The gallery is currently closed for the installation of the exhibition:
The weakened eye of day
July 29 to October 2, 2016
Opening: Thursday, July 28, 7-9pm
The Contemporary Art Gallery presents a major body of recent work by Irish artist, Isabel Nolan.MORE
Wrapping around the gallery building, the new commission Some words, some more words (2016) by British artist duo John Wood and Paul Harrison, continues their ongoing investigation into the world that surrounds us, the objects we encounter and use daily, and our fundamental engagement with the physical universe in all its sometime or seemingly futile existence. Characteristically playful, phrases are deliberately juxtaposed and positioned against each other to create a fragmentary narrative, drawing our attention to the familiar made strange by altering perceptions of the surrounding architecture and revealing the what and how of how we read language.
John Wood and Paul Harrison live and work in Bristol, UK. Notable solo exhibitions include Von Bartha, Basel; NTT InterCommunication Center, Tokyo; Carroll/Fletcher, London (2015); Museo de Antioquia, Medellin, Columbia (2014); Frist Centre, Nashville, H&R Block Artspace, Kansas and the Contemporary Arts Museum, Houston (2011-12); Kunstmuseum Thun, Switzerland; University of California, Santa Barbara (2010); Ikon Gallery, Birmingham (2009); PICA, Perth (2008); Mori Art Museum, Tokyo (2007); Middlesbrough Institute of Modern Art, UK (2005); Tate Britain, London; MoMA, New York; MIT, Boston (2004) and Chisenhale Gallery, London (2002).MORE
April 15 to August 31, 2016
Off-site: Yaletown-Roundhouse Station, Canada Line
This exhibition is part of Capture Photography Festival.
The Contemporary Art Gallery presents a new commission by Jérôme Havre, the artist’s first project in Vancouver. Originally from France, Havre’s work considers representation, circulation, transmission and translation of black identities, interrogating racialized stereotypes and ideologies projected onto bodies.
Drawing directly onto a found family portrait, Untitled (2010) is a blunt gesture. The image depicts a family posed against a vintage car in a tropical landscape, its warm hues of analog colour giving entry to a past generation. Havre disrupts the scene, scrawling doodles of mask-like forms in white-out directly on to each family member’s face, erasing identity and subjectivity, reforming these physical bodies as alien figures.
Masks are objects held in high esteem in western culture. Through centuries of colonial violence and capitalist extraction these specific objects sit in private and museum collections around the world detached from the action, ritual, communities and physical bodies that they were made for. Disembodied heads without voice, these masked bodies are “stilled,” re-contextualized as stand-ins to represent otherness, here a reflection on western perceptions of blackness.
Jérôme Havre lives and works in Toronto having completed his studies at the École Nationale Supérieure des Beaux-Arts in Paris. Since 2001 he has exhibited in Europe, Africa and North America, including most recently Talking Back, Otherwise, Jackman Humanities Institute, University of Toronto; Paradis: La fabrique de l’image, 14N 61W, Martinique; Land Marks, Peterborough Art Gallery, all in 2015. Havre is currently artist in residence at the Art Gallery of Ontario.MORE
Telus Garden Building
Fourth Floor, 510 West Georgia St.
Open Monday to Friday, 8am – 4pm
Commissioned by TELUS, Re-Visions is a new permanent, site-specific five-channel media installation developed by eight local emerging artists facilitated by the CAG and Cineworks. Mentored by Jem Noble, Brian Lye and Josh Hite, Re-Visions seeks to produce new representations of place through the group’s diverse responses to our city in motion. The installation engages with themes of temporal and spatial transformation, the landscape of Vancouver portrayed through constant, yet fluctuating changes in infrastructure, community and communications. Playing with the idea of a contemporary “city symphony” — an experimental documentary genre that mimics city rhythms in an attempt to create a portrait of everyday city life — the installation turns to repetition and abstraction, rather than literal representation.MORE
CAG programming for young people involves a series of differing projects annually. They provide stimulating and challenging experiences for young artists committed to experimentation and pushing the boundaries of their own art making in a supportive studio environment.
Through these projects, youth have the opportunity to work with leading artists, curators and educators in Vancouver as they explore a range of contemporary art practices and exhibition making alongside production of work such as context-specific installation, large-scale collaborative sculptures and performances. Participants engage in critiques and discussions concerning idea development, working with materials and processes, and viewing works of art.
<h2>Previous youth projects include:</h2>
Inside Out: Studio, Gallery, Street
Open call: Visual Art Summer Intensive
Arts Umbrella, Contemporary Art Gallery and SFU collaboration
August 8 to 26, 2016
Inside Out: Studio, Gallery, Street is a three week visual arts intensive specifically designed for youth between the age of 14 and 19 interested in developing their visual art practice.
The program will culminate in a one-day exhibition at CAG.
Application deadline: Monday, June 6, 2016.
Space is limited. Fee for the intensive is $480.00. Application forms are available at www.artsumbrella.com/vasi
For more information about the program, please contact:
Holly Schmidt, at firstname.lastname@example.orgMORE
My name is Mackenzie Reid Rostad. I’m excited to be joining the team at CAG as this summers Learning Assistant, made possible through the Department of Canadian Heritage, Young Canada Works program. I will learn and, occasionally, I may also assist. Primarily I will aid in hosting CAG artists in residence such as Maddie Leach and Diane Borsato, including young CAG artists through the summer intensives.
Outside CAG, I study at Simon Fraser University, currently pursuing a BFA with a major in film. Within film, my core interests are in writing, scoring and photographing projects. Most recently I completed a short road trip film ‘Without End’. Throughout the summer I will be preparing for my grad project in which I aim to explore the creative process. My involvement with CAG has given me the unique opportunity to gain insight into artists, working in various mediums, and their processes.
I look forward to my time as Learning Assistant supplementing my work both in collaboration and independent of CAG.