Tonight at 7pm art historian and writer Catherine Soussloff gives a talk that launches a new round of events at the CAG, titled the “Feedback Series.”
This new series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.
Catherine Soussloff will respond to Matthew Monahan’s work presenting a talk entitled, “Death, Benjamin and Melancholy.” She will address disciplines of historiography, theory and philosophy in a conversation with the audience.
Thank you to those who attended the CAG’s opening last Thursday, April 26th for Matthew Monahan’s first exhibition in Canada. The exhibition will be on view until July 1, 2012.
As of today, Tuesday, May 1st, the CAG has extended its hours and is now open from Tuesday – Sunday, 12pm until 6pm. There are now more opportunities to visit and explore Matthew Monahan’s work at the CAG.
Image: Matthew Monahan, installation view at the Contemporary Art Gallery, Vancouver. Courtesy Anton Kern Gallery and Stuart Shave/Modern Art. Photo: Karina Irvine.
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This richly illustrated book documents Indian-Thai Artist Navin Rawanchaikul's solo and collaborative projects he completed between 1993 to 1999. The publication contains texts, photographs, correspondence, video stills, drawings, comic strips and inserted objects: a postcard, a piece of cloth, a post-it paper with the question "what is art?" in the artist's handwriting and a comic book published on the occasion of the Sydney Biennale in 1998.MORE
This book was published on the occasion of the exhibition French Kiss from December 13, 1997 to January 31, 1998. The following artists are included in the exhibition and publication: Ghada Amer, Jean-Sylvain Bieth, Bernard Lallemand, Dany Leriche and Patrick Raynaud.MORE
This book is published on the occasion of the exhibition Wanda Koop: See Everything/See Nothing from February 14 to March 21, 1998 by the Contemporary Art Gallery Vancouver and contains an essay by Robin Laurence.MORE