As part of our contribution to Capture, Vancouver’s first annual city-wide photography festival, we present a new installation by American artist Mungo Thomson. Central to Thomson’s artistic proposition is that of context – be it institutional, cultural or that of everyday life – and it is through the breadth of his individual works that we are prompted to grasp the many challenges to our perception in the things we encounter daily. For Thomson is interested in the space between things, the subtext or background that consistently draws our attention. He has made works which record notional ‘silence’ – the sound of a room when no one is in it, the applause between songs on every live recording by Bob Dylan – produced works in a range of media based on TIME magazine, and made interventions into spaces which causing us to re-evaluate our expectations, such as Coat Check Chimes, his contribution to the 2008 Whitney Biennial Exhibition, where Thomson replaced the 1,200 coat hangers in the Whitney Museum’s coat check with custom-made, musically tuned coat hangers that were modeled on orchestral triangles.
When we look at the stars we are actually bathed in the light of the past, and for Thomson this is another way to think about the history while simultaneously considering the ‘contemporary’ – that which constitutes our present is a set of signals between which there are gaps. Negative Space is an ongoing series of photographic murals of inverted astronomical imagery sourced from the Hubble Space Telescope. Thomson works with the Hubble archive in an ongoing way, generating a negative image every time the Hubble generates a positive one. Through a simple command in Photoshop, blacks become whites, whites become blacks, and all other colors are transformed into their complement. These images are then made into site-specific photographic murals for empty walls and installed like wallpaper, indoors and out, temporary and permanent. The project also includes an artist book, an original font, and a screensaver.
The project at Yaletown-Roundhouse Station, Canada Line is presented in partnership with Capture and the Canada Line Public Art Program – IntransitBC.
This project heralds a more comprehensive exhibition of Thomson’s work to be presented at the Contemporary Art Gallery in 2014-15 produced in collaboration with SITE Santa Fe and accompanied by the first monograph to examine Thomson’s practice.MORE
The Contemporary Art Gallery presents a major new commission for the Yaletown-Roundhouse Station by influential Vancouver–based photographer Marian Penner Bancroft.
Since the late sixties, Penner Bancroft has defined herself as a photographer, dedicating her practice to the medium, meditating on its conventions while also considering the dematerialization of the art object; combining conceptual art strategies as well as pushing the presentation and production of the photographic image into more immersive forms. She is known for drawing attention to the lines between where an image begins and what constitutes an image – at times using the physical framing device as a tangible three-dimensional photographic field.
The subject of Penner Bancroft’s work often resides in the personal, following her family, tracking their daily movements both real and, in the case of her ancestors, imagined. She embeds these inquiries into images of the landscape, using visual traces of a colonial transit to and across Canada as part of an individual yet generalized narrative of immigration and displacement. In recent years she has widened the scope of her research to include the histories of the fur trade, farming, music and religion in relation to the landscape and mapping.MORE
A special version of a landscape drawing, Sky at Night by Itee Pootoogook is presented large-scale at Yaletown-Roundhouse Station, Canada Line, its physicality altering as light changes throughout the day, its imagery deliberately playing with and gaining meaning from the specificity of the site.
A resident of Cape Dorset, Nunavut, Pootoogook belongs to a generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents during the second half of the twentieth century. In his large-scale graphite and coloured pencil drawings, Pootoogook makes images of places, people and things, observed with prosaic intimacy. The solo exhibition Buildings and Land at the Contemporary Art Gallery, focuses not on works involving portraits of family and friends but on those images that picture the things which structure daily routine in this part of Canada — buildings, landscape and the means to travel to other parts of the country.
The project is presented in partnership with the Canada Line Public Art Program – IntransitBC.MORE
CAG Window Spaces and off-site at Yaletown-Roundhouse Station, Canada Line and Fieldhouse Studio Residency Program.
In partnership with the City of Vancouver Fieldhouse Studio Residency Program, the Contemporary Art Gallery presents Canadian artist Raymond Boisjoly as our inaugural resident artist. For six months he will occupy the Burrard Marina Field House, using it as a studio and a place for community engagement, coinciding with the launch of As It Comes, two new interrelated public works. The title appears at the Yaletown-Roundhouse Station as a discrete piece, humorously foreboding, and more comic than terrifying, presented in brightly coloured vinyl like a credit from a B-list horror film. Linked to the text in the gallery windows, Boisjoly removes all suggestions of the past, not to deny what has become history, but with the intent to restore belief systems that are still intact.MORE
WAVES by Vancouver based and French born artist Nicolas Sassoon is the second commissioned work for the Yaletown-Roundhouse Station as part of the CAG’s offsite exhibition programme. It is part of Sassoon’s ongoing body of work using Moiré patterns – a visual blur inadvertently discovered by Swiss photographer Ernst Moiré – whereby two images are overlaid to create a third ‘plane’. The resulting optical effect causes the eye to see movement where there is none.
