As the new Development Assistant for the Contemporary Art Gallery’s 26th Annual Gala & Auction, I am so excited to be a part of the CAG’s team and to connect with the CAG’s surrounding community.
My name is Olivia de Fleuriot de la Coliniere – I usually shorten my last name to de Fleuriot to avoid confusion or bewilderment. I was born in Durban, South Africa and moved to Toronto with my family when I was five years old. I grew up amongst creativity and colour, which encourages me to pursue my passion to create and study fine art. I recently completed my Bachelor of Art degree, majoring in Art + Design, at Trinity Western University and will be continuing this upcoming academic year as an Honours student. I aspire to pursue a career in a gallery setting and educational environment, as well as my own artistic practice.
The team here, at the CAG, has been welcoming and supportive. I work directly with Sue Lavitt, Head of Development and Communication, and also other staff and volunteers at the Contemporary Art Gallery.
It has been an exciting adventure corresponding, researching, and writing about the various artists being presented at the gala fundraiser this year. I can’t wait for you to experience the fantastic night and participate by supporting both the artists and the CAG in their role locally, nationally, and internationally. It is very tempting to blurt out the broad display of talent being presented this year, but I shall keep you in suspense a bit longer!
I am quite happy to say that my experience here at the Contemporary Art Gallery does not end this August. Before my current position, I volunteered and assisted Shaun Dacey, the Curator of Learning and Public Programs, with research and educational practices. From this experience I will be co leading the Family Day events that take place the last Saturday of every month. It would be great to see you at a Family Day event or at the Annual Gala & Auction this fall!
There will be more blogs coming up to give you a taste of this year’s Gala & Auction in retrospective of a 25 year history.
- Olivia de Fleuriot
Designed by James Langdon,Has Man A Function In Universe? is part of an ongoing project begun in 2002 to develop forty projects related to forty questions written by R. Buckminster Fuller. Each project is an artwork or a combination of artworks, developed in response to one of the questions. Of all the questions ‘Has Man A Function In Universe?’ may be the key that binds and directs all of the other questions. Gavin Wade has commissioned artists and writers to respond to this question using a combination of text and image.
The publication will reflect the process of the project – an ‘exquisite corpse’ involving collaboration, dissemination and the combining of works.
Edited and designed by James Langdon, this is the fifth draft user's manual for Eastside Projects, a free public gallery in Birmingham opened in September 2008, that is being imagined and organised by artists. It explains what the organisation is made of, how it was set up, who it is for, how it can be used and what it can offer. As would be the case when operating a machine or learning a subject, a manual may be necessary for the full use of of Eastside Projects. In this draft, the manual is structured as an alphabetical compendium of verbs. Each of these interconnected entries describes an activity engaged in by Eastside Projects as an organisation or a process occurring in the Eastside Projects building. Beneath each entry is a prompt to the reader to follow one of multiple narrative paths through the text. Readers unfamiliar with Eastside Projects should begin at Describing. Others suggested starting points Welcoming, Exhibiting, Narrating, Complicating, integrating.MORE
This book compiles research produced at five 'A School for Design Fiction' workshops at London College of Communication (London), Fahrenheit 39 (Ravenna, IT), Konstfack (Stockholm), Registration School (London) and Contemporary Art Gallery (Vancouver), with contributions from Peter Nencini, Francesco Pedraglio, Samara Scott and Batia Suter.MORE
Conceived and designed by James Langdon with Peter Nencini and Gavin Wade, this is the sixth draft manual for Eastside Projects, a free artist-run public gallery in Birmingham opened in September 2008. The sixth draft - in the form of a story for children - describes an alternative to the cycle of urban erasure and renewal. In the iconic 1972 publication ‘Adhocism’, architectural historian Charles Jencks wrote: “... the environment should preserve a record of past action, so that present and future actions may become intelligible.” In this spirit Eastside Projects proposes to initiate a new planning policy for Birmingham — informed by values of accumulation, complexity and story-telling — to make a more ‘legible’ environment.MORE
As part of Responsive Subjects, A School for Design Fiction convened on November 8, 2013 at the Museum of Contemporary Art, Leipzig. This itinerant school employs the curious genre of ‘design fiction’ to assert storytelling as the primary function of design, assuming that every artefact has the potential to express the character of the culture that produced it. This publication documents and expands on the founding of the school through a series of imagined scenarios. These include a drama at the printer for architect Augustus Pugin in 1836, the history of the universe as observed on an English hillside in 1937, the first human trial of split brain surgery in California in 1961, and a Scottish speech synthesis studio in 2013. As the CAG's contribution to the Vancouver Design Week 2014, James Langdon conducted a three day workshop exploring narrative approaches to design, a series of connected exercises subjecting a collection of found materials to various manual and conceptual processes.MORE
This catalouge has been published on the occasion of the installation Wheel of Everyday Life by artist Gunilla Klingberg at Rice Gallery from January 31st to March 13th, 2013. Through covering up entire architectural spaces with ornate, circular patterns that were constructed from everyday logos and brands and resemble sacred mandalas, the artist explores her interest in consumerism and forms of Eastern spirituality. The publication contains a foreword by director Kimberly Davenport and an article by Houston-based arts writer Kelly Klaasmeyer.MORE