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Tuesday to Sunday 12 - 6pm
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Workshops

James Langdon
A School for Design Fiction
September 2014

As our contribution to Vancouver Design Week, the CAG is
working with James Langdon, recipient of the 2012 Inform
Award for Conceptual Design, presented by the Museum
of Contemporary Art Leipzig, Germany. Langdon will
offer a short course in reading objects, environments and
messages. Stimulated by the curious genre of design fiction, the programme asserts storytelling as the primary function of design. Langdon will conduct a three day workshop on September 16–18 exploring narrative approaches to design, a series of connected exercises subjecting a collection of found materials to various manual and conceptual processes.

The workshop is not concerned with speculative design or futurism, but with documenting and manipulating the narrative potential of ordinary artefacts through conside ration of their essence; their relations with each other; and the meanings they might be made to express.

Space is limited to 12 participants. further information at
learning@contemporaryartgallery.ca or 604 681 2700.

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James Langdon - A School for Design Fiction


Life Drawing Workshop: The Dancer’s Foot

Hosted by Field House Artist in Residence: Brendan Fernandes

Contemporary Art Gallery
(555 Nelson st.)

Tuesday July 15, 7-8:30pm

Free: Limited space, please RSVP to Learning@contemporaryartgallery.ca

Join our summer artist in residence Brendan Fernandes for a unique life drawing class focused on the dancer’s foot. Fernandes has invited dancers from BC Ballet to model their well-trained feet for drawing. Basic drawing materials will be supplied (paper, pencils, conte and charcoal) but participants are welcome to bring their own.

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Life Drawing Workshop: The Dancer’s Foot


00 Campbell
September 10, 2014
6-11pm
(durational performance)
The Russian Hall
600 Campbell Avenue, Vancovuer

Free

Performers:
Anne Riley, Charlotte Newman, Hannah Axen, Kelly McInnes, Kristina Jaggard, Lexi Vajda, Maia Nichols, Matilda Cobanli, Natalie Tin Yin Gan, Ryan Genoe, Sophia Wolfe

Over the course of ten weeks, the Contemporary Art Gallery brought together eleven emerging artists to explore the intersection between dance, choreography and visual art in its inaugural Summer Intensive. This has culminated in the production of a new choreographic work, 600 Campbell.

Considering the absence and presence of objects and bodies, this durational performance examines ways in which each happening intersects with another, connecting the work, the audience and the space. The artists collaborate to present the viewer with an invitation for interaction, allowing them to influence the work and the space both as observers and active contributors.

We acknowledge the generous support of the British Columbia Arts Council Council Youth Engagement Program.

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600 Campbell - Summer intensive performance


Saturday June 14, 12–4pm
Yaletown-Roundhouse Station, Mainland and Davie Street
Free, no registration required
Closing reception at the CAG, 6–9pm

Vancouverites of all ages are invited to take part in free hands-on drawing workshops, across the city in community centres, museums, art galleries, and on the street! Workshops, developed and led by professional artists, offer the opportunity
to rediscover drawing in everyday life. This day-long, city-wide celebration focuses on the process, pleasure and diversity of drawing, rather than on skill and technical ability.

For Vancouver Draw Down 2014 CAG hosts a workshop that works directly with Penner Bancroft’s installation at Yaletown-Roundhouse Station. Participants will develop their own collective drawing collage by taking tracings of Bancroft’s branches and adding them to an ever growing communal drawing.

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Boulevard Station - Vancouver Draw Down workshop 2014


This past Saturday, the CAG held its monthly Family Day. Participants crafted landscape collages in response to Kelly Richardson’s Legion. A few of the volunteers and I decided to have a little fun and create our own! From the beginning of my piece’s construction, I had a vague idea of what I wanted my collage to look like. Halfway through, however, I realized it had completely changed as I sorted through the materials we had and gained new inspiration.

Experiencing this process myself got me thinking about the art-making process in general. Artists may start with a certain idea about how they want a piece to look, but the finished product is often very different from the initial plan.

On looking through the CAG exhibition archives, an exhibition in 2010 by artist Elizabeth McIntosh, Violet’s Hair, explicitly seems to address the artistic process. Vancouver based, McIntosh is known for her abstract paintings. When one looks closely at many of her canvasses, faint clues to how the paintings have evolved can be seen. As well as a selection of paintings McIntosh also transformed a gallery room into a collage itself. Colours From a Story (2010) overlaid large, colourful pieces of paper in various sizes creating a sculptural representation of her art-making process. This piece addressed how McIntosh approaches painting; various colours overlapping creating new shapes and the painting itself revealing process and change.

This idea can also be applied to how we view art ourselves. Approaching art that we have never before seen, we often do so with uncertainty. One can never know how the experience will be until we are in front of it and letting our imagination run wild. Sometimes it is useful to wait to read about an exhibition until after you go through it for the first time, allowing yourself to creatively contemplate what it means to you at first glance.

We hope that you will visit us at the CAG for the next family day on Saturday, August, 30 (12-3pm) to enjoy the making and the experience of art.

- Kelli Sturkenboom, Communications intern

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From the Archives | Art-Making & Artistic Process


Brendan Fernandes, the CAG’s summer artist in residence has begun the creation process for his new work! I had the pleasure to visit Brendan during one of his rehearsals earlier this week. Fernandes talked about how he will incorporate themes of labour, the duration of time, notions of self-hood and identity into the creation of this piece.

He is challenging the notion of muscle memory and exploring ideas around the foot as a fetishized object. I’m excited to see how Fernandes will integrate notions of stillness and repetition into his piece. We will be following Fernandes’ creation and rehearsal process over the next few weeks, and stay tuned to find out details regarding his open in-progress performance.

- Lindsay Lachance

 

 

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Brendan Fernandes and ‘The Foot Stretcher’


A Vancouver Draw Down report…

On Saturday June 14 I spent the afternoon at the Yaletown-Roundhouse Station with CAG Development Assistant, Olivia and CAG volunteer, Alex as a part of Vancouver Draw Down: the annual city-wide event that invites Vancouverites of all ages to take part in various drawing activities.

The CAG’s contribution to the day-long event was Boulevard Station a drawing workshop that saw participants trace over the top of Marian Penner Bancroft’s installation Boulevard  at the Canada Line’s Yaletown-Roundhouse Station.

Boulevard, a work of mirrored and kaleidoscoped Golden Elms and Sequoias trees, was a perfect venue for our tracing activity. All afternoon we traced different areas of Bancroft’s mural with charcoal, conte, pencils, markers or whatever else people wanted to work with! We got some amazing, creative and beautiful images! Even if the same spot was retraced, they still turned out looking unique and captivating. After each trace was finished we added them to a piece of plywood and created our own hybrid kaleidoscope community tree. It was amazing to see all the different styles, colours and lines that make up one abstract tree, see above for pics from the day and of the drawings made.

We had a great time and I can’t wait to be a part of more public program events at the CAG!

 

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Rounding up Yaletown at the Yaletown-Roundhouse Station for Draw Down


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T 00 1 604 681 2700
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