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Tuesday to Sunday 12 - 6pm
Free Admission
 

Maryam Jafri
Thursday, June 26, 7pm

Please join us for a talk by artist Maryam Jafri. Her video work Avalon (2011) is included in The Act of Seeing with One’s Own Eyes.

In her moving image works, Jafri blurs the distinction between scripted films and unscripted documentaries. In Avalon (2011), Jafri seamlessly weaves together stories from real life workers in an unnamed leather company in an unspecified Asian country, with a script that she wrote herself. The workers in this factory are not told that they are making fetish products to be sold to the masses in the United States, and this selective disclosure can be seen in the disconnect between the production process and the final product itself. Parallels can be made between the secretive nature within the leather factory, the viewer’s unsurety of who is an actor and who is not, as well as to the overall editing process which yields a carefully restrained video work about the complex topics of overseas factories and the world of fetish paraphernalia.

Jafri’s solo exhibitions include: Mouthfeel, Gasworks, London (2014); Backdrop, Bielefelder kustverein, Bielefeld, Germany (2013); Stages, WYSPA Institute of Art, Gdansk (2012); Geographies, Museum of Contemporary Art, Roskilde (2012); Headlines and Small Print (with Anderas Fogarasi), Galerie Nova/WHW Zagreb (2012); Global Slum, Beirut, Cairo (2012) and Shanghai Biennial and Taipei Biennial (2012). She has also exhibited in group exhibitions including: Fassbinder Jetzt – Fassbinder and Contemporary Art, Deutsches Filmmuseum, Frankfurt (2013); Past is Present (Murals), Museum of Contemporary Art, Detroit (2013); Ten Thousand Wiles, Hundred Thousand Tricks, MuKHA, Antwerp (2013); When Attitudes Became Forms Become Attitudes, Museum of Contemporary Art, Detroit (2013); Manifesta 9, Genk (2012). Maryam Jafri lives and works in New York and Copenhagen. She holds a BA in Literature from Brown University, an MA from NYU/Tisch School of The Arts and is a graduate of the Whitney Museum Independent Study Program.

www.maryamjafri.net/avalon.htm

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Artist Talk | Maryam Jafri


Bancroft has been a practicing artist in Vancouver for over thirty years. National and international exhibitions include those at the Vancouver Art Gallery and at the Centre Culturel Canadien in Paris. She is represented in the collections of the Vancouver Art Gallery, the Canadian Museum of Contemporary Photography (the National Gallery) in Ottawa and the Canada Council Art Bank. In addition to photography, her work has included text, sound, drawing, sculpture and more recently, video. Her current interests are the intersections of the photographic image with history, music and mapping strategies in relation to representations of landscape. Bancroft is an Associate Professor at Emily Carr University, where she has been teaching since 1981. She is a member of the board of Artspeak Gallery and is represented in Vancouver by Republic Gallery.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture

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Marian Penner Bancroft


William Wood is an art historian and critic concentrating on the history of conceptual art and contemporary Canadian and international work in photography, moving pictures and installation. Starting as a critic and editor with C Magazine, Vanguard, Parachute and Public, Wood went on to a doctorate at the University of Sussex and has taught at universities in the United Kingdom, Alberta, British Columbia and Ontario. Recent publications include essays for Ian Wallace: At the Intersection of Painting and Photography and Traffic: Conceptual Art in Canada 1965–1980. Forthcoming are writings on The Piano, an exhibition held at the Art Gallery of Alberta this past summer, and Michael Morris: Letters for the Helen and Morris Belkin Art Gallery. For his Feedback talk Wood addressed his remarks to the theme of the para-photographic as it related to the James Welling exhibition and other artists working with photography.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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William Wood


Congratulations to British Columbia born artist Erin Shirreff on WINNING! the AIMIA | AGO Photography prize.

Scroll below, to listen to her artist talk, delivered earlier this year during her exhibition at the Contemporary Art Gallery.

Kelowna born Shirreff presented a talk on her exhibition Pictures and discussed her interest in differing encounters between representations of image and object. Erin Shirreff’s solo exhibition, Pictures,  at the Contemporary Art Gallery was the first presentation dedicated exclusively to the artist’s film and video work.

