Artist collective bgl discuss their work and their exhibition Marshmallow + Cauldron + Fire = at the Contemporary Art Gallery, Vancouver, April 2009.
Congratulations to bgl who will represent Canada at the 2015 Venice Biennale.MORE
A time lapse video of Scott Massey’s exhibition Aurorae in the Contemporary Art Gallery windows. The Contemporary Art Gallery presented the first major exhibition of Vancouver artist Scott Massey. With discrete works sited in the windows and at the Canada Line station, Massey linked both locations through two new pieces dealing with shifts in notions of time and place and the mutable connections between them.MORE
Eli Bornowsky interviews Elizabeth McIntosh on the occasion of the exhibition – Eli Bornowsky: Walking, Square, Cylinder, Plane - November 26 – January 22, 2011
© Contemporary Art Gallery, The Western Front and The Artists, 2011.
Dexter Sinister discuss the exhibition An Invitation to An Infiltration, 2010. An ideal context for an examination of the competitive nature of group exhibitions was during the 2010 Winter Olympic Games. Organized by guest curator Eric Fredericksen, An Invitation to An Infiltration was a group exhibition of local and international artists ranging from emerging to established.MORE
Holly Ward discusses her work in the group exhibition An Invitation to An Infiltration, 2010. An ideal context for an examination of the competitive nature of group exhibitions was during the 2010 Winter Olympic Games. Organized by guest curator Eric Fredericksen, An Invitation to An Infiltration was a group exhibition of local and international artists ranging from emerging to established.MORE
If you were walking down Nelson Street in the evening between February 3rd and May 16th, you hopefully spied the work Aurorae by Scott Massey in the CAG street front window spaces. During the day, the window spaces appeared to be coated in some kind of nondescript blue paint and visitors would come into the gallery either unaware that there was something on display or perplexed as to what it represented. When on my volunteer shift at the gallery, I would welcome visitors to make a date to come back to the gallery after dark so that they could enjoy the light-show piece, but as the gallery was closed most evenings after 6 pm, I never really saw if anyone came back to satisfy their curiosity.
I was lucky enough to have a friend live in the building across the street and we made a special tea & art viewing date together, specifically so that we could spend an evening with Aurorae.
But even if you didn’t have a friend living across the street from the gallery, or if you didn’t find the time after dark to see Massey’s light display piece in the window spaces, you’re able to see it here thanks to his time lapse video below.
As the night sky lightens on Massey’s celestial light-show phenomenon, the light takes on a more earthly halogen with Josephine Meckseper’s discussion on consumer culture and the world of advertising. The exhibition American Leg by Josephine Meckseper opens on Thursday, May 24th (7-10 PM). Currently based in New York, this will be Meckseper’s first exhibition in Canada. Additionally Josephine Meckseper will talk on her work on Wednesday May 23 at 7 pm at SFU Woodwards, Goldcorp Centre for the Arts, 149 West Hastings Street, this talk is free and all are welcome.
Scott Massey’s Off-site project Via Lactea (above Glacier Lake) will remain on view at the Yaletown-Roundhouse Station, Canada Line until July 1st. This piece, also dealing with the night sky, can be seen in the day time (or night time).MORE
Matthew Monahan is interviewed for Life on Mars the Carnegie International in 2008. Matthew Monahan’s first Canadian solo exhibition opens at the Contemporary Art Gallery on Thursday April 26 and continues until July 1, 2012.MORE
On Sunday April 1st at the CAG, Tate Modern curator Mark Godfrey gave an engaging talk on Frances Stark’s practice in relation to her work My Best Thing to over 100 visitors. Frances Stark’s My Best Thing is a feature length animation film currently on view until Sunday April 15. Here are some images of the event taken by CAG volunteer Jamie Dolinko.MORE
It is always exciting to retrace the path of an artist you admire.
Today, the gracefulness and lightness of Elspeth Pratt’s work adorns the urban Offsite exhibition space of the VAG. It looks novel and contemporary, seemingly hand-made and whimsical but rendered in a scale that is normally out of proportion to the material.
In this blog entry, I’d like to consider Pratt’s journey towards becoming an important figure in the Vancouver art scene in relation to the CAG.
In several ways the CAG played an important role in her artistic career, being the site of her first solo exhibition. In 1985, Pratt reflected on social commentary, urban issues, art, architecture and man-made environment through her formal sculptures.
In 1988, Robert Linsley, with assistance from the CAG, curated an exhibition of three Canadian sculptors held at Sala 1 gallery in Rome. Among them, Elspeth Pratt would travel to Italy to present her abstract yet gestural sculptures to a European audience in an exhibition entitled “Architettura: Astrazione”.
These are not the only instances Pratt has shown work at the CAG. She also exhibited Bluff in the gallery’s street front windows in 2007. This site-specific work commented on the lack of foresight that characterises downtown Vancouver’s residential-highrise industry.
Currently Pratt’s name is listed among 1000 others in the windows as a reminder of the gallery’s artistic legacy and in commemoration of their 40th anniversary.
To view a short video of the artist commenting on her work, please follow this link:
To read a recent article on Elspeth Pratt’s work at the VAG Offsite location, please refer to:
Roy Arden’s solo exhibition at the CAG is now closed. It was extremely well attended, with 2,479 visitors. On March 19th we celebrated the launch of Arden’s artist publication, UNDERTHESUN, which was available at the gallery free of charge and distributed to various locations around the city. We still have some of the publications left and they will be available at the CAG for the price of $10 once we reopen next week. We also released a special edition of 15 black and white archival pigment prints by Roy Arden. They were a great deal and sold out in a flash!