Please join us to celebrate the opening of the exhibitions:
The Act of Seeing with One’s Own Eyes
Headlines and Last Lines in the Movies
Opening reception: Thursday, June 12, 7–10pm
Join us to celebrate the opening of our two new exhibitions:
‘The Act of Seeing with One’s Own Eyes’
June 13 to June 29, 2014
B. C. Binning and Alvin Balkind Galleries
‘The Act of Seeing with One’s Own Eyes’ is a group exhibition of recent film and video that seeks to interrogate notions of uncertainty within the documentary format. Work by ten artists engages with the conventions of source footage, narrative voice and re-enactment, questioning perceptions of such devices, while also reclaiming them in order to redefine their intent and potential.
This exhibition is generously supported by Inform Interiors.
‘Bernadette’ (2008) by Duncan Campbell is presented in collaboration with Western Front and Dim Cinema and will screen in the Grand Luxe Hall at the Western Front, 303 8 Ave E, Vancouver from June 26 to June 29 during opening hours: noon to 5pm. Please join for a reception and screening Thursday, June 26 from 8–10pm.
Headlines and Last Lines in the Movies
June 13 to September 7, 2014
‘Headlines & Last Lines in the Movies’ transforms the façade of the Contemporary Art Gallery, wooden cladding covering its frontage and south east corner. Resembling a construction site, the structure becomes the ground for the work; the title a precise description of itself.
In this new mural, Brüggemann writes headlines from current newspapers, from local to global, in combination with excerpts of last lines from popular films. ‘Forget it Jake, its Chinatown’ could be spray-painted next to ‘Enbridge Pipeline Rejected’, the juxtaposition of appropriated texts creating both a familiarity and an oddly appropriate pairing suggestive of narratives that may exist to connect current news items with scripted dialogue.
The Act of Seeing with One’s Own Eyes is a group exhibition of recent film and video that seeks to interrogate notions of uncertainty within the documentary format. Work by ten artists engages with the conventions of source footage, narrative voice and re-enactment, questioning perceptions of such devices, while also reclaiming them in order to redefine their intent and potential. Not all works critique these characteristics, but each examines the consumption of knowledge and truth, using the body as form and performance as a site, to address where meaning may reside.MORE
Thursday, June 26, 7pm
Please join us for a talk by artist Maryam Jafri. Her video work Avalon (2011) is included in The Act of Seeing with One’s Own Eyes.
In her moving image works, Jafri blurs the distinction between scripted films and unscripted documentaries. In Avalon (2011), Jafri seamlessly weaves together stories from real life workers in an unnamed leather company in an unspecified Asian country, with a script that she wrote herself. The workers in this factory are not told that they are making fetish products to be sold to the masses in the United States, and this selective disclosure can be seen in the disconnect between the production process and the final product itself. Parallels can be made between the secretive nature within the leather factory, the viewer’s unsurety of who is an actor and who is not, as well as to the overall editing process which yields a carefully restrained video work about the complex topics of overseas factories and the world of fetish paraphernalia.
Jafri’s solo exhibitions include: Mouthfeel, Gasworks, London (2014); Backdrop, Bielefelder kustverein, Bielefeld, Germany (2013); Stages, WYSPA Institute of Art, Gdansk (2012); Geographies, Museum of Contemporary Art, Roskilde (2012); Headlines and Small Print (with Anderas Fogarasi), Galerie Nova/WHW Zagreb (2012); Global Slum, Beirut, Cairo (2012) and Shanghai Biennial and Taipei Biennial (2012). She has also exhibited in group exhibitions including: Fassbinder Jetzt – Fassbinder and Contemporary Art, Deutsches Filmmuseum, Frankfurt (2013); Past is Present (Murals), Museum of Contemporary Art, Detroit (2013); Ten Thousand Wiles, Hundred Thousand Tricks, MuKHA, Antwerp (2013); When Attitudes Became Forms Become Attitudes, Museum of Contemporary Art, Detroit (2013); Manifesta 9, Genk (2012). Maryam Jafri lives and works in New York and Copenhagen. She holds a BA in Literature from Brown University, an MA from NYU/Tisch School of The Arts and is a graduate of the Whitney Museum Independent Study Program.MORE
We are very pleased to welcome Sofia and Eva as Curatorial Interns at the gallery, please read on as they introduce themselves:
Hi, my name is Eva Tweedie, the UBC CCST Curatorial Intern. I am halfway through my first year in the Curatorial and Critical Studies (CCST) program at the University of British Columbia and am looking forward to getting some hands-on gallery experience this summer. So far during my time at the CAG I have been working with artists in our upcoming summer exhibition The Act of Seeing with One’s Own Eyes to prepare for the installation of their works. I have also been doing research on other artists who will be exhibiting here at the CAG later this year, and in 2015.
My name is Sofia Stalner and I am a Curatorial Intern and recent graduate from the Critical and Curatorial Studies Program at the University of British Columbia. I have been working on the collection which helped establish the CAG and is owned by the City of Vancouver, updating the database and registry, as well as receiving artworks from the collection that have been displayed throughout Vancouver, primarily on office walls. I am currently compiling information as research toward a hopeful and necessary move of the collection to a larger storage facility. Here is a little bit of a background on the unique collection we have:
Established in 1971 as the Greater Vancouver Artist’s Gallery, through federal employment programs for artists, the Contemporary Art Gallery (CAG) was incorporated as a non-profit charitable society in 1976. From 1971 to 1978, artists were hired for six month periods to produce art for exhibition which was then accessioned into the City of Vancouver Art Collection. The City of Vancouver Art Collection of 3,000 works of art which are circulated in public spaces throughout City buildings and loaned for exhibition to museums and galleries.
- Stay tuned to the CAG blog for updates from Eva and Sofia on their projects and upcoming exhibitions.MORE
This survey of Duncan Campbell’s inventive and provocative practice looks back over a number of arresting, meticulously assembled film works that this Dublin-born, Glasgow-based artist has produced during the last decade, and coincides with the launch of the latest in that series, Make it new John (2009). The publication contains an essay by Martin Herbert and an in-conversation between the artist and critic, Melissa Gronlund.MORE