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Artist Talk | Erin Shirreff - Winner of the AIMIA | AGO Photography Prize 2013


Brendan Fernandes
Tuesday, June 10, 7pm

Brendan Fernandes is a Canadian artist of Kenyan and Indian descent based between Toronto and New York City.
In this artist talk introducing Fernandes’ residency, he discussed his recent projects. This summer the CAG hosts a two month residency with Brendan Fernandes. At the core of the artist’s practice lies an investigation into the concept of authenticity, an ideological construct as a shaper of cultural experience.

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Artist Talk | Brendan Fernandes


Randy Lee Cutler is an Associate Professor in the Faculty of Visual Art + Material Practice at Emily Carr University. As a writer, artist and educator she is invested in the emergence of new cultural forms and expression. In addition to working on an ebook on the metaphor of digestion, Randy is exploring the geological and virtual potential of crystal formations. Drawn from Gilles Deleuze’s writing on cinema, crystal circuits suggest a spectacular form for both the making and experiencing of an art object. The crystal — though empty and transparent — is a flashpoint for symbolic intensities. Launching from Erin Shirreff’s exhibition, Cutler will share her research into crystals.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Randy Lee Cutler: Crystal Circuits


Lisa Schmidt is a curator at Hamburger Bahnhof in Berlin. She worked previously at K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf and with Ute Eskildsen at Museum Folkwang, Essen.

Her talk focused on her most recent exhibition, Das Kind, die Stadt und die Kunst (The Child, the City, and the Art), on view at the Schmela Haus of the Kunstsammlung Nordrhein-Westfalen until 15 September, 2013 which examines the social and aesthetic implications of playgrounds by the Dutch architect Aldo van Eyck, with contemporary responses by artists Yto Barrada, Nils Norman and Gareth Moore.

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Curator Talk | Lisa Schmidt


Romanian artist Ciprian Muresan discusses his work. Presented in collaboration with Emily Carr University of Art + Design.

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Artist Talk | Ciprian Muresan


Colin Browne’s most recent book of poems, ‘The Properties’ was the prompt for this special Feedback talk. Readings and discussion points from Colin Browne led an inquiry into the idea of ‘documentary’ in relationship to the works on display. Colin Browne is a filmmaker, writer, film historian, a professor of film in the School for the Contemporary Arts at Simon Fraser University, and a poet who has been nominated for the Governor-General’s Award for Poetry.

The Feedback series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Colin Browne: Readings and Talk


Dominic McIver Lopes is a Professor in the Department of Philosophy at UBC, President of the American Society for Aesthetics, a member of the British Society of Aesthetics, and a member of the editorial board of the Journal of Aesthetics and Art Criticism. He is also co-editor (with Berys Gaut) of Wiley- Blackwell’s New Directions in Aesthetics. His work focuses on pictorial representation and perception; the aesthetic and epistemic value of pictures, and the ontology of art. He is working on two books entitled Beyond Art and Four Arts of Photography. Tonight he explores taste and suggests new ways of thinking about contemporary art practices.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Dominic McIver Lopes: Acquired Taste - What's the point?


Iglika Ivanova is an Economist and Public Interest Researcher at the Canadian Centre for Policy Alternatives. In her talk both her personal and professional world play a part as she encounters Ciprian Muresan’s work. Born and raised in Bulgaria she understands the shifting global politics in the global world as well as a need for radical change in the local communities. Ivanova holds an MA in Economics from the University of British Columbia and a BA in Economics from Simon Fraser University.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Iglika Ivanova: From East to West


Artist Liz Magor explored her current interests focusing on her experience with re-enactors, who perform a cycle of repetition in their quest to be affiliated with a larger group. Magor is an Associate Professor in Visual Arts at Emily Carr University, her sculptural work involves ordinary or familiar objects often refashioned. She has shown internationally at Documenta and at the Venice Biennale.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Liz Magor: Desire of the Individual


Am Johal is a community developer who works at SFU’s Vancity Office of Community Engagement having previously worked on the Vancouver Agreement in urban economic and social development, as a political advisor, in human rights and as a freelance journalist with Inter Press Service. He was the cofounder of UBC’s Humanities 101 program and was Chair of the Impact on Communities Coalition. He is on the Steering Committee of SFU’s Centre for Dialogue, is a member of the Vancouver City Planning Commission and a board member with the Vancity Community Foundation. He is a part-time doctoral student in Media Philosophy at European Graduate School in Switzerland. In his talk he considers how his work is affected by the critical engagement of the art work on display at the CAG.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Am Johal: The Politics of Community


Bill Pechet is a Lecturer in Practice in the School of Architecture and Landscape Architecture at UBC, with a special concern for the emerging manners of contemporary urban social practice. He also works independently an array of projects from strategic urban planning studies through to residential and retail design, cemeteries, set design, and art-in-public-places installations. Along with Stephanie Robb, Bill represented Canada in the 2006 Venice Biennale of Architecture with a witty critique of leisure culture called SweaterLodge.

