venues, please refrain from wearing perfumes, colognes or other scented products (including essential oils) and smoke far away from the entrances to the spaces. To request a For info on how to support folks with multiple chemical sensitivities, visit: http://www.peggymunson.com/mcs/fragrancefree.html

***Childcare***

Childcare will be offered throughout the convergence. Please remember to let us know in your registration what your childcare needs are.

MORE

Reverb – readings


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