CAG Volunteer Dan Potter writes about his experience participating in Scarcity Radio Vancouver a project developed with artist Sarah Browne. CAG volunteers and teens from the IGNITE! Mentorship Program at the Cultch, Vancouver, worked alongside a group from VIVO Media Arts Centre, Vancouver as well as with individuals from Slow Boat at Ikon Gallery, UK producing a series of sound-works for broadcast on the Scarcity Radio internet channel www.scarcityradio.org/radio.
This unique project included sound artists, economists, geographers and others exploring the notion of scarity and produced a series of experiences that ask questions about the world around us. Dan Potter writes:
When I was first invited to be a part of the Scarcity Radio project I asked myself what are elements in my day to day life that are scarce? Although I came up with a few answers to this question I found it difficult to pin point any necessities I wouldn’t be able to track down and implement. Over the course of a few condensed meetings we as a group explored these concerns with various artistic and social economic practitioners.
For me, our first meeting with artist Sarah Browne provided the most guidance as we talked from many angles on what scarcity is and how this concept could be applied to a radio art project. One of the points made that I found interesting was this idea of scarcity can only exist within a value system that governs quantity. So what is scarce really depends on our perceived notion of what is desired or at least what we consider a necessity of a comfortable life. This concept fits in with the exhibit How to Use Fool’s Gold where Sarah Browne gets us as viewers to examine our economic value system in order to see it isn’t an absolute power but is built and evolves according to what we put emphasis on in regards to our shared values of wealth and prosperity.
Pretty soon we all started making audio recordings of various events with the purpose of editing them into sound pieces that would be eventually broadcast on a pirate radio station operating out of the UK. This idea of using the AM/FM band as part of public display influenced my decision on what to record. In a world full of iPods and Wi-Fi connected audio streams the word RADIO immediately brings to mind certain social phenomenon in our society that are slowly going extinct and being replaced by a new normality.
Consequently, I decided to make recordings of myself and my family sitting at the dinner table having a conversion whilst eating our evening meal. I took the mundane discussions on where the food was bought and the hysterical slightly drunk laughter and manipulated snippets of them to create a sound piece that would move in and out of reality. Some chewing sounds were looped together to create a rhythmic pattern of excessive gobbling noises and cavernous reverb effects were applied to the end points of dialogue in order to initiate a sense of disappearance.
I wanted to hit upon the scarcity of family relations especially that of a nuclear family and the luxury of easy availability of food in western society. When all was said and done it turned out to be a quick project with not a lot of time to over think which happily kept things spontaneous and unexpected. I also enjoyed hearing what other artist participates had recorded as there was a great diversity of sounds and approaches that when played together will definitely spook any unsuspecting radio listeners over in the UK.
This program was made in collaboration with Contemporary Art Gallery, Vancouver, VIVO Media Arts Centre and Slow Boat, Ikon Gallery, Birmingham, UK.
This book was published on the occasion of the exhibitions NEUTRAL/BRAKES/STEERING at the Agnes Etherington Art Center from November 12 to December 24, 1998, and 22 oz. THUNDERBOLT at the Contemporary Art Gallery from March 27 to May 8, 1999. The publication contains an essay by Jim Drobnick and Jennifer Fisher.MORE
This richly illustrated book documents Indian-Thai Artist Navin Rawanchaikul's solo and collaborative projects he completed between 1993 to 1999. The publication contains texts, photographs, correspondence, video stills, drawings, comic strips and inserted objects: a postcard, a piece of cloth, a post-it paper with the question "what is art?" in the artist's handwriting and a comic book published on the occasion of the Sydney Biennale in 1998.MORE
This book was published on the occasion of the exhibition French Kiss from December 13, 1997 to January 31, 1998. The following artists are included in the exhibition and publication: Ghada Amer, Jean-Sylvain Bieth, Bernard Lallemand, Dany Leriche and Patrick Raynaud.MORE
This book is published on the occasion of the exhibition Wanda Koop: See Everything/See Nothing from February 14 to March 21, 1998 by the Contemporary Art Gallery Vancouver and contains an essay by Robin Laurence.MORE