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Bill Pechet: The Manners of Social Practises


Prompted by the exhibition of work by Nathan Coley, artist Jin-me Yoon examined questions concerning identity, place and subjectivity in an accelerated globalized era in relation to her practice. These include the consequences for reconsidering power and ideas of progress, and the means for slowing down signification and extending temporality. What are the aesthetic, social and political implications of absence and the void as a paradoxical space ‘full’ with presence and necessary doubt?

Jin-me Yoon is a Professor of Visual Studies at Simon Fraser University and represented by Catriona Jeffries Gallery.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Jin-me Yoon: The Void and Temporality


Los Angeles based artist Matthew Monahan gives a formal lecture on his work exploring the major themes in his practice. This talk coincided with Monahan’s first solo exhibition in Canada and highlights Monahan’s interest in the interplay between two and three dimensions, between drawing and materiality, infused with personal mythology and a self reflective look at the conventions of museum display.

Presented in partnership with Graduate Studies at Emily Carr University of Art + Design.

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Artist Talk | Matthew Monahan


Renowned art historian and writer, former chair at UC Santa Cruz and the University of California, Catherine Soussloff is the former Head of the department of Art History, Visual Art and Theory at UBC, ignited a conversation drawing from the disciplines of historiography, theory and philosophy.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Catherine Soussloff: Death, Benjamin and Melancholy


Anthropologist, curator and UBC Professor Nicky Levell’s interests are located in the interdisciplinary folds of anthropology, theoretical museology, material culture and critical curatorial studies. She responded to Matthew Monahan’s work.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Nicky Levell: Art Through Anthropology


Artist Peter Gazendam drew from his own practice as he toured the Matthew Monahan exhibition, and talked about the many practices of sculpture and its contemporary relationship within history and art.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Peter Gazendam


Prompted by Josephine Meckseper’s work, artist and writer Gareth James speaks to the theoretical and experimental methodologies that underpin his own practice to investigate the artistic considerations which emerge when one artist considers the work of another.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Gareth James: The One and the Many


In this talk, artist Josephine Meckseper discussed her practice exploring the relationship between politics and consumerism. This event was presented in partnership with SFU Woodward’s Cultural Programs. The talk was held at Djavad Mowafaghian Cinema, Third floor, Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver.

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Artist Talk | Josephine Meckseper


Artist Nicolas Sassoon talks on his work and his exhibition WAVES at the Yaletown-Roundhouse Station, Canada Line, Vancouver.

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Artist Talk | Nicolas Sassoon


Chris Lee, Assistant Professor in the Department of English at UBC is interested in the trans-specific circulation of artistic practices and cultures. Prompted by Xu Zhen’s work and in particular his role as a contemporary Chinese artist, Chris Lee drew from his own theoretical concerns to consider the role of Chinese migrations and identities in comparative, transnational and artistic frameworks.

This series invites cultural and critical producers to present thoughts and ideas rooted in their own interests and practices, and invites audiences to join in the conversations that will explore relevant contemporary issues, theories, ideas and culture.

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Chris Lee


Amber Frid-Jimenez is an artist and recently appointed Associate Professor at Emily Carr University of Art + Design. Her talk explored the latent intersections between design, technology and contemporary art. Trained in design and media arts at the MIT Media Lab, her current and recent research and teaching affiliations include the Jan van Eyck Academie in the Netherlands, the MIT Program for Art, Culture and Technology, and the National Academy of Art & Design in Bergen, Norway.

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Amber Frid-Jimenez: The Line Between Them


An in conversation event moderated by Jenifer Papararo. Following brief presentations by the artists, discussions centred around the artists’ practices, works on display and focused on issues of process, use of performance and the reversal of subject/author roles.

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Artist Talk | Ruti Sela, Maayan Amir & Sharon Hayes


Danish Artist Jeppe Hein discusses his work and his CAG exhibition Please Please Please in an artist talk held at Emily Carr University of Art + Design on Friday January 30, 2009. The talk is introduced by Christina Ritchie then Executive Director of the CAG and curator of the exhibition Please Please Please.

links: www.jeppehein.net

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Artist Talk | Jeppe Hein


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