The Moiré pattern designed for the Yaletown-Roundhouse Station is created by physical layering a symmetrical configuration of vertical, curved black lines on top of a coloured pixelated background. With no focal point the mural is activated by the movement of the viewer. As commuters pass by the two overlapping planes, horizontal waves appear to undulate rhythmically across the surface. Initially disorientating, sustained viewing creates an immersive effect, altering our usual encounter with the entrance of the station, erasing its glass side as if revealing another dimension.MORE
The Contemporary Art Gallery presented the first major exhibition of Vancouver artist Scott Massey. With the discrete work Aurorae sited in the windows and Via Lactea (above Glacier Lake) at the Canada Line station, Massey linked both locations through two new pieces dealing with shifts in notions of time and place and the mutable connections between them. Typically Massey’s work often accentuates and amplifies natural phenomena, often heightened through artificial means or via slight manipulations. His interest in challenging our perception of the natural world or urban landscape is exemplified in a series of photographic and light works.
Join us to celebrate the launch CAPTURE a new photography festival for Vancouver, including projects and exhibitions by Mungo Thomson and James Welling at the Contemporary Art Gallery during October and November.
For more information on CAPTURE Photo Festival go here: http://capturephotofest.com/
The opening launch event will be held at The Museum of Vancouver, 1100 Chestnut Street, Vancouver, BC V6J 3J9, Canada.
on: Tuesday October 1, 7-10pmMORE
The rain stopped briefly today to allow for the installation of the very colourful Negative Space by Mungo Thomson, part of CAPTURE Photography Festival which launches tomorrow, Tuesday Oct 1 at the Museum of Vancouver.
Take a look, at some ‘sneak peak’ pics from the installation this afternoon at the Yaletown-Roundhouse Station, Canada Line, or… if you are travelling on the Canada Line, get off at the Yaletown-Roundhouse station and take a look for yourself!MORE
Today, the CAG (and people across Canada) celebrate Nunavut Day, a day that commemorates the NLCA (the Nunavut Land Claim Agreement). The NLCA is the largest comprehensive claim settlement in Canada, and it marked the first time that the Canadian map has changed since 1949 (with the incorporation of Newfoundland and Labrador).
Nunavut Day is a day to celebrate arctic traditions and the northern way of life. As our current exhibition features Inuit artist Itee Pootoogook, we invite anyone interested in celebrating Nunavut Day in Vancouver to join us and experience his work.
While you might seek out Wikipediato learn more about Nunavut today, the listing doesn’t say much about their fine arts scene. There has been an accelerated change in artistic expression in the past 50 years as many modern Inuit artists react to the present and the wider, more accessible world. Today’s northern nunavut artist is not as isolated, and the work produced is more contemporary, but no less representative.
As I was researching more about Nunavut Day, I learned that while the official languages of Nunavut are English and French, 8% of the population speaks neither English, French, nor Inuktitut (the primary language of Nunavut). Unfortunately, my language skills are limited to English and French, so to those remaining 8%, I say: Nunavut Quviahugvik (Happy Times Nunavut in Inuinnagtun!)
Aujourd’hui, le CAG (et les personnes à travers le Canada) célèbrent la journée Nunavut qui commémore l’ARTN (Accord sur les revendications territoriales du Nunavut). L’Accord est le plus important règlement de revendications territoriales au Canada, et il a marqué la première fois que le plan canadien a changé depuis 1949 (avec l’incorporation de Terre-Neuve et Labrador).
La journée du Nunavut est une journée pour célébrer les traditions arctiques et la vie nordique. Comme notre exposition actuelle présente l’artiste inuit Itee Pootoogook, nous vous invitons à célébrer la journée du Nunavut à Vancouver avec nous et à découvrir son travail.
Alors que vous pourriez rechercher Wikipedia pour en savoir plus au sujet du Nunavut aujourd’hui, l’article ne dit pas beaucoup à propos de leur beaux-arts. Il y a eu un changement accéléré dans les expressions artistiques dans les 50 dernières années et nombreux artistes inuits modernes réagissent à l’actualité et à le monde plus accessible. Ces artistes d’aujourd’hui n’est pas aussi isolé, et le travail qu’ils produisent est plus contemporain, mais non moins introspective.
Si vous n’arrivez pas à venir aujourd’hui à la galerie, n’hésitez pas à nous rendre visite à nos visites guidées à venir en anglais, français, et espagnol de les expositions au CAG.
Comme je faisais des recherches au sujet de la journée du Nunavut, j’ai appris que même si ses langues officielles sont l’anglais et le français, 8% de la population ne parle ni anglais, ni français, ni l’inuktitut (la langue principale parlé au Nunavut). Malheureusement, mes compétences linguistiques sont limitées à l’anglais et le français (rouillée), donc à ceux qui tombent au 8%, je dis: Nunavut Quviahugvik (temps heureux Nunavut!)MORE
A behind the scenes look at the installation of Itee Pootoogook’s Sky at Night, a Cape Dorset sunset comes to Yaletown.
The offsite project at Yaletown-Roundhouse Station, Canada Line is presented in partnership with the Canada Line Public Art Program — IntransitBC.