CAG Curator, Jenifer Papararo gives a tour of current exhibitions.
Guided visits are open to the public, providing free opportunities to engage with exhibitions and develop new skills for interpreting contemporary art. We also encourage visits from primary and secondary schools, ESL groups, university and college students and community groups. For more information or to book a guided visit for your group, contact email@example.com or telephone 604 681 2700.MORE
Please note that this talk has been rescheduled due to unforeseen circumstances. The talk will take place in late October or early November.
Wednesday, October 8, 7pm
Klingberg will give an overview of her practice including
discussion of her new commission at the gallery and off-site.
Brand New View (Vancouver)
Opening reception: Thursday, October 9, 7–10pm
Join us to celebrate the opening of our new gallery façade and off-site commission.MORE
Vancouver Electronic Ensemble
Monday, October 6, 7pm
In response to the exhibition by Jürgen Partenheimer, VEE
will create a special improvised performance as part of the
Vancouver New Music Festival. Players will be scattered across
the gallery rooms, as sound, light and colour flow throughout the
building creating an abstract sonic environment. Places are free
but space is limited. Please contact the gallery for further details.
Saturday, September 13, 4pm
Join the artist on a walk through tour of his exhibition.
The Archive – The Raven Diaries
September 12 to November 9, 2014
The Contemporary Art Gallery presents the first solo exhibition in Canada of work by acclaimed German artist Jürgen Partenheimer. Reflecting the diversity of the artist’s practice, the exhibition comprises works on paper, text, printmaking, ceramics and sculpture, much of it produced in Vancouver in spring 2014 during his recent residency as the Audain Distinguished Artist-in-Residence, hosted by Emily Carr University of Art + Design.
Partenheimer’s work is essentially abstract; his drawings and paintings, caught seemingly on the verge of dissolution, are remarkable for their fragile beauty, whilst sculpture and ceramic work, suggesting some usefulness, remain elusive with respect to any specific function. His artistic proposition is philosophical, encouraging us to challenge the distinction normally made between reality and imagination. Drawing is used as a means to suggest new pictorial space, linking our experience of place through mapping and gesture, through mark-making. His visual language, the particular form of poetic abstraction, creates a system of open, meditative boundaries. As such this conceptual approach, his life-long interest in notions of representation and his thoughtful, meticulous consideration of locality, space and place, suggest a key resonance with artistic practice in the city, asserting continuity between these forms and an experience of daily life.MORE